Portal: Producción discográfica

Hot Country Songs y Country Airplay son listas que clasifican las canciones de música country de mayor rendimiento en los Estados Unidos, publicadas por la revista Billboard . Hot Country Songs clasifica las canciones en función de las descargas digitales , el streaming y la difusión no solo de las estaciones de country sino de las estaciones de todos los formatos, una metodología introducida en 2012. Country Airplay, que se publicó por primera vez en 2012, se basa únicamente en la difusión de radio country, una metodología que se había utilizado anteriormente durante varias décadas para Hot Country Songs.

A principios de año, la canción número uno en la lista Hot Country Songs era " Cruise " del dúo Florida Georgia Line . Después de caer del primer puesto a finales de enero, la canción se recuperó hasta la cima en abril, comenzando una racha de 19 semanas consecutivas en el número uno. Su total final fue de 24 semanas en la cima de la lista, rompiendo el récord que se había mantenido desde la década de 1940 por la mayor cantidad de semanas acumuladas en la cima de una de las listas de canciones country de Billboard . Este resurgimiento de la canción se debió al lanzamiento a finales de primavera de un remix con la participación del rapero Nelly , que resultó muy popular en la radio de música pop. Gracias a la incorporación a la metodología de la lista de datos de reproducción en antena de todos los formatos de radio, este apoyo de la radio top 40 permitió que "Cruise" mantuviera el primer puesto durante todo el verano. Sin embargo, el remix no resultó tan popular en la radio country y, a finales del verano, la canción estaba en la inusual posición de encabezar la lista Hot Country Songs, pero recibió tan pocas reproducciones en las estaciones de country que no apareció en la lista de reproducción en antena de las 60 posiciones. ( Artículo completo... )

In 1951 Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. The juke box chart was compiled based on a "weekly survey among a selected group of jukebox operators whose locations require country and western records", the best sellers chart based on a "survey among a selected group of retail stores, the majority of whose customers purchase country and western records", and the jockeys chart based on a "weekly survey among a select list of over 400 disk jockeys specializing in country and western tunes". The juke box chart would be discontinued in 1957 and the other two charts merged in 1958 to form a multimetric chart, which has been published weekly since that date and since 2005 has been entitled Hot Country Songs.

In the first issue of Billboard of 1951, each chart had a different number one, although two were by the same artist. Lefty Frizzell was atop both the juke box and jockeys charts, with "If You've Got the Money I've Got the Time" and "I Love You a Thousand Ways" respectively, while the best sellers chart was headed by Hank Snow with "The Golden Rocket". During the year, each of the three charts had a song spend more than ten consecutive weeks at number one: Frizzell had an unbroken run of eleven weeks in the top spot of the best sellers chart with "Always Late (with Your Kisses)" and had a similar run at number one on the jockeys chart with "I Want to Be with You Always". The longest run at number one on any of the charts, however, was the fourteen consecutive weeks which Tennessee Ernie spent atop the juke box chart with "Shotgun Boogie". Frizzell reached number one for the first time in late 1950 and achieved five chart-toppers within 18 months, but soon afterwards his chart performance began to decline, his career suffering in part due to issues in his personal life. He was the only artist with four number-one country songs in 1951; Snow and Eddy Arnold each had three. Hank Williams had two number ones on the jockeys chart, but none on either of the other two charts. (Full article...)

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1960, five different songs topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

In the issue of Billboard dated January 4, the song at number one was "El Paso" by Marty Robbins, the track's third week in the top spot. It held the peak position for the first five weeks of 1960, during which time it also topped the all-genre Hot 100 chart for two weeks. During the remainder of the year, only four other songs reached the top of the Hot C&W Sides listing, three of which each spent twelve or more consecutive weeks at number one. In the issue of Billboard dated February 8, Jim Reeves began a 14-week unbroken run at the top of the chart with "He'll Have to Go", which was immediately followed by a run of the same length by Hank Locklin's "Please Help Me, I'm Falling". Both songs were produced by Chet Atkins, widely seen as the originator of the "Nashville Sound", a new style of country music which eschewed elements of the earlier honky-tonk style in favour of smooth productions which had a broader appeal. Cowboy Copas next spent 12 weeks at number one with "Alabam". Several singles peaked at number two during these songs' extended runs at the top of the chart, including "One More Time" by Ray Price, which spent eight consecutive weeks in second place behind Locklin's song. (Full article...)

The Grammy Award for Best Music Video is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to performers, directors, and producers of quality short form music videos. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

Originally called the Grammy Award for Best Video, Short Form, the award was first presented in 1984, as was a similar award for Best Long Form Music Video. From 1986 to 1997, the category name was changed to Best Music Video, Short Form. However, in 1988 and 1989, the award criteria were changed and the video awards were presented under the categories Best Concept Music Video and Best Performance Music Video. The awards were returned to the original format in 1990. The category was called Best Short Form Music Video until 2012, from 2013 it was shortened to Best Music Video. Award recipients include the performers, directors, and producers associated with the winning videos, except for its first two years when the Grammy went to the performing artist only. For unknown reasons, the award for the Best Music Video in 1987 - Brothers in Arms by Dire Straits - went to the band only, not to the director(s) and/or producer(s). (Full article...)

Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2018, three different songs topped the Hot Country Songs chart and 33 different songs topped Country Airplay.

The Country Airplay chart began the year with "Like I Loved You" by Brett Young holding the top position, while "Meant to Be" by Bebe Rexha and Florida Georgia Line held the number one spot on Hot Country Songs, continuing a run that had begun on the chart dated December 16, 2017. When "Meant to Be" spent an eleventh week in the top spot in February, it overtook Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-running number one song on the chart for a lead female artist. In August, the song spent a 35th consecutive week in the top spot and broke the record previously held by 2017's "Body Like a Back Road" by Sam Hunt for the most weeks at number one on the chart. "Meant to Be" ultimately held the top spot on the Hot Country Songs listing until the issue of Billboard dated November 24, 2018, when it was replaced at number one after 50 weeks by "Lose It" by Kane Brown. This was the second number one for Brown after "What Ifs", which had coincidentally ended Hunt's then-record run the previous year. The longest-tenured number one single on Country Airplay in 2018 was "She Got the Best of Me" by Luke Combs, with four weeks spent at the top. (Full article...)

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1978, 31 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

Several number ones of 1978 came from artists associated with the so-called outlaw country subgenre, which had emerged as a more hard-edged alternative to the slick production values seen in country music earlier in the 1970s. Two of the most prominent exponents of the outlaw style, Waylon Jennings and Willie Nelson, collaborated on the longest-running number one of the year, "Mammas Don't Let Your Babies Grow Up to Be Cowboys", which spent four weeks atop the chart; each also reached number one individually. Jennings' total of seven weeks spent in the top spot was the most by any artist. Nelson was one of only two artists to take three different singles to number one during the year, as he also reached number one with his recordings of two pre-World War II songs, "Georgia on My Mind" and "Blue Skies", taken from Stardust, an album on which he covered a range of pop standards. Kenny Rogers also achieved three number ones, as he topped the listing with "Love or Something Like It", "The Gambler" and "Every Time Two Fools Collide", a collaboration with Dottie West. (Full article...)

Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list.

A period known as the "Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York. (Full article...)

The Record Mirror is a former British weekly pop music newspaper. From 1955 until 1962, the Record Mirror compiled its own record chart which was used by many national newspapers. It formed as a rival to the existing chart published by NME. The Mirror's chart was based on the postal returns from record stores that were financed by the newspaper, whereas the rival chart in the NME was based on a telephone poll. On 22 January 1955, the Mirror published its first chart, compiled using figures from 24 shops. The first chart-topper was "Mambo Italiano" by Rosemary Clooney, with the newspaper having compiled a Top Ten. The chart was expanded from a Top Ten to a Top Twenty on 8 October 1955. In the early 1960s some national newspapers switched to using a chart compiled by Melody Maker and, ultimately, the cost of collecting sales figures by post led to the chart's demise. On 24 March 1962, the paper stopped compiling its own chart and started publishing Record Retailers Top 50.

Record charts in the United Kingdom began life on 14 November 1952 when NME imitated an idea started in American Billboard magazine and began compiling a hit parade. Prior to 15 February 1969, when the British Market Research Bureau chart was established, there had been no universally accepted chart. During this time the BBC used aggregated results of charts from the Mirror and other sources to compile the Pick of the Pops chart. However, according to The Official Charts Company and Guinness' British Hit Singles & Albums, the NME is considered the official British singles chart before 10 March 1960. After that date and until 1969 a chart compiled by Record Retailer is considered the official British singles chart. ('Full article...)

The Grammy Award for Best Melodic Rap Performance (awarded as Best Rap/Sung Collaboration until 2017, and Best Rap/Sung Performance from 2018 to 2020) is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality songs on which rappers and singers collaborate. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

The name and definition of the category were changed in June 2020, with immediate effect, to represent the inclusivity of the growing hybrid performance trends within the rap genre. According to the Recording Academy, "This category is intended to recognize solo and collaborative performances containing elements of rap and melody over modern production. This performance requires a strong and clear presence of melody combined with rap cadence, and is inclusive of dialects, lyrics or performance elements from non-rap genres including R&B, rock, country, electronic or more. The production may include traditional elements of rap or elements characteristic of the aforementioned non-rap genres." (Full article...)

The Grammy Award for Best Music Film is an annual accolade for performers, directors, and producers of quality videos or musical programs. It is presented at the Grammy Awards, a ceremony established in 1958 when it was called the Gramophone Awards. (Full article...)