Las fuentes Monotype fueron desarrolladas por la empresa Monotype. Este nombre ha sido utilizado por tres empresas. Dos de ellas tenían sus raíces en el "metal caliente" o tipografía de plomo en la industria de la impresión. No se adaptaron cuando el mercado cambió a medida que los sistemas informáticos, offset y fotográficos se volvieron dominantes. Estas fueron:
Una tercera empresa produce fuentes para uso informático:
Esta última firma es en cierto sentido la sucesora de la fábrica inglesa Monotype. Tiene los derechos sobre los diseños originales, y posteriormente obtuvo los derechos sobre muchos más diseños de otras fuentes. Los restos del archivo de producción y lo que queda de las máquinas se encuentran en el Type Museum de Londres , Inglaterra. Allí todavía se puede acceder a las matrices originales y encargar partes de las antiguas máquinas. La colección en sí es propiedad del British Science Museum . La supervivencia del Type Museum se vio amenazada ya que el edificio ya no era propiedad del Science Museum, y estaba en muy mal estado de conservación, y el nuevo propietario pretendía otros usos para la propiedad. El Type Museum fue cerrado y todo el equipo ha sido almacenado en los Archivos Nacionales . [1]
Una máquina de colada Monotype Las dos primeras empresas mencionadas anteriormente produjeron una larga lista de fuentes, que se identificaban por nombres y números de serie. Ese diseño tipográfico con el tiempo adquirió una muy buena reputación y la marca "Monotype" era sinónimo de alta calidad y confiabilidad. [2]
En su nombre se han llevado a cabo numerosas investigaciones tipográficas sobre diseños de caracteres históricos de los primeros años de la tipografía. Muchas de las letras se produjeron como "retoques", incluidos caracteres de Garamond , Baskerville , Bodoni , Bembo , Caslon y muchos otros tipos de letra.
La principal diferencia entre ambas firmas es que las fuentes americanas no coinciden con las inglesas. Las letras con el mismo nombre en la mayoría de los casos tienen un diseñador diferente y su apariencia e implementación difieren. Los números de identificación no coinciden todos.
Las matrices de las dos empresas también difieren en cuanto a profundidad, la imagen dentro de la matriz, la implementación y el tamaño. Por ejemplo, las matrices americanas son 0,025 mm (0,010 pulgadas ) más bajas, y en consecuencia el interior de los moldes de fundición americanos debe ser más alto para producir caracteres con una altura de tipo de 23,3 mm (0,918 pulgadas). Esta fue una de las muchas medidas adoptadas por las dos empresas Monotype para dividirse el mercado mundial entre ellas. Por ejemplo, las americanas atendían los mercados americano y canadiense. La empresa británica, The Monotype Corporation Ltd. en Salfords, tenía muchos clientes en la India, África y Asia. Para estos países se crearon muchos tipos de letra no latinos para imprimir en hebreo, javanés, sánscrito, cingalés, tailandés y otros idiomas.
Las máquinas de composición por inyección de The Monotype Corporation producían páginas compuestas listas para usar con texto compuesto por piezas individuales de tipo. La máquina proporcionaba líneas rellenas, justificándolas añadiendo espacios de distintos anchos. Estas máquinas de acabado se controlaban con una cinta de papel. Escribir los textos en los teclados era un trabajo manual que llevaba mucho más tiempo que la inyección. Una máquina de composición por inyección necesitaba las cintas de al menos tres teclados distintos. La corrección de la composición final se lograba simplemente reemplazando los tipos móviles. Las líneas no necesitaban ser reimpresas, como en las máquinas Linotype .
Un teclado Monotype; el carrete de cinta o cinta que se está produciendo está en la parte superior Estas máquinas de composición podían producir tipos en tamaños de hasta 14 puntos de ancho de fuente pica o Didot. Las máquinas y moldes personalizados de "composición grande" podían proporcionar composiciones de hasta 36 puntos. Las matrices son correspondientemente más grandes y hay espacio para un solo alfabeto en la caja de la matriz. Por esta razón, una tirada de máquina no podía proporcionar composiciones en tipografía romana y cursiva, por lo que se requería trabajo manual adicional en tales casos.
Estuche Monotype matrix para composiciones de gran tamaño Los tipos para composición manual también se fundían con máquinas Monotype; todos los caracteres de hasta 36 puntos y las líneas podían fundirse en una máquina de composición grande. Otra máquina era la "super-caster" o "supra", que podía fundir tipos simples. Después de la conversión, también podía utilizarse para fundir cualquier material necesario en las imprentas, incluidas las regletas, los adornos y diseños similares, así como caracteres de hasta 72 puntos. Había moldes con insertos para tamaños de 14 a 36 puntos. Para los tamaños aún más grandes de 42, 48, 60 y 72 puntos se utilizaba otro molde de tipos. La máquina debía reconfigurarse para cada requisito de tipo diferente.
Disposición de la unidad El ancho de los tipos Monotype impresos en caliente se expresa en unidades de un juego. La letra más ancha del alfabeto, normalmente la "W" mayúscula, se medía en puntos de un cuarto de pica , siendo la unidad 1 ⁄ 18
1 pica = 1 ⁄ 6 1 punto de pica = 1 ⁄ 12 1 ⁄ 6 1 unidad 1 juego = 1 ⁄ 18 1 ⁄ 12 1 ⁄ 6 1 ⁄ 1296 1 unidad 12 juegos = 12 ⁄ 1296 Todos los caracteres fueron diseñados para tener anchos de un número entero de unidades del conjunto: 5, 6, 7, 8, 9, 10, hasta 18 o incluso más.
5 unidades 12 juegos = 0,046296 pulgadas 6 unidades 12 conjunto = 0,055555 7 unidades 12 conjunto = 0,064815 .....
18 unidades 12 juegos = 0,1667 pulgadas Los manuales ingleses y americanos utilizan un tamaño diferente para la pica: la nueva pica = 0,1660 pulgadas. En el continente europeo, todas las cuñas y tablas de los manuales se basan en la pica "antigua" = 0,1667 pulgadas y esas cuñas se pueden identificar por la E mayúscula adicional (= inglesa). Esto da lugar a pequeñas diferencias en las tablas de los distintos manuales. Sin embargo, en la práctica, estas diferencias son tan pequeñas que apenas suponen una diferencia cuando se lanza con una cuña S5-E o una cuña S5 basada en la nueva pica. Todos los caracteres están diseñados para tener como ancho un número entero de unidades del conjunto.
Por ejemplo, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8... La lista con estos anchos se llama "disposición de unidad" (UA). Diferentes fuentes pueden tener la misma UA. En algunos diseños de fuentes, la disposición de unidad puede ser diferente para cada tamaño de punto, por ejemplo, con Lutetia (tipo de letra) y algunas otras fuentes de Jan van Krimpen . Estas UA son esenciales para el diseño del caso de la matriz, en el que las matrices se ordenan en filas por los anchos de unidad. A las diversas "disposiciones de unidad" se les han asignado números.
Descendientes largos y cortos Las letras gjpqy ij son descendentes . En la tipografía cursiva, la f y la "s larga" también son descendentes.
Muchas de las fuentes más antiguas estaban pensadas principalmente para su uso en columnas de periódicos. Times New Roman es un buen ejemplo, pero había muchas otras. En estas fuentes, los trazos descendentes se mantenían lo más cortos posible para que todo el texto pudiera tener el mismo interlineado. Sin embargo, para muchas fuentes destinadas a producciones de lujo también había variantes más largas de los trazos descendentes; por lo general, era necesario ajustar el interlineado para acomodarlos al momento de la fundición.
Impresión tipográfica El diseño de las fuentes para impresión tipográfica debe ajustarse a esta técnica. La razón es que el tipo se imprime con cierta fuerza sobre el papel, presionando la tinta del tipo hacia los bordes de la letra. En consecuencia, el centro del carácter se imprime un poco más claro que los bordes. Esto da como resultado lo que se denomina un "borde de perla". Se mejora aún más porque no solo se entinta la superficie del tipo, sino también los biseles que lo rodean, lo que también contribuye al efecto visual del tipo de letra impreso, como se puede ver fácilmente con una lupa. [3]
El borde con cuentas y el centro brillante de la impresión sugieren una tipografía caligráfica. Y con la impresión tipográfica hay una selección mucho más amplia de tipos de papel adecuados, a menudo más caros, que se pueden imprimir.
Ajustes de la computadora Después de que las empresas de "metal caliente" dejaran de producir debido a la transición de la impresión tipográfica a la impresión offset en cada vez más imprentas, siendo Lanston Monotype la primera en hacerlo en Estados Unidos, los diseños de las fuentes necesitaban ser adaptados para su uso en ordenadores. Existe una diferencia en comparación con los antiguos caracteres de metal caliente, ya que la relación fija entre el ancho de las letras en la disposición de las unidades se considera a menudo una desventaja. Este problema se ha debatido durante mucho tiempo, por ejemplo, por Jan van Krimpen .
El diseño de un tipo de mina no se puede copiar sin algunos ajustes, ya que la presión sobre el tipo de mina durante la impresión presiona la tinta hacia los lados y la apariencia final de la letra en el papel es más ancha que la superficie del carácter de mina. Este ancho adicional no es el mismo en todos los lugares alrededor del carácter. Depende de la superficie del papel utilizada, la presión, el tipo de prensa, si es de cilindro o de platina, y muchos otros factores.
Muchas fuentes digitales de la primera era digital tienen este defecto característico. La superficie metálica se ha copiado simplemente, con lo que el color de las páginas impresas es demasiado claro. En la impresión offset u otras técnicas de impresión modernas, la tipografía de la plancha y de la letra impresa coinciden mucho más. El uso de papeles estucados en su mayoría con tipos offset también tiene un efecto. Durante el proceso de diseño de la tipografía hay que tener en cuenta todo esto, ya que un simple dibujo de la superficie de una letra de plomo sin ningún ajuste para la impresión offset o por ordenador no dará un buen resultado.
Lista de tipos de letra La lista alfabética que aparece a continuación se refiere principalmente a las fuentes producidas por la empresa inglesa Monotype, que fabrica "metal caliente". Los números que se mencionan a continuación proceden de las "especimen-blades" inglesas, de cuatro ediciones de los folletos "Monotype book of information" y de información adicional del London Type Museum.
En los años 60 se dejaron de fabricar muchas fuentes Monotype. Los "patrones" de los originales a partir de los cuales se crearon los punzones, los punzones y todo el stock de matrices restantes se destruyeron. La fuente ha desaparecido, salvo las matrices que se encuentran en posesión de varios impresores. Las hojas de muestra de estas fuentes son especialmente difíciles de encontrar y faltan en muchas colecciones.
Se añaden a la lista un pequeño número de diseños de letras estadounidenses, designados por "Am" y su número. Las matrices estadounidenses difieren de las de Inglaterra. Las matrices estadounidenses tenían una profundidad de grabado 0,0025 mm (0,0010 pulgadas) menor. En consecuencia, los moldes estadounidenses tenían una profundidad de grabado 0,0025 mm (0,0010 pulgadas) mayor en comparación con los moldes de la fábrica de Salfords, Reino Unido. En consecuencia, las matrices estadounidenses sobre un molde inglés producen una letra baja. Las matrices inglesas sobre moldes estadounidenses producen tipos de altura francesa.
La lista de letras de computadora de Monotype Imaging, Inc. se modifica constantemente y se puede consultar mejor en el sitio web de la empresa. [4]
Fuentes latinas
A 297: Acier (nunca publicado) 319: Acier Grey and White (nunca publicado) 481: Alberto Romano Introducción: 1935 [5] matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 36 puntos 48 puntos 60 puntos 72 puntos línea: T.1848 T.2363 T.3166 T.4754 T.6418 y T.8070 T.9680
538: Título en negrita de Alberto en romano Introducción: 1938 [6] matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1533 T.1985 T.2652 T.3255 T.3974 T.4675 T.5358 T.6720 T.8070
534: Alberto romano ligero Introducción: 1940 [7] Matrices de visualización, tamaño único: línea de 24 puntos .2652 324: Título romano de Alberto (1940 ?) [8] matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1848 T.2363 T.3166 T.3884 T.4754 T.5606 T.6418 T.8070 T.9680
__5: Albión romano Matrices de composición UA.2 = 6pt - 12pt [9] tamaño: 6 puntos 8 puntos 10 puntos 12 puntos colocar: 6,75 8 9.25 11.25 línea: M.1235 M.1270 M.1305 M.1360
_42: Albión (No 2) Romana Matrices de composición UA.2 = 6,5pt - 12pt [10] tamaño: 6,5 puntos 7,5 puntos 9 puntos 10 puntos 11 puntos 12 puntos 13 puntos colocar: 7,75 8 9 9,75 10.5 11.5 12.5 línea: M.1235 M.1238 M.1270 M.1300 M.1320 M.1360 M.1390
_63: Albión romano UA.2: 6,5 puntos - 13 puntos [11] tamaño: 6 puntos 7D 9 puntos 10 puntos 11 puntos 12 puntos 13 puntos colocar: 6.5 7.5 8.25 9,75 9.5 10,75 11.5 línea: M.1224 M.1250 M.1270 M.1290 M.1320 M.1360 M.1390
_70: Albión (No 4) Romana Matrices de composición: UA.2: 6,5pt - 13pt [10] tamaño: 6,5 puntos 7,5 puntos (7D)9 puntos 10 puntos 11 puntos 12 puntos 13 puntos colocar: 7,75 8.5 9,75 10 11 12.25 13 línea: M.1225 M.1243 M.1280 M.1300 M.1327 M.1360 M.1387
_74: Albion Roman extendido Matrices de composición: UA.3: 6D - 13pt [12] tamaño: 6D 7D 9 puntos 10 puntos 11 puntos 12 puntos 13 puntos (12 D)colocar: 7,75 8.5 9,75 10 11 12.25 13 línea: M.1225 M.1240 M.1260 M.1290 M.1320 M.1360 M.1390
matrices de visualización: tamaño: 14 puntos 18 puntos 22 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1533 T.1995 T.2308 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
264: Albion (fue retirado de producción en 1965) 270: Aldine Bembo (ver: Bembo 270 ) 370: Titulación de Aldine Bembo (ver: Titulación de Bembo ) 491: Anchor (retirada de producción, "cancelada") Producido únicamente para uso informático. 555: Angulus Roman / cursiva Matrices de composición: UA.474: solo un tamaño disponible 4.4pt [13] tamaño: 4.5D colocar: 5.5 línea: M.1185
207: Romana antigua / itálica (ver: 207 Estilo antiguo antiguo ) 307: Antiguo (fue retirado de producción en 1965)Matrices de composición: UA = 70, solo: 5,5pt y 7pt [14] tamaño: 5,5 puntos (5D)7 puntos (7D)colocar: 6.25 8.5 línea: .1262 .1314
407: Antiguo (fue retirado de producción en 1965)Matrices de composición: UA = 70 [15] 407-9 (8D) 9,5 conjunto Forro: M.1338
354: Antique (No. 2) (retirada de producción en 1967)Matrices de composición: UA = 335 [16] tamaño: 8 (8D)10 (10D)12 (12D)colocar: 10,75 13.5 16 línea: M.1348 M.1440 M.1525
_74: Antiguo extendido (ver Jónico , ver: Albión extendido ) 153: Antiguo Extendido (ver: Albion Extendido ) 223: Antiguo pesado (ver: Devonshire Bold ) 224: Fuente condensada antigua y pesada (ver: Devonshire Bold Condensed ) __9: Latín antiguo (ver: Latín antiguo ) _60: Latín antiguo (ver: Latín antiguo n.° 2 ) _78: Latín antiguo (ver: Latín antiguo n.º 3 ) _84: Latín antiguo (ver: Latín antiguo n.° 4 ) __3: Estilo antiguo antiguo n.º 3 Romana / cursiva Matrices de composición: UA.2 = 6pt - 12pt [17] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)colocar: 6.5 7,75 8.5 9.25 9,75 10.5 12 línea: M.1200 M.1240 M.1250 M.1280 M.1300 M.1320 M.1355
161: Estilo antiguo antiguo n.º 3 Romana / cursiva Matrices de composición: Roman UA.29, itálica UA.54, 6pt - 12pt [18] tamaño: 6 puntos (6D)8 puntos (8D)9 puntos (9D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)colocar: 6.5 8 8,75 9.5 10.5 11,75 línea: M.1220 M.1250 M.1266 M.1294 M.1331 M.1410
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
124: Antique Old Style No. 1 sinónimos: Old Style Antique y Serie 124 (en 1967 se retiró de producción)Todos los descensores están disponibles en dos versiones: descensor corto y descensor largo. Matrices de composición: UA.1, 6pt - 12pt (faltan 6pt en las hojas de muestras más antiguas) [19] tamaño: 6 puntos (6D)de 8 puntos sobre 7 puntos (7D) 8 puntos (8D)de 9 puntos sobre 8 puntos (8D) 9 puntos (9D)10 puntos (9D)11 puntos (10 D)12 puntos (12D)colocar: 6.5 8.5 8.5 9.25 9.25 9,75 10.5 11,75 línea: M.1200 M.1250 M.1250 M.1280 M.1280 M.1300 M.1320 M.1355
207: Romana antigua de estilo antiguo / cursiva Matrices de composición: UA.70 = 6,5pt - 10pt [14] tamaño: 6,5 puntos (6D)7 puntos 8 puntos colocar: 7,75 7,75 8,75 línea: M.1268 M.1268 M.1314
Sin matrices para metal caliente 252: Arrighi Itálica (ver: Centauro ) 238: Ashley Crawford (cancelada en 1967)matrices de visualización: [20] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: .1672 .2145 .2896 .3484 .4123
279: Ashley Crawford Plain (cancelada en 1967)matrices de visualización: [21] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: .1748 .2243 .2996 .3684 .4494
574: Guión de Ashley Matrices de visualización: 14-72 pt [22] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1364 T.1751 T.2338 T.2864 T.3494 T.4106 T.4708 T.5910 T.7090
Sin matrices para metal caliente
B 178: Barbou Roman / cursiva Matrices de composición: UA.447: 8 - 12pt [23] tamaño: 8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12 puntos (12D)colocar: 7.25 8 8.5 9.25 10 línea: M.1270 M.1295 M.1300 M.1327 M.1360
169: Baskerville Roman / itálica Matrices de composición: UA.43: 6D - 14pt [24] tamaño: 6 puntos (6D)7 (7D)8 puntos (8D)9 puntos (8 D)9,5 puntos (9D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)14 puntos (14D)colocar: 6,75 7.5 8.25 9 9.5 10 10,75 12 13 línea: M.1220 M.1235 M.1250 M.1266 M.1291 M.1294 M.1320 M.1360 M.1520
Matrices de composición grande: Roman UA.136 de 14-18 pt, itálica UA.141: 22pt: solo Roman, 24pt: Roman UA.136, cursiva UA.150 tamaño: 14 puntos (14D)16 puntos (16D)18 puntos (18D)22 puntos (22 D)24 puntos (24D)colocar: 13 14.5 15.25 19 21 línea: T.1395 T.1600 T.1672 T.2040 T.2226
matrices de visualización: tamaño: 14 puntos 16 puntos 18 puntos 20 puntos 22 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1395 T.1600 T.1672 T.1853 T.2040 T.2226 T.2780 T.3332 T.3886 T.4440 T.5685 T.6830
312: Baskerville negrita romana / cursiva Matrices de composición: UA.332: 6D - 14pt [25] tamaño: 6 puntos (6D)7 (7D)8 puntos (8D)9 puntos (8 D)9,5 puntos (9D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)14 puntos (14D)colocar: 6,75 7.5 8.25 9 9.5 10 10,75 12 13 línea: M.1220 M.1235 M.1250 M.1266 M.1291 M.1294 M.1320 M.1360 M.1520
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 48 puntos 60 puntos 72 puntos línea: T.1395 T.1672 T.2226 T.2784 T.3332 T.4440 T.5685 T.6830
313: Baskerville negrita (ver: 313 Baskerville Semi-Bold ) 377: Baskerville Bold Large Face (cancelado en 1967)matrices de visualización: [26] tamaño: 48 puntos 60 puntos 72 puntos línea: .4992 .6236 .7115
376: Títulos en negrita de Baskerville para encabezados de periódicos (cancelado en 1965)Matrices de composición grande: UA.374: 14pt, 18pt y 24pt emitidos a 18pt combinados en un marco de matriz [27] tamaño: 14 puntos 18 puntos 24 puntos colocar: 18 18 línea: .2075 .2075 .2075
378: Títulos en negrita de Baskerville para encabezados de periódicos (cancelado en 1965)Matrices de composición grande: UA.372: 14pt, 18pt y 24pt emitidos a 18pt combinados en un marco de matriz [28] tamaño: 14 puntos 18 puntos 24 puntos colocar: 18 18 18 línea: .2213 .2213 .2213
380: Título extra negrita de Baskerville (cancelado en 1967)matrices de visualización: [29] tamaño: 36 puntos línea: .3704
312: Baskerville Heavy (ver: 312 Baskerville Bold ) 313: Baskerville Semi-Bold Roman / itálica Matrices de composición: UA.332: 6D - 14pt [24] tamaño: 6 puntos (6D)7 (7D)8 puntos (8D)9 puntos (8 D)9,5 puntos (9D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)14 puntos (14D)colocar: 6,75 7.5 8.25 9 9.5 10 10,75 12 13 línea: M.1220 M.1235 M.1250 M.1266 M.1291 M.1294 M.1320 M.1360 M.1520
matrices de visualización: tamaño: 18 puntos línea: T.1672
381: Títulos de Baskerville para encabezamientos de periódicos (cancelado en 1965)Matrices de gran composición: UA.372: 14pt, 18pt y 24pt fundidos a 18pt combinados en una sola caja de matriz [30] tamaño: 14 puntos 18 puntos 24 puntos colocar: 18 18 18 línea: .2213 .2213 .2213
Campana 341: Bell Roman / itálica Matrices de composición: UA.314: 8D - 14pt [31] tamaño: 8 puntos (8D)9 puntos (9D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 8.5 9.5 10 11 12 13.25 línea: M.1240 M.1267 M.1285 M.1314 M.1335 M.1385
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1304 T.1711 T.2284 T.2804 T.3424
619: Campana Gótica Romana Matrices de composición: UA.445: 6 y 8 puntos [32] tamaño: 6 puntos (6D)8 puntos (8D)colocar: 7 9 línea: M.1245 M.1310
620: campana gótica romana audaz Matrices de composición: UA.445: 6 y 8 puntos [32] tamaño: 6 puntos (6D)8 puntos (8D)colocar: 7 9 línea: M.1245 M.1310
270: Bembo Roman / cursiva Matrices de composición: UA.91: 6D - 14pt [33] variantes: numerales alternativos: F537, F538, mayúsculas alternativas: R 203, M 145, R 224 tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (8 D)10 puntos (10 D)10,5 puntos (9D)11 puntos (10 D)12 puntos (11 D)13 puntos (12 D)14 puntos (14D)
colocar: 6,75 7.5 7.5 8.25 8.5 9 9.5 10.25 11 11.5 línea: M.1237 M.1243 M.1243 M.1270 M.1292 M.1312 M.1322 M.1343 M.1378 M.1444
Matrices de composición grande: 14pt-24pt tamaño: 14 puntos (14D)16 puntos (16D)18 puntos (18D)24 puntos (24D)Unida. 91 163 169 169 colocar: 11.5 13.5 14.5 19.5 línea: T.1344 T.1559 T.1725 T.2302
matrices de visualización: tamaño: 14 puntos 16 puntos 18 puntos 22pt sobre 24pt24 puntos 30 puntos 36 puntos 48 puntos 60 puntos 72 puntos línea: T.1344 T.1559 T.1725 T.2104 T.2302 T.2824 T.3444 T.4648 T.5821 T.6980
428: Bembo negrita romana / cursiva Matrices de composición: UA.368: 6D - 14pt [34] tamaño: 6 puntos (6D)7D en 8p E8 puntos (8D)9 puntos (8 D)10 puntos (10 D)10,5 puntos (10 D)11 puntos (10 D)12 puntos (11 D)13 puntos (12 D)14 puntos (14D)colocar: 6,75 7.5 7.5 8.25 8.5 9 9.5 10.25 11 11.5 línea: M.1237 M.1243 M.1243 M.1270 M.1293 M.1312 M.1322 M.1353 M.1378 M.1444
Matrices de composición grande: 14pt-18pt tamaño: 16 puntos (16D)18 puntos (18D)Unida. 399 399 colocar: 13.5 14.5 línea: T.1559 T.1725
matrices de visualización: tamaño: 24 puntos 30 puntos 36 puntos 48 puntos línea: T.2302 T.2824 T.3444 T.4648
294: Bembo condensada cursiva cursiva Matrices de composición: UA.360: 10pt - 13pt UA.361: 16pt [35] tamaño: 10 puntos (10 D)12 puntos (12D)13 puntos (12 D)16 puntos colocar: 8.5 10.25 11 13.5 línea: M.1292 M.1353 M.1378 M.1559
428: Bembo Heavy (ver: 428 Bembo Bold ) 509: Bembo, seminegrita, romana / cursiva Matrices de composición: UA.91: 5,5pt [36] tamaño: 5,5 puntos (5,5 D)colocar: 6.5 línea: M.1235
370: Bembo titula en letra romana / cursiva matrices de visualización: [36] tamaño: 24 puntos 30 puntos 36 puntos 42 puntos línea: T.2942 T.3614 T.4436 T.5196
643: Berling Roman / itálica (cancelada en 1973)Punzones fabricados en colaboración con Berlinska Stilgjuteriet, Lund Matrices de composición: UA.495: 6D-12D [37] tamaño: 6D sobre 7pt8D sobre 9pt9D sobre 10pt10D sobre 11pt11D sobre 12pt12D sobre 13ptcolocar: 6.5 8.5 9.25 10.25 11.5 12.5 línea: M.1237 M.1311 M.1385 M.1385 M1459 M.1459
644: Berling, letra romana seminegrita Punzones fabricados en colaboración con Berlinska Stilgjuteriet, Lund Matrices de composición: UA.496: 6D-12D [37] tamaño: 6D sobre 7pt8D sobre 9pt9D sobre 10pt10D sobre 11pt11D sobre 12pt12D sobre 13ptcolocar: 6.5 8.5 9.25 10.25 11.5 12.5 línea: M.1237 M.1311 M.1385 M.1385 M1459 M.1459
213: Bernardo condensó la obra romana matrices de visualización: [38] tamaño: 14 puntos 16D sobre 18pt20D sobre 22pt24D en 30pt30 puntos 36D en 36pt42D en 48pt48D en 60pt60D en 72pt72 puntos línea: T.1671 T.2008 T.2520 T.2984 T.3444 T.4474 T.5249 T.6040 T.7570 T.8550
119: Blado Italic italic (diseñada para usarse con Poliphilus 170 )Matrices de composición: UA.53: 10pt - 13pt [39] tamaño: 10 puntos (9D)11 puntos (10 D)12 puntos (12D)13 puntos (12 D)colocar: 8.5 9.25 10,75 11.5 línea: M.1299 M.1326 M.1374 M.1399
Matrices de composición grande: 16pt = UA.142 tamaño: 16 puntos colocar: 13.5 línea: T.1577
matrices de visualización: tamaño: 24 puntos línea: T.2352
135: Bodoni Roman / cursiva (sinónimo: Bodoni no.3 )Matrices de composición: UA.1: 6pt-13pt, UA.77: 14pt [40] Variantes: descendentes largos y "Cara grande" en 11pt tamaño: 6 puntos (6D)6.5 (6D) en 7 pica7 puntos (6D)7,5 puntos (7D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)de 11 puntos 12 puntos (12D)13 puntos (12 D)14 puntos (14D)colocar: 6.5 6.5 7 7,75 7,75 8.5 9.5 10.25 11 11,75 12,75 13.5 línea: M.1164 M.1164 M.1210 M.1238 M.1238 M.1260 M.1279 M.1302 M.1315 M.1347 M.1372 M.1448
Matrices de composición grande: 16pt, 18pt, 24pt Roman, UA.425 = 24pt itálico tamaño: 16 puntos (16D)18 puntos (18D)24pt (24D) Roman24pt cursivaUnida. 77 77 78 425 colocar: 15.5 17 23 23 línea: T.1551 T.1741 T.2324 T.2324
matrices de visualización: tamaño: 14 puntos 16 puntos 18 puntos 22pt sobre 24pt24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1356 T.1551 T.1741 T.2122 T.2324 T.2914 T.3470 T.4162 T.4716 T.5823 T.7100
254: Bodoni No. 2 (ver también: 357 Bodoni No. 2 ) (cancelado en 1967)Matrices de visualización: 4 tamaños [41] tamaño: 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1708 T.2276 T.2844 T.3404
288: Bodoni No. 1 (cancelado en 1967)Matrices de composición: UA.364: 10D-12D-14D [42] tamaño: 10D en 11pica12D en 13pica14D colocar: 10.25 11.5 12,75 línea: M.1280 M.1323 M.1365
357: Bodoni n.º 2 romano / cursiva (ver: 357 Libro Bodoni )Matrices de composición: UA.319: 8pt-12pt [43] tamaño: 8 puntos (8D)9 puntos (9D)10 puntos (10 D)12 puntos (12D)colocar: 8 9 9,75 11.5 línea: M.1277 M.1309 M.1315 M.1366
504: Bodoni No 5 Roman / cursiva (ver: 504 Bodoni 357 )Matrices de composición: UA.319: 8pt-12pt [44] tamaño: 8 puntos (8D)9 puntos (9D)10 puntos (10 D)12 puntos (12D)colocar: 8 9 9,75 11.5 línea: M.1282 M.1314 M.1322 M.1372
195: Bodoni , novela audaz Matrices de composición: UA.3: 6pt-12pt [45] tamaño: 6 puntos (6D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12 puntos (12D)colocar: 6.5 7,75 8.5 9.5 10.25 11,75 línea: M.1164 M.1238 M.1260 M.1279 M.1302 M.1347
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1356 T.1708 T.2276 T.2844 T.2914 T.4024 T.4578 T.5823 T.6962
260: Bodoni Bold Roman / italic , variante Vette para la serie 135Matrices de composición: Roman UA.2 itálica UA.143: 6pt-13pt; Roman UA.417, itálica UA.143: 14pt [45] Disponibles descensores largos y "cara grande" en 11pt tamaño: 6.5 (6D)7 puntos (6D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)11pt (10D) "Cara grande"12 puntos (11 D)13 puntos (12 D)14 puntos (14D)colocar: 6.5 7 7,75 8.5 9.5 10.25 11 11,75 12,75 13.5 línea: M.1164 M.1210 M.1238 M.1260 M.1279 M.1302 M.1315 M.1340 M.1372 M.1448
matrices de visualización: tamaño: 14 puntos 16 puntos 18 puntos 22 puntos 24pt sobre 30pt30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1356 T.1551 T.1741 T.2122 T.2324 T.2914 T.3470 T.4162 T.4716 T.5823 T.7100
529: Bodoni Negrita Condensada Romana / Cursiva matrices de visualización: [32] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1356 T.1741 T.2324 T.2824 T.3444 T.4046 T.4628 T.5820 T.6980
760: Bodoni, titulación en negrita romana matrices de visualización: [22] tamaño: 72 puntos línea: T.8490
357: Libro Bodoni Romano / cursiva Matrices de composición: UA.319: 8pt-12pt [23] tamaño: 8 puntos (8D)9 puntos (9D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)colocar: 8 9 9,75 10,75 11.5 línea: M.1277 M.1309 M.1315 M.1345 M.1366
260: Bodoni Heavy Roman / cursiva (ver: 260 Bodoni Negrita ) 529: Bodoni Heavy condensada Romana / itálica (ver: 529 Bodoni Bold condensada ) 120: Bodoni ultra negrita romana / cursiva matrices de visualización: [46] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1472 T.1876 T.2502 T.3094 T.3746 T.4436 T.5088 T.6380 T.7660
_53: Negrita (ver: 53 Negrita estilo antiguo ) 167: Negrita (ver: 167 De Vinne Italic ) 366: Negrita (ver: 366 Inflex Bold ) 245: Negrita cursiva n.º 2 (ver: 245 Negrita cursiva estilo antiguo ) 253: Negrita n.º 2 (ver: 253 Negrita estilo antiguo ) 138: Bold Face No. 3 Roman . (Cancelado en 1965)Matrices de composición: UA.3: 9pt [47] Tamaño: 9pt (9D) Conjunto: 8.75 Línea: M.1330
503: Bold Face (cancelado en 1965) 176: Contorno de letra en negrita (ver: 176 Contorno en negrita de estilo antiguo ) 253: Línea especial en negrita (ver: 253 Old Style Bold ) 167: Negrita cursiva (ver: 167 De Vinne Italic series No. 167 ) 334: Bold (The Times) (ver: 334 Times Bold ) 345: Bold (The Times) (ver: 345 Times Bold ) 360: Bold (The Times) (ver: 360 Times Bold ) 278: Fanfarronería romana matrices de visualización: [48] tamaño: 18 puntos 24 puntos 36 48 puntos 72 puntos línea: T.1015 T.2690 T.4024 T.5448 T.8180
466: Breitkopf romain (cancelado en 1936) a306: Broadway (Sorts) (cancelado antes de 1966) a307: Broadway Engraved (Sorts) (cancelado antes de 1966) 494: Bruce Rogers (cancelado en 1967) 594: Título de Bruce Rogers (en investigación) 469: Bulmer Roman / itálica Matrices de composición: UA.412: 11pt-12pt [49] tamaño: 11 puntos (10 D)12 puntos (12D)colocar: 10 11.25 línea: M.1337 M.1345
do L17: Figuras del calendario romano L19: Días del calendario romano 197: Canterbury (cancelado en 1967)Matrices de composición: UA.57 = 8-12pt [50] tamaño: 6 puntos (6D)8 puntos (8D)10 puntos (9D)12 puntos (12D)colocar: 6.5 8 9,75 11.5 línea: M.1258 M.1302 M.1400 M.1450
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1533 T.1948 T.2640 T.3194 T.3884
128: Caslon Roman / cursiva Matrices de composición: UA.57 = 8-12pt [51] tamaño: 8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)13,5 puntos (14 D) sobre 14 puntos ECara grande de 14 puntos (14D)
Unida. 7 8 9 10 11 12 384 colocar: 8.25 8,75 9,75 11.25 12.25 13 línea: M.1210 M.1225 M.1270 M.1285 M.1324 M.1360 M.1474
Composición grande: 18pt - 24pt, tamaño: 18 puntos 20 puntos (20 D)24pt Cara pequeña (24D)24 puntos UA.Romano 104 160 105 UA.cursiva 153 167 167 152 colocar: 15,75 18 18 21.5 línea: T.1672 T.2088 T.2088 T.2364
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30pt (descripción corta) en 24pica30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1395 T.1672 T.2364 T.2918 T.2918 T.3474 T.4166 T.4988 T.6120 T.7660
209: Titulación romana de Caslon matrices de visualización: [51] tamaño: 48 puntos 60 puntos 72 puntos línea: T.4988 T.6120 T.7660
Castellar 600: Castellar Romano Tipografía del título dibujada por John Peters en 1957 basada en mayúsculas cuadradas romanas grabadas . [52] [53] matrices de visualización: [54] tamaño: 24 puntos 30 puntos 36 puntos 48 puntos 60 puntos 72 puntos línea: T.2986 T.3654 T.4474 T.6038 T.7590 T.9110
252: Centauro romano / itálico , también conocido con el nombre de Arrighi Matrices de composición: UA.90 = 6-14pt, UA.322 = 14pt [55] tamaño: 6 puntos (6D)8 puntos (8D)9 puntos (8 D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 6.5 8.25 8,75 9.25 10.25 11.25 12.5 línea: M.1202 M.1252 M.1256 M.1256 M.1286 M.1315 M.1418
Composición grande: 14pt - 24pt, UA.165 = Roman , UA.166 = itálica tamaño: 14 puntos (14D)16 puntos (16D)18 puntos (18D)22 puntos (22 D)24 puntos (24D)colocar: 12.5 14 15.5 18.5 21 línea: T.1418 T.1493 T.1675 T.2024 T.2240
matrices de visualización: tamaño: 14 puntos 16 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1306 T.1493 T.1675 T.2240 T.2744 T.3344 T.3926 T.4508 T.5640 T.6800
352: Centauro romano / cursiva Matrices de composición grande de solo 18 puntos [56] tamaño: 18pt (18D) romana18pt (18D) cursivaUnida. 389 166 colocar: 18.25 15.5 línea: T.1747 T.1747
295: Centauro Titulación Romana 227: Siglo N° 2 Romana / itálica (ver: Libro escolar del siglo 227 ) 211: Siglo n.º 1 romano (sinónimo: 211 moderno )Matrices de composición UA.1 = 8pt [57] tamaño: 8 puntos (8D)colocar: 8.5 línea: M.1320
545: Century Bold (cancelado en 1967) 546: Century Bold Extended (cancelado en 1967) 227: Libro escolar del siglo XX Roman / itálica Matrices de composición: UA.369 = 6-14pt, UA.322 = 14pt [58] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (9D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 6,75 7.5 8.25 9.25 10 10,75 11,75 14 línea: M.1250 M.1280 M.1310 M.1346 M.1375 M.1405 M.1448 M.1655
Composición grande: 18pt - 20pt solamente Roman UA.370 tamaño: 18 puntos (18D)20pt (20D) (18pt desc. largo)colocar: 18 18 línea: T.2015 T.2015
477: Libro escolar del siglo XX en negrita romana Matrices de composición: UA.498 = 6-14pt, [59] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (9D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 6,75 7.5 8.25 9.25 10 10,75 11,75 14 línea: M.1250 M.1280 M.1310 M.1346 M.1375 M.1405 M.1448 M.1655
650: Libro escolar del siglo Romano / itálico matrices de visualización: [60] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1549 T.1950 T.2559 T.3184 T.3874 T.4565 T.5257 T.6640 T.8020
651: Libro escolar del siglo XX en negrita romana matrices de visualización: [60] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1549 T.1950 T.2559 T.3184 T.3874 T.4565 T.5257 T.6640 T.8020
matrices de visualización: [61] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1533 T.1948 T.2640 T.3194 T.3884
510: Chatsworth (cancelado en 1965)A petición de Stephenson y Blake, Sheffield produjo para ellos en un solo tamaño. Matrices de composición: UA.391 = 10pt, [62] tamaño: 10 puntos (10 D)colocar: 12 línea: M.1425
154: Chiswell Old face Roman / itálica matrices de visualización: [61] tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1533 T.1948 T.2640 T.3194 T.3884
_12: Clarendon Romano Matrices de composición: UA.2 = 5-12pt, [63] tamaño: 5 puntos (5D)5,5 puntos (5D)6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (11D)12 puntos (12D)colocar: 5.5 6.5 6.5 7.25 8.25 9.25 9,75 10,75 12 línea: M.1200 M.1240 M.1258 M.1280 M.1305 M.1330 M.1320 M.1380 M.1385
412: Clarendon No. 2 (cancelado en 1967)Matrices de composición: UA.2 = 5-12pt, [64] tamaño: 8 puntos (8D)9 puntos (8 D)11 puntos (11D)colocar: 8.5 9.25 10.5 línea: M.1240 M.1265 M.1320
501: Horario de Clarendon (cancelado en 1967) 157: Clearface Negrita Romana / Cursiva Matrices de composición: UA.2 = 6-12pt, [65] tamaño: 6 puntos (6D)8 puntos (8D)9 puntos (8 D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)colocar: 6,75 8.25 9.25 10 10,75 11,75 línea: M.1220 M.1250 M.1250 M.1294 M.1320 M.1360
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
271: Claustro Bold (cancelado en 1967)Matrices de composición: UA.86 = 6-12pt, [66] tamaño: 6 puntos (6D)8 puntos (8D)10 puntos (10 D)12 puntos (12D)colocar: 6,75 8.25 9,75 10,75 línea: M.1245 M.1273 M.1285 M.1326
272: Claustro de estilo antiguo (cancelado en 1967)Matrices de composición: UA.89 = 6-12pt, [66] tamaño: 6 puntos (6D)8 puntos (8D)10 puntos (10 D)12 puntos (12D)colocar: 6.5 7,75 8.5 10 línea: M.1236 M.1275 M.1269 M.1316
a395: Claustro de estilo antiguo (clase) (cancelado antes de 1966) 165: Cochin Roman / cursiva Matrices de composición: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic [67] tamaño: 6D (6D)8 puntos (8D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)13 puntos (12 D)14 puntos (14D)colocar: 7.5 8.5 10.5 11.5 12.25 13.25 15 línea: M.1239 M.1254 M.1293 M.1320 M.1360 M.1387 M.1440
matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1440 T.1841 T.2480 T.3056 T.3726
225: Columna romana matrices de visualización: [68] tamaño: 18 puntos 24 puntos 36 puntos línea: T.1585 T.2114 T.3154
511: Condensa cursiva matrices de visualización: [54] tamaño: 18 puntos 24 puntos 30 puntos línea: T.1948 T.2640 T.3194
213: Negrita condensada (ver: 213 Bernard Condensed ) 224; Condensado pesado antiguo (ver: 224 Devonshire Bold Condensed ) 383: Grotesco pesado condensado (ver: 383 Grotesco condensado ) 523: Títulos grotescos condensados y pesados (ver: 523 Grotesco condensado ) 419: Latín condensado (ver: 419 Títulos condensados grotescos ) 306: Soluciones de crucigramas Matrices de composición: 11pt [59] 11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + campo vacío + área sombreada, las matrices fueron moldeadas en cuadrados, con una cuña plana. 306: Crucigramas especiales 18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = terreno irregular, S2611 = terreno irregular 309: Crucigramas cuadrados (cancelado) _17: Cushing (cancelado en 1967)Matrices de composición UA.1 = 6pt - 13pt [69] tamaño: 6D (6D)7 puntos (7D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12pt (11 de 12DD)13 puntos (12 D)colocar: 6.5 7.25 8 8,75 9.25 10.25 12 12.5 línea: M.1235 M.1220 M.1245 M.1265 M.1290 M.1323 M.1380 M.1395
D 326: Daily Mail Modern (cancelado en 1974) Esta fuente fue el último diseño de Giovanni Mardersteig . Charles Malin, el grabador que producía los punzones para Mardesteig, murió en 1955. Después de este suceso, Mardersteig no quiso más diseños nuevos. En su opinión, los punzones hechos con un pantógrafo eran inferiores. El carácter fue adaptado posteriormente para máquinas de impresión por Monotype y lanzado en 1957. 592: Dante Roman / itálica Matrices de composición: UA.441, 6D-14D [70] tamaño: 6D a 7pE7D a 8pE8D a 9pE9D a 10pE10D a 11pE11D a 12pE12D a 13pE13D a 14pE14D a 16pEcolocar: 6 7 7.5 8.25 8,75 9,75 10,75 11.5 12,75 línea: M.1200 M.1245 M.1290 M.1322 M.1382 M.1533
matrices de visualización tamaño: 18D a 20pE24D a 30pE36D a 36pE48D a 60pElínea: T.1841 T.2462 T.3684 T.4960
682: Dante Semi Bold Roman / itálica Matrices de composición: UA.504, 6D-14D [70] tamaño: 6D a 7pE7D a 8pE8D a 9pE9D a 10pE10D a 11pE11D a 12pE12D a 13pE14D a 16pEcolocar: 6 7 7.5 8.25 8,75 9,75 10,75 12,75 línea: M.1200 M.1245 M.1290 M.1322 M.1354 M.1533
612: Dante titulando romano matrices de visualización [71] tamaño: 16D a 18pE20D a 22pE28D a 30pE36D a 36pElínea: T.1677 T.2085 T.2952 T.3764
298: Deutsch Romisch (cancelado en 1970)Matrices de composición: UA.303, 6D-12D [72] tamaño: 6D a 7pE8D a 9pE9D a 10pE10D a 11pE12D a 13pEcolocar: 6,75 8 9 10 12 línea: M.1243 M.1350 M.1480
286: Deutsch Romisch Bold (cancelado en 1967)Matrices de composición: UA.304, 8D-10D [11] tamaño: 8D a 9pE10D a 11pEcolocar: 8 10 línea: M.1390
131: De Vinne (cancelado en 1967)Matrices de composición: UA.400, 8pt [73] tamaño: 8 puntos (8D)12D en 13pEcolocar: 8 12.25 línea: M.1445
matrices de visualización tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1533 T.1938 T.2640 T.3194 T.3884
_21: De Vinne (ver: De Vinne condensado ) _21: De Vinne Condensed (cancelado en 1967)Matrices de composición: UA.2 6,5pt - 12 pt [74] tamaño: 6 puntos (6D)8 puntos (8D)10 puntos (9D)12 puntos (12D)colocar: 6.5 8 9.25 11.25 línea: M.1230 M.1280 M.1360 M.1435
167: De Vinne Italic (sinónimo: Bold Italic Series No. 167 ) (cancelada en 1967)Matrices de composición: UA.3 7,5pt - 11 pt [74] tamaño: 7,5 puntos (7D)8 puntos (8D)9 puntos (8D)10 puntos (9D)11 puntos (10 D)colocar: 8 8 8,75 9,75 10.5 línea: M.1250 M.1250 M.1280 M.1294 M.1320
223: Devonshire Bold (sinónimo: 223 Heavy Antique (cancelado en 1967)matrices de visualización [75] tamaño: 42 puntos 48 puntos línea: T.4576 T.5268
224: Devonshire Bold Condensed (sinónimo: 224 Condensed Heavy Antique ) (cancelado en 1967)matrices de visualización [76] tamaño: 42 puntos 48 puntos línea: T.4576 T.5268
_71: Didot Roman / cursiva Matrices de composición: UA.1 6,5pt - 13pt [77] tamaño: 6,5 puntos (6D)7,5 puntos (7D)9 puntos (8D)10 puntos (9D)11 puntos (10 D)Cara grande de 11 puntos (10D)12 puntos (11 D)13 puntos (12 D)colocar: 7,25 7.5 8,75 9.5 10.25 11 11,75 12.5 línea: M.1225 M.1240 M.1260 M.1290 M.1320 M.1335 M.1360 M.1390
425: Divina Comedia (destruida en un bombardeo) 436 Escritura Dorcherster matrices de visualización [78] tamaño: 14 puntos 18 puntos 24 puntos 36 puntos línea: T.1218 T.1565 T.2088 T.3114
mi 107: Egipcio No. 1 Romano Matrices de composición: UA.2 = 6-12pt [79] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (9D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)colocar: 6.5 7.25 7.5 8 8,75 10.5 12 línea: M.1220 M.1220 M.1250 M.1266 M.1291 M.1315 M.1356
171: Egipcio (sinónimo: 171 Egipcio Bold ) (cancelado en 1967)Matrices de composición: UA.39 = 9pt [80] tamaño: 9 puntos colocar: 8.5 línea: M.1266
173: Egipcio No. 4 Romano matrices de visualización: tamaño: 14 puntos 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1533 T.1948 T.2640 T.3194 T.3884
129: Romano egipcio (ver: Negrita egipcia n.° 1 en: 251) 130: Egipcio (cancelado en 1967)Matrices de composición: UA.3 = 8pt [81] tamaño: 8 puntos colocar: 8 línea: M.1285
162: Egipcio No. 3 (cancelado en 1967)Matrices de composición: UA.3 = 8pt [82] tamaño: 6,5 puntos colocar: 6.5 línea: M.1210
184: Egipcio (ver: 184 Jónico No. 3 ) 241: egipcio 251: Egipcio (ver: Egipcio condensado ) 330: Egipcio (ver: Egipcio Negrita ) 129: Letra romana egipcia en negrita n.º 1 (ver: 251 )Matrices de composición: UA.3 = 8-10pt [38] tamaño: 8 puntos (8D)9 puntos (9D)10 puntos (10 D)colocar: 8.5 9.25 10 línea: M.1235 M.1257 M.1290
171: Egyptian Bold (ver: 171 Egyptian ) (cancelado en 1967) 330: Egyptian Bold (sinónimo: 330 Egyptian ) (cancelado en 1967)Matrices de composición: UA.3 = 6D [83] tamaño: 6D (6D)colocar: 8 línea: M.1285
282: Egipcio negrita condensada romana (ver: 251 ) (sinónimos: egipcio pesado y egipcio pesado) Matrices de composición: UA.313 = 6D [38] tamaño: 6D colocar: 6.5 línea: M.1230
251: Egipcio condensado romano Matrices de composición: UA.63 = 6.5pt [38] tamaño: 6,5 puntos (6D)colocar: 6.5 línea: M.1230
112: Egipcio condensado (cancelado en 1967)Matrices de composición: UA.2 = 9pt [84] tamaño: 9 colocar: 8.5 línea: M.1270
464: Egipcio condensado (cancelado en 1967)Matrices de composición: UA.130 = 6D-10D [62] tamaño: 6D en 7pE7D en 8pE8D' en 9pE9D en 10pE10D en 11pEcolocar: 6,75 7,75 8.5 9.5 10,75 línea: M.1206 M.1246 M.1278 M.1301 M.1335
_72: Egipcio romano extendido Matrices de composición: UA.3 = 5-13pt [85] tamaño: 5 puntos (5D)5,5 puntos (5D)6 puntos (6D)6,5 puntos (6D)7,5 puntos (7D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12 puntos (11 D)13 puntos (12 D)colocar: 5.5 7.25 7.25 7,75 8.5 9,75 10 11 12.25 13 línea: M.1173 M.1220 M.1220 M.1225 M.1240 M.1260 M.1290 M.1320 M.1360 M.1390
465: egipcio extendido (bij bombardement vernietigd) 282: Letra egipcia pesada romana (ver: 282 egipcia negrita condensada ) 453: Ehrhardt Roman / cursiva Matrices de composición: UA.397 = 6-14pt [86] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (9D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 6.25 7.25 7,75 8.5 9.25 10 11 12,75 línea: M.1220 M.1255 M.1270 M.1300 M.1320 M.1346 M.1381 M.1520
matrices de visualización: tamaño: 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1810 T.2424 T.2987 T.3608
563: Ehrhardt (cancelado en 1974) 573: Ehrhardt Semi-Bold Roman / itálica Matrices de composición: UA.430 = 6-14pt [86] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (9D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 6.25 7.25 7,75 8.5 9.25 10 11 12,75 línea: M.1220 M.1255 M.1270 M.1300 M.1320 M.1346 M.1381 M.1520
matrices de visualización: tamaño: 18 puntos 24 puntos 30 puntos 36 puntos línea: T.1810 T.2424 T.2987 T.3608
235: Máquina de escribir Elite (ver: Máquina de escribir )Matrices de composición: UA.28 = 12pt [38] tamaño: 12pt (11D de 12D)colocar: 13.25 línea: M.1302
_19: Elsevir Roman / cursiva UA.1 6pt - 12pt [87] [88] tamaño: 6 puntos (6D)7 puntos (7D)8 puntos (8D)9 puntos (8 D)10 puntos (9D)11 puntos (10 D)12 puntos colocar: 6.5 7.25 8 8,75 9.5 10.25 12 línea: M.1210 M.1242 M.1270 M.1290 M.1340 M.1360 M.1415
Fuentes de lectura electrónica E-13B CMC7 407-1 OCR-B 320: Emerson Roman / cursiva Matrices de composición: UA.390 = 8-14pt [89] tamaño: 8 puntos (8D)10 puntos (10 D)11 puntos (11D)12 puntos (12D)14 puntos (14D)colocar: 7.5 8,75 9.5 10.25 12.25 línea: M.1210 M.1252 M.1270 M.1299 M.1421
matrices de visualización: tamaño: 18 puntos 24 puntos línea: T.1693 T.2260
400: Emerson (cancelado en 1967) 479: Emerson (destruido en un bombardeo) 452: Emery (cancelado en 1965) Titulación de los grabadores 146: Título del grabador (ver: 146 Título del grabador ) 146: Titulación romana de los grabadores Matrices de composición: UA.18 = 6pt, mayúsculas en 4 tamaños, combinables. [90] tamaño: 6 puntos (6D)colocar: 8 línea: M.1282
147: Titulación de los grabadores (ver: Titulación en negrita de los grabadores ) 147: Títulos de grabadores en negrita (ver: Títulos de grabadores en negrita ) Grabadores Título en negrita 147: Grabadores Titulando en Negrita Romana Matrices de composición: UA.18 = 6 y 12pt en 4 tamaños combinables. [68] tamaño: 6 puntos (6D)12 puntos (12D)colocar: 8 14.5 línea: M.1282 M.1420
Matrices de visualización: 24 pt en 5 tamaños tamaño: 24 puntos línea: T.3060
F 586: Fabricio Romano 323: Falstaff Roman / itálica Matrices de composición: UA.347 = 6D-12D [91] tamaño: 6D a 7pE7D a 8pE8D a 9pE9D a 10pE10D a 11pE12D a 13pEcolocar: 10.25 12 13,75 15.5 17 20.5 línea: M.1245 M.1288 M.1330 M.1373 M.1415 M.1503
matrices de visualización: tamaño: 14D a 16pE16D a 18pE18D a 20pE20D a 22pE24D a 30pE30D a 36pE36D a 36pE42D a 48pElínea: T.1616 T.1838 T.2060 T.2282 T.2756 T.3465 T.4134 T.4849
399: Félix Titulando Romano matrices de visualización: [92] tamaño: 72 puntos línea: T.7400
514: Fanfarria Negrita Condensada Itálica Título en cursiva (destruido en un bombardeo) 516: Fanfarria Negrita Condensada Itálica Título N.º 2 itálica 554: Título del festival en cursiva matrices de visualización: [93] tamaño: 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.4576 T.5406 T.6098 T.7619 T.9175
536: Fígaro romano matrices de visualización: [94] tamaño: 24 puntos 30 puntos 36 puntos 48 puntos línea: T.2680 T.3294 T.4014 T.5418
626: Figaro Bold (cancelado en 1967) ^ Titulación de la flota
632: Titulación de la flota romana matrices de visualización: [22] tamaño: 14 puntos 16 puntos 18 puntos 24 puntos 30 puntos 36 puntos 42 puntos 48 puntos 60 puntos 72 puntos línea: T.1622 T.1855 T.2080 T.2780 T.3414 T.4164 T.4906 T.5618 T.7050 T.8470
431: Capiteles floridos matrices de visualización: [95] tamaño: 48 puntos línea: T.6488
403: Fontana Roman /italic composition matrices: UA.464 = 8pt-14pt[96] size: 8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)set: 7.5 9.25 10 11 12.5 line: M.1233 M.1295 M.1320 M.1352 M.1481
large composition matrices: size: 18pt Roman18pt italic24pt RomanUA. 488 464 488 set: 16 16 21.5 line: T.1810 T.1810 T.2364
437: Fontana bible face Roman /italic composition matrices: UA.464 = 4.5pt-6pt[86] size: 4.5pt (4D)5pt (5D)6pt (6D)6pt long desc. & asc.on 8pEset: 5.25 6.25 7.25 7.25 line: M.1231 M.1271 M.1300 M.1300
443: Fontana Titling (destroyed in a bombardment) 614: Forte display matrices:[97] size: 18D at 20pE24D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt line: T.1984 T.2654 T.3974 T.5360 T.6710 T.7530
185: Fournier Roman /italic composition matrices: UA.59 = 8pt-13.5pt[98] size: 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)set: 7.25 8.25 8.75 9.25 10.25 11.75 line: M.1256 M.1280 M.1294 M.1315 M.1345 M.1397
large composition matrices: UA. 446 size: 14pt (14D)set: 12.25 line: T.1385
185: Fournier Old Face (see: Fournier ) 285: Fournier Old Face (Shortened Caps) (see: Fournier Shortened Capitals ) 285: Fournier Shortened Capitals Roman /italic (see also: Fournier 185 )composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of Fournier 185 [98] size: 10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)set: 8.75 9.25 10.25 11.75 line: M.1294 M.1315 M.1345 M.1397
_76: French Face Extended (cancelled in 1967)composition matrices: UA.1 = 7D-10pt[99] size: 7D at 8pE9pt (8D)10pt (9D)set: 8.25 9.75 10.75 line: M.1250 M.1257 M.1301
111: French Modern (cancelled in 1967)composition matrices: UA.1 = 6D-10pt[99] size: 6D op 7pE7D op 8pE9pt (8D)10pt (9D)set: 7 8.25 8.5 9 line: M.1215 M.1250 M.1270 M.1290
_68: French Old Style Roman /italic composition matrices: UA.1 = 6.5pt-13pt[100] oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same. size: 6.5pt at 7pE (6D)7pt 7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 7.25 7.25 7.5 7.5 8.25 9.75 10.75 line: M.1215 M.1215 M.1253 M.1253 M.1260 M.1290 M.1320 M.1388
109: French Old Style Roman /italic (synonym: French Old Stype no. 2 ) (cancelled in 1967)composition matrices: UA.1 = 6.5pt-11pt[101] size: 6.5pt (6D) op 7pE7.5pt (7D) op 8pE9pt (8D)10pt (9D)11pt (10D)set: 6.5 7.5 8.25 9.5 10.25 line: M.1220 M.1250 M.1260 M.1291 M.1315
148: French Old Style No. 3 (cancelled in 1967composition matrices: UA.1 = 6.5pt[102] size: 6.5pt (6D) op 7pEset: 6.5 line: M.1215
_69: French Old Style Bold Roman /italic composition matrices: UA.1 = 7pt-13pt[103] size: 7pt (6D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 7.5 7.5 8.75 9.5 10.25 12.25 line: M.1215 M.1253 M.1260 M.1290 M.1320 M.1388
_69: French Old Style (Half-Fat) (see: French Old Style Bold ) _44: French Round Face Roman /italic composition matrices: UA.1 = 6.5pt-13pt[104] size: 6.5pt (6D) at 7pE7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 7.75 8.5 9.75 10 11 12.25 13 line: M.1225 M.1243 M.1280 M.1300 M.1327 M.1360 M.1387
314: Fredericus Antiqus Roman /italic composition matrices: UA.1 = 6.5pt-13pt[23] size: 6D at 7pE7D at 8pE10D at 11pE12D at 13pEset: 8 8.5 9 11 12.5 line: M.1236 M.1268 M.1295 M.1333 M.1380
596: Futura Buchschrift (cancelled in 1960)
G a313: Gallia (Sorts) (cancelled voor 1966) 156: Garamond Roman /italic Swash and ligatures for 156 The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was: ' Series 174 '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines. composition matrices: UA.37 = 6-12pt, UA.99 = 14pt[105] size: 6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D 14pt (14D)set: 6 6.75 7 8 8.75 9.5 10.25 11.25 12.25 12.25 line: M.1186 M.1200 M.1220 M.1250 M.1268 M.1276 M.1300 M.1338 M.1368 M.1486
large composition: Roman = UA.114 italic = UA.11514pt (14D) Roman /italic , 16pt (16D) Roman , 18pt (18D) Roman /italic , 24pt (24D) Roman /italic size: 14pt (14D)16pt (16D)18pt (18D)24pt (24D)set: 12.75 14 16 21.5 line: T.1395 T.1600 T.1810 T.2364
display matrices: size: 14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1600 T.1810 T.2138 T.2364 T.2918 T.3470 T.4166 T.4778 T.5961 T.7240
201: Garamond bold Roman /italic composition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342[58] size: 6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D 14pt (14D)set: 6 6.75 7 8 8.75 9.5 10.25 11.25 12.25 14 line: M.1186 M.1200 M.1223 M.1254 M.1268 M.1285 M.1311 M.1350 M.1380 M.1500
large composition: UA.15418pt (18D) Roman /italic , 24pt (24D) Roman /italic size: 18pt (18D)24pt (24D)set: 18 24 line: T.1810 T.2364
display matrices: size: 14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1600 T.1810 T.2138 T.2364 T.2918 T.3608 T.4162 T.4854 T.5961 T.7240
174: Garamond Italic No. 2 italic (the Roman was cancelled before 1966)composition matrices: UA.42 = 6-12pt, UA.140 = 14pt[106] size: 6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D 14pt (14D)set: 6 6.75 7 8 8.75 9.5 10.25 11.25 12.25 12.75 line: M.1186 M.1200 M.1220 M.1250 M.1268 M.1276 M.1300 M.1338 M.1368 M.1486
large composition: UA.14014pt (14D) Roman /italic , 18pt (18D) Roman /italic , 24pt (24D) Roman /italic size: 14pt (14D)18pt (18D)24pt (24D)set: 12.75 16 21.5 line: T.1395 T.1810 T.2364
display matrices: size: 14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1600 T.1810 T.2138 T.2364 T.2918 T.3470 T.4166 T.4778 T.5961 T.7240
201: Garamond Heavy (see: 201 Garamond Bold ) Am. 548: Garamond Bold Am. 5481: Garamond Bold Italic Am. 648E: American Garamond (Roman ) Am. 649G: American Garamond Italic Am. 248: Garamont (Goudy) Roman Am. 2481: Garamont Italic (Goudy) italic 275: Gill Bold Sans-Serif (see: 275 Gill Sans Bold ) 430: Gill Face (destroyed in a bombardment) 442: Gill Ultra Bold (see: 442 Gill Sans Ultra Bold ) 433: Gill Moiree Shadow (destroyed in a bombardment) 262: Gill Sans Roman /italic composition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders)[107] size: 5pt 5.5pt at 6pE6pt 6D 7pt 8pt 8D at 9pE9pt 9D at 10pE10pt 10D at 11pE11pt 12pt 14pt set: 6 6.5 6.5 7 7.5 8 9 9 9.5 9.5 10.25 10.25 11.25 12.5 line: M.1198 M.1220 M.1220 M.1235 M.1255 M.1255 M.1285 M.1285 M.1302 M.1302 M.1327 M.1327 M.1360 M.1415
large composition: UA.383, Roman 18pt size: 18pt (18D)set: 17 line: T.1841
display matrices: size: 14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1611 T.1841 T.2002 T.2181 T.2480 T.2918 T.3606 T.4162 T.4844 T.6124 T.7270
349: Gill Sans No. 2 Roman /italic composition matrices: Roman: UA.345 = 5pt[108] size: 5pt (5D)set: 5 line: M.1155
275: Gill Sans Bold Roman /italic composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)[85] size: 5pt 5.5pt at 6pE6pt 6D 7pt 8pt 8D at 9pE9pt 9D at 10pE10pt 10D at 11pE11pt 12pt 14pt set: 6 6.5 6.5 7 7.5 8 9 9 9.5 9.5 10.25 10.25 11.25 12.5 line: M.1198 M.1220 M.1220 M.1235 M.1255 M.1255 M.1285 M.1285 M.1302 M.1302 M.1327 M.1327 M.1360 M.1415
large composition: UA.383, Roman 18pt size: 18pt (18D)set: 18 line: T.1841
display matrices: size: 14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1611 T.1841 T.2002 T.2181 T.2480 T.2918 T.3606 T.4162 T.4844 T.6124 T.7270
350: Gill Sans Bold Roman (see: 350 Gill Sans 349 )composition matrices: Roman: UA.346 = 5pt[108] size: 5pt (5D)set: 5 line: M.1155
575: Gill Sans Bold (cancelled in 1967) 343: Gill Sans Bold Condensed Roman composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)[109] size: 5.5pt at 6pE6pt 8pt 9pt 10pt 12pt 14pt set: 6.5 6.5 8 9 9.5 11.25 12.5 line: M.1220 M.1220 M.1255 M.1285 M.1302 M.1360 M.1415
display matrices: size: 14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1611 T.1841 T.2480 T.2918 T.3606 T.4162 T.4844 T.6124 T.7270
373: Gill Sans Bold Condensed Titling No. 1 Roman display matrices:[54] size: 14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt line: T.1181 T.2363 T.3193 T.3886 T.4714 T.6418 T.8070 T.9680
525: Gill Sans Bold Condensed Titling Roman display matrices:[110] 468: Gill Sans Bold Extra Condensed Eoman display matrices:[22] size: 14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt line: T.1637 T.2086 T.2805 T.3470 T.4160 T.5684 T.7150 T.8552
_L8: Gill Sans Bold Timetable Roman 317: Gill Sans Bold Titling Roman display matrices:[111] size: 24pt 30pt 36pt 48pt 60pt 72pt line: T.3160 T.3886 T.4744 T.6398 T.8050 T.9660
233: Gill Sans Cameo Roman display matrices:[54] size: 24pt 30pt 36pt 48pt line: T.2890 T.4344 T.5096 T.5828
299: Gill Sans Cameo Ruled Roman display matrices:[54] size: 36pt 48pt line: T.4914 T.6528
485: Gill Sans Condensed Roman composition matrices: Roman: UA.499 = 10-12pt[112] size: 10pt (10D)12pt (12D)set: 8.75 10.25 line: M.1302 M.1360
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1395 T.1841 T.2480 T.2918 T.3606
321: Gill Sans Extra Bold Roman composition matrices: UA.336 = 6D-12pt[60] size: 6D op 7pE7D op 8pE8pt (8D)10pt (10D)12pt (12D)set: 7 8 8 9.5 11.25 line: M.1235 M.1270 M.1255 M.1302 M.1360
display matrices: size: 14pt 16pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt 72D op 72pEline: T.1395 T.1581 T.1841 T.2181 T.2480 T.2918 T.3608 T.4162 T.4844 T.6124 T.7270 T.8060
526: Gill Sans Extra Bold Titling Roman display matrices:[23] 526: Gill Sans Extra Heavy Titling (see: 526 Gill Sans Extra Bold Titling ) 362: Gill Sans Light Roman /italic composition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt[86] size: 4.5 5pt 5.5pt at 6pE6pt 6D at 7pE7pt 8pt 8D at 9pE9pt 9D at 10pE10pt 10D at 11pE11pt 12pt 14pt didot: 4D 5D 5D 6D 6D 7D 8D 8D 9D 9D 10D 10D 11D 12D 14D set: 5.5 6 6.5 6.5 7 7.5 8 9 9 9.5 9.5 10.25 10.25 11.25 12.5 line: M.1239 M.1198 M.1220 M.1220 M.1235 M.1255 M.1255 M.1285 M.1285 M.1302 M.1302 M.1327 M.1327 M.1360 M.1415
display matrices: size: 14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1611 T.1841 T.2002 T.2181 T.2480 T.2918 T.3606 T.4162 T.4844 T.6124 T.7270
662: Gill Sans Light No. 2 Roman (synonym: Gill Sans Light , see also: Gill Sans 349 )composition matrices: Roman: UA.345 = 5pt[108] size: 5pt (5D)set: 5 line: M.1155
353: Gill Sans Poster Roman display matrices:[113] size: 66pt op 72pE72pt line: T.6683 T.8030
406: Gill Sans Shadow No. 1 Roman display matrices:[46] size: 18pt 24pt 30pt 36pt 42 48pt 60pt 72pt line: T.2363 T.3160 T.3894 T.4744 T.5596 T.6408 T.8050 T.9660
408: Gill Sans Shadow No. 2 Roman display matrices:[23] 338: Gill Sans Shadow No. 3 Roman display matrices:[114] 290: Gill Sans Shadow Line Roman display matrices:[109] size: 14pt 18pt 24pt 30pt 36pt 42 48pt 60pt 72pt line: T.1395 T.1840 T.2480 T.2918 T.3608 T.4161 T.4854 T.6124 T.7270
304: Gill Sans Shadow Titling Roman display matrices:[115] size: 18pt 24pt 30pt 36pt 48pt line: T.2363 T.3162 T.3884 T.4744 T.6372
231: Gill Sans Titling Roman composition matrices: UA.84 = 6pt in 4 sizes, 12pt[38] size: 6pt size 46pt size 36pt size 16pt sizes 3 and 46pt sizes 1 and 312pt didot 6D 6D 6D 6D 6D 12D set: 7.75 7.75 7.75 7.75 7.75 16 line: M.1365 M.1365 M.1365 M.1365 M.1365 M.1750
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1846 T.2367 T.3162 T.3884 T.4744 T.5562 T.6372 T.8034 T.9700
262: Gill Sans-Serif (see: 262 Gill Sans ) 349: Gill Sans-Serif (see: 349 Gill Sans ) 353: Gill Sans-Serif (see: 353 Gill Sans Poster ) 275: Gill Sans-Serif Bold (see: 275 Gill Sans Bold ) 350: Gill Sans-Serif Bold (see: 350 Gill Sans Bold ) 343: Gill Sans-Serif Bold Condensed (see: 343 Gill Sans Bold Condensed ) 468: Gill Sans-Serif Bold Extra Condensed (see: 465 Gill Sans Bold Extra Condensed ) 233: Gill Sans-Serif Cameo (see: 233 Gill Sans Cameo ) 299: Gill Sans-Serif Cameo Ruled (see: 299 Gill Sans Cameo Ruled ) 373: Gill Sans-Serif Extra Bold Titling (see: 373 Gill Sans Bold Condensed Titling ) 321: Gill Sans-Serif Extra Heavy (see: 321 Gill Sans Extra Bold ) 485: Gill Sans-Serif Medium Condensed (see: 485 Gill Sans Condensed ) 362: Gill Sans-Serif Light (see: 362 Gill Sans Light ) 304: Gill Sans-Serif Shadow (see: 304 Gill Sans Shadow Titling ) 406: Gill Sans-Serif Shadow No. 1 (see: 406 Gill Sans Shadow No. 1 ) 408: Gill Sans-Serif Shadow No. 2 (see: 408 Gill Sans Shadow No. 2 ) 290: Gill Sans-Serif Shadowline (see: 290 Gill Sans Shadow Line ) 231: Gill Sans-Serif Titling (see: 231 Gill Sans Titling ) 317: Gill Sans-Serif Titling (see: 317 Gill Sans Bold Titling ) 338: Gill Sans-Serif Two Colour (see: 338 Gill Sans Shadow No. 3 ) 442: Gill Sans-Serif Ultra Bold (see: 442 Gill Sans Ultra Bold ) 442: Gill Sans Ultra Bold Roman display matrices:[116] size: 18pt 24pt 36pt 48pt 60pt 72pt line: T.1985 T.2640 T.3974 T.5398 T.6720 T.8060
Alternative characters for 262, 275, 362 103: Gloucester Bold Roman /italic composition matrices: UA.5 = 6-13.5pt,[117] size: 6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)set: 6 7.25 7.25 8 9 9.75 10.5 11.25 12.75 line: M.1276 M.1323 M.1323 M.1352 M.1400 M.1433 M.1467 M.1500 M.1563
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
198: Gloucester Bold Condensed Roman composition matrices: UA.60 = 6-12pt,[31] size: 6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)set: 6 7.25 8.5 9.25 9.75 line: M.1276 M.1323 M.1400 M.1433 M.1443
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
243: Gloucester Bold Extended Roman composition matrices: UA.75 = 6-12pt,[22] size: 6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)set: 6 7.25 9 9.75 11.25 line: M.1276 M.1323 M.1400 M.1433 M.1500
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
395: Gloucester Bold Extra Condensed Roman display matrices: 14-72pt[23] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1580 T.2015 T.2676 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
160: Gloucester Bold Italic composition matrices: UA.3 = 6-12pt,[22] size: 6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (11D)set: 6.75 8 9 10.25 11.5 line: M.1276 M.1323 M.1353 M.1400 M.1500
396: Gloucester Extra Condensed Roman display matrices: 14-72pt[86] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268
_99: Gloucester Old Style Roman /italic composition matrices: UA.4 = 6-13.5pt,[31] size: 6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)set: 6 7.25 7.25 8 9 9.75 10.5 11.25 12.75 line: M.1276 M.1323 M.1323 M.1352 M.1400 M.1433 M.1467 M.1500 M.1563
large composition: 18pt (18D) UA.116, Roman /italic , 24pt (24D) UA.117, Roman /italic size: 18pt (18D)24pt (24D)set: 16 21.5 line: T.1984 T.2640
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
Gothic (collective name for sans serif typefaces)__4: Gothic (synonym: Grotesque Condensed ) (cancelled in 1967)composition matrices UA.1B 6pt - 12pt[118] size: 6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (12D)set: 6.5 8 8.5 9.25 12 line: M.1220 M.1260 M.1290 M.1320 M.1360
269: Goudy Bold Roman /italic composition matrices: UA.88 = 6-14pt,[119] size: 6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)set: 7.5 9.25 11 11.75 12.75 15.5 line: M.1250 M.1286 M.1362 M.1386 M.1425 M.1620
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt line: T.1518 T.1965 T.2590 T.3124 T.3824 T.4427
441: Goudy Bold Roman /italic composition matrices: UA.382 = 6-12pt,[120] size: 6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)set: 6.75 8.5 10.25 11.25 12.25 line: M.1246 M.1295 M.1370 M.1407 M.1442
268: Goudy Cataloque Roman /italic composition matrices: UA.83 = 6-14pt,[98] size: 6pt (6D)8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)set: 7 8.75 9.25 10.25 12 14 line: M.1250 M.1294 M.1325 M.1377 M.1447 M.1592
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt line: T.1470 T.1980 T.2620 T.3194 T.3884 T.4576 T.5268
364: Goudy Cataloque Roman /italic composition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,[46] size: 5pt (5D)5,5pt (6D)6pt (6D)7pt (7D)7.75pt op 8pE (8D)set: 5.5 6.25 7.75 8.5 9.25 line: M.1190 M.1208 M.1240 M.1253 M.1282
214: Goudy Extra Bold Roman /italic composition matrices: UA.88 = 6-14pt,[121] size: 6pt (6D)8pt (8D)8D op 9pE9pt (9D)10pt (10D)12pt (12D)set: 7.5 9 10.25 10.25 11.5 13.5 line: M.1237 M.1285 M.1323 M.1323 M.1323 M.1385
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1810 T.2502 T.3056 T.3746 T.4406 T.5048 T.6340 T.7550
249: Goudy Modern Roman /italic composition matrices: UA.87 = 10-12pt,[122] size: 10pt (9D)11pt (10D)12pt (12D)set: 9.25 10 11.25 line: M.1235 M.1256 M.1290
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt line: T.1257 T.1671 T.2226 T.2780 T.3332 T.3886 T.4438
291: Goudy Old Style Roman /italic composition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt[94] size: 6pt (6D)8pt (8D)8pt long desc.10pt 10pt long desc.11pt short desc.11pt 12pt 14pt didot: 6D 8D 9D op 9pE 10D 11D 10D op 11pE 11D 12D 14D set: 6.75 8.5 8.5 10.25 10.25 11.25 11.25 12.25 15 line: M.1246 M.1295 M.1295 M.1370 M.1370 M.1407 M.1407 M.1442 M.1630
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1538 T.1948 T.2606 T.3184 T.3874 T.4427 T.5118 T.6364 T.7609
292: Goudy Text (gotisch schrift)composition matrices: UA.339 = 9-12pt, can be combined with 293 Lombardic Capitals [123] size: 9pt (8D)10pt (10D)12pt (12D)set: 7.5 8 9.5 line: M.1354 M.1356 M.1425
display matrices: size: 14pt 18pt 24pt 36pt 48pt line: T.1523 T.1939 T.2590 T.3884 T.5268
439: Goudy Titling Roman 533: Gravura Roman (cancelled in 1965)composition matrices: UA.1 = 12pt[124] size: 12pt (12D)set: 10 line: M.1325
388: Grock Roman display matrices:[11] size: 24pt 36pt 48pt line: T.3160 T.4744 T.6398
493: Grosvenor Script italic display matrices:[125] Grotesque (collective name for sans serif typefaces)_11: Grotesque (see: 11 Grotesque Bold Condensed ) _33: Grotesque (see: 33 Grotesque Condensed ) _51: Grotesque Roman /italic composition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt[126] size: 6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)set: 7.75 9.5 10.25 11.5 12.5 15.5 line: M.1220 M.1235 M.1265 M.1291 M.1315 M.1444
large composition: size: 14pt (14D)18pt (18D)24pt (24D)set: 14 18 24 line: T.1533 T.1984 T.2640
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2308 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
126: Grotesque (see: 126 Grotesque Light No. 1 ) 215: Grotesque Roman /italic (synonym: Grotesque No. 1 )composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401[127] size: 5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 5.25 6.75 7.5 7.75 8.5 9.5 10.25 12.5 line: M.1208 M.1265 M.1287 M.1292 M.1322 M.1371 M.1405 M.1495
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt line: T.1630 T.1852 T.2076 T.2300 T.2780 T.3565 T.4164 T.5570 T.7040 T.7900
216: Grotesque (see: 216 Grotesque Bold ) 274: Grotesque (see: 274 Grotesque Light Condensed ) 389: Grotesque No. 2 (see: 389 Grotesque Light ) 212: Grotesque Roman (cancelled in 1964)composition matrices: UA.62 = 6.5pt[128] size: 6.5pt at 7pE (6D)set: 7 line: M.1393
_73: Grotesque Bold No. 3 Roman composition matrices: UA.3 = 6-13pt[129] size: 6pt (6D)6.5pt at 7pE (6D)7.5pt at 8pE (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 7.25 7.75 8.5 9.75 10 11 12.25 13 line: M.1211 M.1225 M.1240 M.1260 M.1290 M.1320 M.1360 M.1390
_97: Grotesque Bold Roman (in red: withdrawn around 197(?) )composition matrices: UA.2 = 7.7pt[130] size: 7.5pt (7D)set: 9.5 line: M.1262
216: Grotesque Bold No. 2 Roman /italic combines with Series No. 215 Grotesque composition matrices: 6.5pt-13pt = UA.66[131] size: 5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 5.25 6.75 7.5 7.75 8.5 9.5 10.25 12.5 line: M.1208 M.1265 M.1287 M.1292 M.1322 M.1371 M.1405 M.1495
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt line: T.1630 T.1852 T.2076 T.2300 T.2780 T.3565 T.4164 T.5570 T.7040 T.7900
680: Grotesque Bold Roman (see: Bell Gothic 619 )composition matrices UA.502 6pt[132] size: 6pt (6D)set: 7 line: M.1245
_11: Grotesque Bold Condensed (cancelled in 1967)composition matrices: UA-2, 6pt & 9pt (synonym: Grotesque )[133] size: 6pt (6D)9pt (8D)set: 6.5 8 line: M.1225 M.1260
_15: Grotesque Bold Condensed No. 2 Roman /italic (synonym: series 15 Sans Serif )composition matrices Roman : UA.2 = 6pt - 12pt[134] 6pt (6D) with short descenders: 6.5 set line .1225 size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 6.5 7.75 8 8.75 10 10.75 12 line: M.1225 M.1255 M.1285 M.1310 M.1355 M.1380 M.1430
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1533 T.1948 T.2640 T.3194 T.3884
365: Grotesque Bold Condensed (synonym: 365 Heavy Narrow Gothic ) (cancelled in 1967)composition matrices UA.333 = 10pt - 12pt[135] size: 10pt (10D)12pt (12D)set: 8.75 10.25 line: M.1410 M.1490
_81: Grotesque Bold Condensed Roman composition matrices: UA.2 = 10pt[136] size: 10pt (9D)set: 9.5 line: M.1301
166: Grotesque Bold Condensed No. 4 (synonym: 166 Grotesque Bold Condensed Titling )composition matrices: UA.403 = 12pt, UA.121 = 14pt[137] size: 12pt (12D)set: 12 line: M.1590
large composition: size: 14pt (14D)set: 14 line: T.1691
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1671 T.2085 T.2778 T.3470 T.4299 T.4991 T.5821 T.7204 T.8623
166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed No. 4 ) 527: Grotesque Bold Condensed Titling Roman display matrices:[138] 150: Grotesque Bold Extended No. 1 Roman /italic composition matrices: 6pt-12pt, 7pt and 9pt only italic[139] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)UA. rom: 22 . 40 . 40 40 40 UA. curs. 309 310 310 310 310 310 130 set: 6.5 8.75 10 11 12 13 14 line: M.1200 M.1245 M.1280 M.1306 M.1365 M.1395 M.1470
large composition: size: 18pt (18D)24pt (24D)set: 19.5 26 line: T.1948 T.2640
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2308 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
168: Grotesque Bold Extended (cancelled in 1967) 524: Grotesque Bold Titling Roman display matrices:[140] _33: Grotesque Condensed No. 2 Roman composition matrices: UA.2 = 6pt-13.5pt[141] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)13.5pt (14D)set: 6.75 7 8 8.5 9.25 9.75 11.25 11.25 12.5 line: M.1255 M.1255 M.1285 M.1315 M.1365 M.1395 M.1455 M.1440 M.1517
large composition, UA.395 = 22pt : size: 22pt (20D)set: 14 line: T.2350
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2308 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
318: Grotesque Condensed Roman composition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt[122] size: 5D at 6pE6pt (6D)6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 5 5.25 5.5 6.5 6.75 7.5 8.25 9.25 10.25 11 line: M.1220 M.1248 M.1264 M.1307 M.1328 M.1373 M.1410 M.1459 M.1505 M.1551
display matrices: size: 14pt 18pt 24pt 30pt 36pt 48pt line: T.1544 T.1948 T.2640 T.3332 T.4022 T.5406
383: Grotesque Condensed No. 4 Roman composition matrices: UA.341 = 5D-12D[142] size: 6D at 7pE8D at 9pE10D at 11pE12D at 13pEset: 5 6 7 8 line: M.1280 M.1358 M.1410 M.1500
display matrices: size: 14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE42pt at 48pE48D at 60pE60D at 72pE72pt line: T.1626 T.2074 T.2776 T.3565 T.4164 T.4879 T.5620 T.7030 T.7890
__4: Grotesque Condensed (see: Gothic Series No. 4) 383: Grotesque Condensed Heavy (see: 383 Grotesque Condensed ) 523: Grotesque Condensed Titling Roman display matrices:[140] 215: Grotesque Half Fat (see: 215 Grotesque No. 1 ) 126: Grotesque Light No. 1 Roman /italic composition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt[140] size: 5pt (5D)5.5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 5.25 5.75 6.75 7.5 7.75 8.5 9.5 10.25 12.5 line: M.1208 M.1231 M.1265 M.1287 M.1292 M.1322 M.1371 M.1405 M.1495
display matrices: size: 14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pEline: T.1630 T.2076 T.2780 T.3565 T.4164 T.5570
389: Grotesque Light (synonym: 389 Grotesque No. 2 ) (cancelled in 1967)composition matrices: UA.2 = 8pt-12pt[143] size: 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 9.5 10.25 11.25 12.5 15.5 line: M.1235 M.1265 M.1291 M.1315 M.1444
274: Grotesque Light Condensed No. 2 Roman composition matrices: UA.427 =5D, UA.94 = 6D-13pt[144] size: 5D at 6pE6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 5 5.5 6.5 6.75 7.5 8.25 9.25 10.25 11 line: M.1220 M.1264 M.1307 M.1328 M.1373 M.1410 M.1459 M.1505 M.1551
204: Grotesque Light Condensed (synonym: 204 Light face Gothic ) (cancelled in 1967)composition matrices: UA.58 = 12pt[145] size: 12pt (12D)set: 10.25 line: M.1360
display matrices: size: 14pt 18pt line: T.1395 T.1810
405: Grotesque Light Condensed (cancelled in 1967) 405: Grotesque Narrow (see: 405 Grotesque Light Condensed ) 177: Grotesque Newspaper Smalls (see: 177 Newspaper Small Ads ) 216: Grotesque 3 ⁄4 (see: 216 Grotesque Bold No. 1 ) 502: Grotesque Timetable (cancelled in 1967) 524: Grotesque Titling (see: 524 Grotesque Bold Titling ) 208: Gwendolin (cancelled in 1967) 484: Gustavus Bold (cancelled in 1965) 497: Gustavus Light (cancelled in 1965)
H 531: Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpen composition matrices: UA.408 = 14D[146] size: 14D set: 12.75 line: M.1500
Half Fat Modern Mediaeval _52: Half Fat Modern Mediaeval Roman (synonym: 52 Schurmann Antiqua Halbfette ) (withdrawn in 196(?) )composition matrices: UA.5[147] size: 6D op 7pE7D op 8pE9pt (8D)10pt (9D)11pt (10D)12D op 13pEset: 7.75 9 9.25 9.75 10.5 12.7 line: M.1264 M.1307 M.1338 M.1399 M.1425 M.1517
595: Headline Bold Roman /italic composition matrices: UA.443 = 6-14pt[148] size: 6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)set: 6.75 8 8.75 9.75 10.75 11.75 12.75 14.75 line: M.1245 M.1287 M.1320 M.1358 M.1397 M.1431 M.1474 M.1624
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
223: Heavy Antique (see: Devonshire Bold ) 282: Heavy Egyptian (see: 282 Egyptian Bold Condensed ) (synonym Egyptian Heavy ) 365: Heavy Narrow Gothic (see: 365 Grotesque Bold Condensed ) (cancelled in 1967) 435: Heavy Shadow French (cancelled in ??) 337: Heavy Small Caps (cancelled in 1974) 765: Helvetica Roman /italic combines with 766 Helvetica Medium , equivalent with Stempel's Helvetica halbfett , and Linotype Helvetica Bold composition matrices: UA.508 = 6D-12D[13] size: 6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pEset: 7 7.75 8.75 9.75 10.75 12.75 line: M.1230 M.1255 M.1290 M.1328 M.1360 M.1430
766: Helvetica Medium Roman /italic composition matrices: UA.508 = 6D-12D[13] size: 6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE12D at 13pEset: 7 7.75 8.75 9.75 10.75 12.75 line: M.1230 M.1255 M.1290 M.1328 M.1360 M.1430
261: Horley Old Face Heavy (see: 261 Horley Old Style Bold ) 188: Horley Old Style (replaced by 199, cancelled in 1965) 199: Horley Old Style Roman /italic composition matrices: UA.56 = 6-13pt, UA.362 = 14pt[97] size: 6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)set: 6.75 8.25 9.25 10 10.75 11.75 12.75 13 line: M.1250 M.1296 M.1328 M.1362 M.1392 M.1435 M.1473 M.1520
large composition: Roman = UA.367 size: 18pt 24pt set: 16.6 22 line: T.1828 T.2390
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1422 T.1828 T.2390 T.2944 T.3634
261: Horley Old Style Bold Roman /italic composition matrices: UA.80 = 6-13pt[141] size: 6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 6.75 8.25 9.25 10 10.75 11.75 12.75 line: M.1250 M.1296 M.1328 M.1362 M.1392 M.1435 M.1473
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 84pt 60pt 72pt line: T.1422 T.1828 T.2390 T.2944 T.3634 T.4276 T.4898 T.6150 T.7380
composition matrices, 12pt, no italic available Design: Russell Maret, a revival of a typeface cut in 1686 by Peter van Walpengen for Bishop John Fell of Oxford. After 50 years this was in 2020 the first design for a font to cast in composition.[149]
I 101: Imprint Roman /italic combines with series 310 or 410 composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt[150] size: 6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt on 14pEset: 7 7.75 7.75 8.5 9.25 9.5 10.25 11.75 13.25 line: M.1237 M.1257 M.1257 M.1285 M.1312 M.1300 M.1325 M.1375 M.1440
large composition: size: 16pt (16D)18pt (18D)24pt (24D)UA.Roman 106 106 107 UA.italic missing 128 129 set: 16 18 24 line: T.1609 T.1810 T.2364
display matrices: size: 14pt 16pt 18pt 20pt 24pt 30pt 36pt line: T.1395 T.1609 T.1810 T.1998 T.2364 T.2918 T.3608
310: Imprint Bold Roman /italic combines with series 101 composition matrices: UA.98 = 6pt-13.5pt[140] size: 6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt at 14pEset: 7 7.75 7.75 8.5 9.25 9.5 10.25 11.75 13.25 line: M.1237 M.1257 M.1257 M.1285 M.1312 M.1300 M.1325 M.1375 M.1440
410: Imprint Bold No. 2 Roman /italic combines with series 101 composition matrices: 6-13.5pt[151] size: 6pt 7pt short desc.7pt 8pt 9pt 10pt 11pt 11pt large face 12pt 13.5pt on 14pE UA.Roman 348 348 348 348 348 348 348 348 348 UA.italic 76 76 76 76 76 76 76 geen italic 76 76 set: 7 7.75 7.75 8.5 9.25 9.5 10.25 11 11.75 13.25 line: M.1237 M.1257 M.1257 M.1285 M.1312 M.1300 M.1325 M.1346 M.1375 M.1440
310: Imprint Heavy No. 1 (see: 310 Imprint Bold ) 410: Imprint Heavy No. 2 (see: 410 Imprint Bold ) 101: Imprint Old Face (see: 101 Imprint ) 190: Imprint Shadow Roman /italic display matrices[152] size: 60pt 72pt line: T.6237 M.7516
462: Indicateur (cancelled in 1967) 366: Inflex Bold Roman composition matrices: UA.344 = 5pt-9pt, combines with: Series No. 342 Ionic [153] size: 5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)set: 5.5 6 6.75 7.5 8.5 9.25 line: M.1220 M.1242 M.1270 M.1290 M.1327 M.1355
503: Inflex Timetable (see: Bold Face ) __6: Ionic (see: 6 Modern no.4 ) (cancelled in 1967) 265: Ionic No. 1 Roman /italic (cancelled in 1967)composition matrices: UA.321 = 6pt-6.5pt[154] size: 6pt (6D)6.5pt (6D)set: 7 7.75 line: M.1237 M.1248
342: Ionic No. 2 Roman /italic (see also: 562 Ionic 2-line composition matrices: UA.317 = 5pt-9pt[79] size: 5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)set: 5.5 6 6.75 7.5 8.5 9.25 line: M.1220 M.1242 M.1270 M.1290 M.1327 M.1355
184: Ionic No. 3 Roman (synonym : 184 Egyptian ) (cancelled in 1967)composition matrices: UA.51 = 6pt[72] size: 6pt (6D)set: 6.75 line: M.1255
153: Ionic No. 4 Roman (cancelled in 1967)composition matrices: UA.1 = 8pt[11] size: 8pt (8D)set: 10.75 line: M.1285
416: Ionic No. 5 Roman /italic (cancelled in 1967)composition matrices: UA.1 = 7D-8D[155] size: 7D op 8pE8D op 9pEset: 9.25 9.75 line: M.1266 M.1329
451: Ionic No. 6 Roman /italic (cancelled in 1967)composition matrices: UA.380 = 6pt-7pt[156] size: 6pt (6D)7pt (7D)set: 6.75 7.5 line: M.1270 M.1290
476: Ionic (destroyed in a bombardment) 562: Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also: 342 Ionic )composition matrices: UA.317(?) = 5pt,[79] In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertisements. All can be done in one machine-run. size: 5pt (5D)set: 8.25 line: M.1610
_23: Iroquois Condensed Roman (cancelled in 1964)UA.2, 8pt, 10pt, 12 pt[11] size: 8pt (8D)10pt (9D)12pt (12D)set: 8.5 9.75 12 line: M.1305 M.1390 M.1480
108: Italian Old Style Roman /italic composition matrices: UA.4 = 6pt-13pt[79] size: 6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)set: 6.75 7.5 8.25 9 9.75 10.5 12 13 line: M.1237 M.1268 M.1286 M.1313 M.1338 M.1364 M.1420 M.1448
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1533 T.1948 T.2640 T.3194 T.3884
149: Italian Old Style Bold Roman composition matrices: UA.5 = 6pt-13pt[114] size: 6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)set: 6.75 7.5 8 8.75 9.75 10.5 12 13 line: M.1237 M.1268 M.1286 M.1313 M.1338 M.1364 M.1420 M.1448
display matrices: size: 14pt 16pt 18pt 20pt 24pt 30pt 36pt line: T.1533 T.1737 T.1948 T.2152 T.2640 T.3194 T.3884
149: Italian Old Style Display (see: 149 Italian Bold Style Bold & Veronese (typeface) ) _54: Italic Display (see: 54 Modern Bold Italic )
J 579: Jacno (experimental) 646: Janson (cancelled in 1972) Am. 401 Janson Roman Am. 4011 Janson italic Am. 58 Jenson Old Style [157] Am. 258 Jenson Condensed 478: Joanna Roman /italic composition matrices: UA.449 = 8pt-14pt[158] size: 8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)set: 8.5 9.5 10 11 12 14 line: M.1230 M.1260 M.1283 M.1310 M.1340 M.1460
display matrices: size: 18pt 24pt 30pt 36pt line: T.1755 T.2364 T.2918 T.3504
369: Jocunda Roman only capitals, numbers and signs (cancelled in 1967)display matrices:[14]
K 311: Kaatskill (cancelled in 1967) Am: 305: Kino Roman display matrices:[159] size: 18pt 24pt 30pt 36pt line: T.1927 T.2572 T.3154 T.3854
593: Klang italic display matrices:[105] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
L 490: Lamp (cancelled) __9: Latin Antique Roman composition matrices: UA-2 (6-13pt) (synonym: Latin Antique )[160] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 6.5 7.25 8 9 9.5 10.5 12 12.5 line: M.1230 M.1258 M.1270 M.1300 M.1310 M.1370 M.1380 M.1388
_60: Latin Antique Roman (synonym: 60 Latin Antique No. 2 composition matrices: UA.2 = 8-12pt[161] size: 8pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 8 9 9.75 11.25 line: M.1223 M.1301 M.1323 M.1369
_78: Latin Antique Roman composition matrices: UA.2 = 6-13pt[66] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 7.75 8.25 9.25 9.75 10 11 12.25 13 line: M.1245 M.1240 M.1270 M.1280 M.1301 M.1323 M.1369 M.1388
_84: Latin Antique (cancelled) (synonym: 84 Latin Antique no. 4 )composition matrices: UA.2 = 6-12pt[162] size: 6pt (6D)9pt (8D)11pt (10D)12pt (12D)set: 7 8.5 10.25 11.75 line: M.1235 M.1262 M.1323 M.1369
419: Latin Condensed Roman display matrices:[62] size: 24D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pE72pt line: T.2686 T.3182 T.4044 T.5410 T.6800 T.7630
164: Latin Wide (cancelled in 1967)composition matrices: UA.19 = 8pt[163] size: 8pt (8D)set: 7.5 line: M.1250
450: Laudian Old Style Roman /italic composition matrices: UA.1 = 5.5pt-7.75pt[164] size: 5.5pt (5.5D)7.75pt (8D)set: 6.75 8.5 line: M.1270 M.1282
454: Laudian Old Style (destroyed by bombs) 538: Lectern Missal Roman (see: Missal 393 ) 348: Leysbourne (cancelled in 1965)12 pt 10.5 set line.1325 UA.359[165] 505: Light Extra Condensed (see: 505 Placard light Extra Condensed ) 204: Light Face Gothic (see: 204 Grotesque Light Condensed ) 113: Light Face Plantin (see: 113 Plantin Light ) 522: Light Placard Titling (see: 522 Placard Condensed Titling ) 475: Light Script (see: 475 Script Light ) 284: Littleworth (cancelled in 1967)UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557[166] 293: Lombardic Capitals (see: 292 Goudy Text 292 ) 517: L.P.T.B. Titling (cancelled in 1965) Lutetia Jan van Krimpen was modified for Monotype. Jan van Krimpen had given his permission to change his design for hand composing of Lettergieterij Amsterdam to edit it for machine composition. Later he had to admit that the result was very good. But he added immediately that "if" he had known this in advance ... he never would have agreed ... to get as close as possible to the original design to be able to stay, it was necessary to make another unit-arrangement for each size. Consequently, it was a very expensive for the printer customers, since each size with another wedge had to be poured. Also on the keyboard keybanks for each size was another requirement, and extra wedges also had to be purchased.255: Lutetia Roman /italic composition matrices Unit arrangements different for each size[167] size: 8D 10D 12D 14D 16D 20D UA Roman: 334 306 307 308 170 172 UA italic: 334 306 308 308 171 172 set: 7.5 8 10.75 11.75 13.5 16.5 line: M.1215 M.1276 M.1305 M.1488 M.1488 M.1980
display matrices: size: 28D 36D 48D line: T.2754 T.3554 T.4790
M 347: Mardersteig Never produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost. 496: Matura script display matrices:[168] size: 18pt 24pt 30pt 36pt 42pt 48pt line: T.1841 T.2458 T.3014 T.3674 T.4316 T.4958
Matura scriptorial Capitals 528: Matura scriptorial Capitals (combines with 496 Matura )display matrices:[168] 125: Mediaeval Roman (cancelled in 1965) 134: Mediaeval Roman (cancelled in 1965) 136: Mediaeval Roman (cancelled in 1965) _88: Mediaeval Modern (see: 88 Modern Mediaeval ) _52: Mediaeval Modern Half-Fat (see: 52 Half-Fat Modern Mediaeval ) (synonyms: 52 Schurmann Antiqua Halbfette , Half-Fat Modern Mediaeval ) (cancelled in 196?) _67: Mediaeval Old Style (see: 67 Old Style ) 397: Menhart Roman /italic composition matrices: UA.378 = 10D-14[169] size: 10D at 11pE14D at 16pEset: 9.5 13.5 line: M.1314 M.1596
display matrices: size: 18D at 20pE24D at 30pEline: T.1841 T.2536
583: Mercurius Bold Script display matrices:[170] size: 14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt line: T.1556 T.1985 T.2656 T.3405 T.3974 T.5360 T.6720 T.7540
336: Missal 393: Missal Roman 448: Missal No. 3 459: Missal No. 4 __1: Modern No. 1 Roman /italic 1901, after a design of Miller & Richards composition matrices: UA-1 (6-12pt), UA-1a(14pt),[171] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt (small face)(14D)set: 6.75 7 8 8.5 9.25 9.75 11.25 13.5 line: M.1210 M.1208 M.1237 M.1260 M.1290 M.1310 M.1360 M.1405
_80: Modern No. 2 (cancelled in 1967)190?, composition matrices: UA-1,[133] size: 9D (8D)10pt (9D)11pt (10D)12pt (12D)set: 8.75 9.25 10 11.25 line: M.1257 M.1290 M.1310 M.1369
189: Modern No. 3 Roman /italic 190?, composition matrices: UA-1,[172] size: 6D 7D at 8pt8pt (8D)9pt (9D)10pt (9D)11pt (10D)set: 7 8 8.5 9.25 9.75 11.25 line: M.1208 M.1237 M.1260 M.1290 M.1310 M.1360
__6: Modern No. 4 (cancelled in 1967) (synonym: Ionic )190?, composition matrices: UA-1,[173] size: 8pt (8D)10pt (9D)set: 8 9.25 line: M.1240 M.1290
_95: Modern No. 5 Roman /italic (cancelled in 1967)composition matrices: UA-1 = 11pt[174] size: 11pt (10D)set: 10.25 line: M.1332
250: Modern No. 6 Roman (synonym: 250 Modern Condensed no.5 )composition matrices: UA.92 = 6.5pt UA=418 = 7D[39] size: 6.5pt (6D)7D op 8pEset: 6.5 7.5 line: M.1230 M.1267
422: Modern No. 7 Roman /italic (cancelled in 1965)composition matrices: UA.376 = 12 pt[175] size: 12pt (12D)set: 13 line: M.1380
471: Modern No. 8 Roman (cancelled in 1967)composition matrices: UA.1 8D-10D[176] size: 8D at 9pE9D at 10pE10D at 11pEset: 9 9.5 10.5 line: M.1310 M.1365 M.1380
183: Modern Roman (synonym: 183 Modern no. 6 ) (cancelled in 1967)display matrices,[177] 211: Modern Roman (see: 211 Century no.1 ) 257: Modern (synonym: 257 Modern Wide )composition matrices: UA.1[161] size: 10pt (9D)11pt (10D)set: 10.5 11.25 line: M.1294 M.1310
444: Modern (cancelled in 1936) 570: Modern Bold Roman , combines with: Modern Series No. 7 composition matrices: UA.2,[178] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)set: 7 7.75 8.5 9.25 9.75 10.5 12 line: M.1235 M.1210 M.1235 M.1260 M.1200 M.1310 M.1360
_54: Modern Bold Italic italic (synonym: 54 Italic-Display )composition matrices: UA.3 = 6-12pt[179] size: 6pt (6D)6.5pt (6D)7D 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 6.75 7.75 8.5 8.75 9.5 10 10.75 12.5 line: M.1202 M.1216 M.1238 M.1235 M.1257 M.1391 M.1315 M.1363
display matrices: size: 14pt (14D)18pt (18D)line: T.1395 T.1810
263: Modern Cancellation Fount Roman (see: 263 Modern Extended 17 ) _13: Modern Condensed No. 1 Roman /italic composition matrices UA.1 = 6pt[180] size: 6pt (6D)set: 6.5 line: M.1185
_14: Modern Condensed No. 2 Roman /italic composition matrices: UA.1 = 7 pt[181] size: 7pt (7D)set: 7.25 line: M.1220
_39: Modern Condensed No. 3 Roman /italic composition matrices: UA.1,[182] size: 6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 6.5 7.5 8 8.75 9.5 11.25 line: M.1225 M.1250 M.1260 M.1290 M.1320 M.1390
_79: Modern Condensed No. 4 Roman /italic (cancelled in 1965)composition matrices: UA.1 = 11pt[183] size: 11pt (10D)set: 8.75 line: M.1375
250: Modern Condensed No. 5 Roman composition matrices: UA.92 = 6.5pt, UA.418 = 7D[39] size: 6.5pt (6D)7D op 8pEset: 6.5 7.5 line: M.1230 M.1267
__7: Modern Extended No. 1 Roman /italic ,1902, some bit wider version of Modern no.1 composition matrices: UA.1 = 6pt-12pt[99] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 7 7.75 8.5 9.25 9.75 10.5 12 line: M.1235 M.1210 M.1235 M.1260 M.1290 M.1310 M.1360
_77: Modern Extended No. 2 Roman /italic (cancelled in 1967)composition matrices, UA1 = 9pt-11pt[99] size: 9pt (8D)11pt (10D)set: 9.5 10.5 line: M.1290 M.1375
447: Modern Extended No. 3 (cancelled in 1965)composition matrices, UA1 = 8D-9D[29] size: 8D op 9pE9D op 10pEset: 8.75 9.5 line: M.1341 M.1375
237: Modern French 247: Modern French (cancelled in 1965) _88: Modern Mediaeval (cancelled in 1964) _52: Modern Mediaeval (Half-Fat) (see: 52 Half-Fat Modern Mediaeval ) (synonyms: 52 Schurmann Antiqua Halbfette , Half-Fat Modern Mediaeval ) (cancelled in 196?) 500: Modern Timetable (cancelled in 1967) 179: Modern Titling Roman /italic (synonyms: 179 Titling 179, Titling Italic )composition matrices: UA.1 = UA.8-12pt[184] size: 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12Dset: 8.75 10.5 14.75 19.5 line: M.1341 M.1455 M.1642 M.1755
_16: Modern Wide No. 1 Roman /italic composition matrices: UA.1 = 5pt[185] size: 5pt (5D)set: 6.5 line: M.1240
_18: Modern Wide No. 2 Roman /italic (synonym: Modern Wide )composition matrices: UA.1 = 6pt[186] size: 6pt (6D)set: 7.75 line: M.1245
_25: Modern Wide No. 3 Roman /italic (synonym: Modern Wide , also referred to as: Romano )composition matrices UA.2 = 6pt - 12pt[187] size: 9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 9.25 10.25 11 12.5 line: M.1260 M.1300 M.1318 M.1360
_26: Modern Wide No. 4 Roman /italic (synonym: Modern Wide )composition matrices: UA.1 = 4.5pt-5pt[67] size: 4.5pt op 5pE (5D)5pt (5D)set: 5.5 5.5 line: M.1173 M.1173
_30: Modern Wide No. 5 Roman /italic (synonym: Modern Wide )composition matrices: UA.1 = 7pt-8pt[188] size: 7pt (7D)8pt (8D)set: 8.25 9.25 line: M.1240 M.1270
_75: Modern Wide No. 6 (synonym: 75 Modern Wide ) (cancelled in 1967)composition matrices: UA.1 = 7Dt[99] size: 7D op 8pEset: 9.5 line: M.1262
257: Modern Wide No. 7 (cancelled in 1967)composition matrices: UA.1 = 10pt-11pt [189] size: 10pt (9D)11pt (10D)set: 10.5 11.25 line: M.1294 M.1320
a297: Modernistic (Sorts) (cancelled vóór 1966) 537: Morrison Face (cancelled in 1964) 351: Monoline Script 210: Musical signs 382: Musical signs
N 294: Narrow Bembo Italic (see: 294 Bembo Condensed Italic ) 166: Narrow Gothic (see: 166 Grotesque Bold Condensed Titling ) 527: Narrow Gothic Titling (see: 527 Grotesque Bold Condensed Titling ) 405: Narrow Grotesque (see: 405 Grotesque Light Condensed ) 402: Nastaliq (cancelled) _27: Neo Didot Roman /italic composition matrices: UA.1 = 6.5-13pt[130] size: 6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)set: 7.75 8 9 9.75 10.5 11.5 12.5 line: M.1235 M.1238 M.1270 M.1300 M.1320 M.1360 M.1390
_65: Neo Didot Roman /italic composition matrices: UA.1 = 6.5-13pt[141] size: 6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)set: 7.75 8.5 9.75 10 11 12.25 13 line: M.1225 M.1240 M.1260 M.1290 M.1320 M.1360 M.1390
617: New Clarendon Roman /italic combines with: 618 New Clarendon Bold composition matrices: UA.481 = 6-14pt[190] size: 6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)set: 8 9.75 11.75 14 16.5 line: M.1220 M.1285 M.1318 M.1380 M.1495
display matrices: size: 14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1610 T.1805 T.2433 T.2987 T.3608 T.4231 T.4853 T.6098 T.7308
618: New Clarendon Bold Roman /italic composition matrices: UA.481 = 6-14pt[190] size: 6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)set: 8 9.75 11.75 14 16.5 line: M.1220 M.1285 M.1318 M.1380 M.1495
display matrices: size: 14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1395 T.1610 T.1805 T.2433 T.2987 T.3608 T.4231 T.4853 T.6098 T.7308
610: New Emerald Bible 606: New Face (cancelled in 1964) 607: New Face Bold (cancelled in 1964) 615: New Grotesque (cancelled in 1974) (apart from "A") 616: New Grotesque Bold (cancelled in 1974) (apart from "A") 666: New Grotesque Light (cancelled in 1967) (apart from "A") 229: News Advertisements (see: Newspaper Small Ads ) 177: Newspaper Small Ads (cancelled in 1965) 229: Newspaper Small Ads (cancelled in 1965) 115: Newspaper Smalls Roman (cancelled vóór 1966)Available matrices: capitals, small capitals and lower case plus double large capitals and numbers. These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters. composition matrices: UA.30 = 5.5-7pt[161] size: 5.5pt (6D)6pt (6D)7pt (7D)set: 10 10.25 12.5
163: Newspaper Smalls (cancelled in 1967) 193: Newspaper Smalls (cancelled in 1965) 333: Newspaper Smalls (The Times) (see: Times Newspaper Smalls ) 335: Newspaper Smalls (The Times) (see: Times Newspaper Smalls )
O 603 : Octavian Roman /italic Design: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club". composition matrices: UA.485 = 14pt[120] size: 14pt (14D)set: 11.75 line: M.1500
456: Old English text frakture typeface composition matrices: UA.318 = 8-12pt[94] size: 8pt (8D)10pt (10D)12pt (12D)set: 8.75 10.25 12.25 line: M.1321 M.1394 M.1470
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.155 T.1991 T.2660 T.3264 T.3984 T.4686 T.5368 T.6750 T.8090
356: Old English Text frakture typeface (cancelled in 1967)composition matrices: UA.318 = 8-12pt[94] size: 8pt (8D)10pt (10D)12pt (12D)set: 8.75 10.25 12.25 line: M.1321 M.1394 M.1470
456: Old English Text Light (see: 456 Old English Text ) _43: Old Face (see: _43 Scotch Roman No. 3 ) _46: Old Face (see: _46 Scotch Roman No. 1 ) 137: Old Face (see: 137 Scotch Roman No. 2 ) 154: Old Face (see: 154 Chiswell Old Face ) 240: Old Face (cancelled in 1964)composition matrices: UA.385 = 9pt[191] size: 9pt (9D)set: 9 line: M.1354
159: Old Face Heavy (see: 159 Old Style Bold No. 2 ) _20: Old Face (Special) (cancelled in 1967)UA.6, 6.5pt - 12 pt[192] size: 6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt set: 6.5 6.5 7.25 8 8.75 9.75 11.25 line: M.1196 M.1196 M.1220 M.1240 M.1260 M.1290 M.1350
_45: Old Face Standard (cancelled in 1967) __2: Old Style No. 2 Roman /italic UA.1: 6 tot 12 punt, UA.1a: 14pt[193] size: 6pt 7pt 8pt 9pt 10pt 11pt 12pt 14pt set: 6.5 7.75 8.5 9.25 9.75 10.5 12 13.25 line: M.1200 M.1230 M.1230 M.1250 M.1295 M.1315 M.1360 M.1405
151: Old Style No. 4 Roman /italic composition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt[194] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)13.5pt op 14pE (13D)set: 6.5 7.5 8 8.75 9.5 10.5 11.75 13.5 line: M.1220 M.1250 M.1250 M.1266 M.1294 M.1331 M.1360 M.1405
large composition: Roman = UA.133 italic = UA.35818pt (18D) Roman /italic , 24Pt (24D) Roman size: 18pt (18D)24pt (24D)set: 18 24 line: T.1810 T.2364
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1374 T.1810 T.2364 T.2918 T.3608
_67: Old Style Roman /italic (cancelled in 1967)UA.1 = 9-12pt[195] size: 9pt 10pt 11pt 12pt set: 8 9.5 10.25 12 line: M.1260 M.1290 M.1320 M.1360
104: Old Style Roman /italic (cancelled in 1964)UA.1 = 11pt[195] size: 11pt set: 11.25 line: M.1355
__3: Old Style Antique (see: __3 Antique Old Style ) 124: Old Style Antique (see: 124 Antique Old Style ) 161: Old Style Antique (see: 161 Antique Old Style ) 232: Old Style Antique Italic (cancelled in 1965) _53: Old Style Bold No. 1 Roman /italic [196] composition matrices: UA.3,3a: 53-12 italic, 53-14 & 18 : UA 100, 53-24: UA 101, italic: UA 76 Large composition matrices only available in roman. corps: 5.5pt (6D)6pt (6D)6.5pt (6D)7pt (7D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt 18pt 24pt set: 6.75 6.75 7.75 7.75 8.5 9.25 9.5 10.5 12 15.5 19.5 26 line: .1202 .1202 .1250 .1250 .1235 .1257 .1291 .1315 .1364 .1533 .1948 .2640
Display-matrijzen: corps: 14pt 18pt 22pt 24pt 30pt 36pt line: .1533 .1948 .2308 .2640 .3194 .3884
159: Old Style Bold No. 2 Roman composition matrices: UA.32 = 8-12pt, UA.112 = 14pt[39] size: 8pt (8D)10pt (9D)12pt (12D)14pt (14D)set: 8.75 10.75 12.25 14 line: M.1280 M.1414 M.1450 M.1533
large composition: UA.112 size: 14pt (14D)18pt (18D)24pt (24D)set: 14 18 24 line: T.1533 T.1948 T.2640
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2308 T.2604 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
544: Old Style Bold No. 5 Roman composition matrices: UA.2 = 6-12pt[197] size: 6pt (6D)8pt (8D)10pt (9D)12pt (12D)set: 6.5 8.5 9.75 12 line: M.1200 M.1230 M.1295 M.1360
253: Old Style Bold (synonym: 253 Bold Face No. 2 ) (cancelled in 1967)composition matrices: UA.3 = 8-9pt[102] size: 8pt (8D)9pt (8D)set: 8.5 9.25 line: M.1285 M.1312
245: Old Style Bold Italic italic (synonym: 245 Bold Face Italic No. 2 ) (cancelled in 1967)composition matrices: UA.76 = 8-12pt[161] size: 8pt (8D)10pt (9D)12pt (12D)set: 8 10 12.25 line: M.1308 M.1385 M.1474
176: Old Style Bold Outline Roman composition matrices: UA.100 = 12pt[161] size: 12pt (12D)set: 12.75 line: M.1450
large composition: UA.100 size: 18pt set: 19.5 line: T.1948
display matrices: size: 14pt 18pt 24pt line: T.1533 T.1948 T.2640
__8: Old Style Condensed Roman /italic (cancelled in 1967)UA.1, = one size only: 10pt (9D) = 9 set, line.1295[99] size: 10pt (9D)set: 9 line: M.1295
_50: Old Style Condensed (cancelled in 1967)composition matrices: UA.1 = 8-10pt[198] size: 8pt 9pt 10pt set: 7.5 8.25 9 line: M.1240 M.1265 M.1290
_55: Old Style Italic Display (see: 55 Gloucester Bold Italic ) 122: Old Style (Prumyslava) Roman Onyx 591: Onyx Roman Onyx was created in 1937 and was inspired by the Stephanie typeface created by Bauer Type Foundry in 1870.[199] display matrices:[150] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
Am 404): Onyx Roman 652: Opus (cancelled in 1966) 246: Othello Roman capitals composition matrices: UA.85 = 10pt-12[200] size: 10pt (9D)12pt (11D)set: 12 14.5 line: M.1620 M.1770
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1868 T.2395 T.3200 T.3934 T.4804
248: Othello Shadow (cancelled in 1967) 176: Outline (see: 176 Old Style Bold Outline )
P 429: Palace Script italic Overhanging character that can only be cast with special moulds. display matrices:[201] size: 14pt 18pt 24pt 30pt 36pt 42pt line: T.1434 T.1871 T.2422 T.3204 T.3554 T.4506
206: Pastonchi Roman /italic composition matrices: UA.69 = 9-13 pt, UA.175 = 14D.[202] size: 9pt (8D)10pt (9D)11pt 13pt (12D)14D (op 16pt)set: 7.75 8.5 9.5 11.75 13.5 line: M.1226 M.1248 M.1276 M.1338 M.1430
display matrices: size: 14D op 16pt16D op 18pt20D op 22pt24D op 30pt30D op 36pt36D op 36ptline: T.1430 T.1634 T.2044 T.2452 T.3085 T.3704
508: Pegasus Roman display matrices:[177] 613: Petita script display matrices[203] size: 14D at 16pt18D at 20pt24D at 30pt30D at 36pt36D at 36pt42D at 38pt48D at 60pt60D at 72ptline: T.1283 T.1642 T.2194 T.2825 T.3274 T.3829 T.4410 T.5520
239: Perpetua Roman /italic introduction: 1930, design: Eric Gill, composition matrices UA.96 = 5.5pt - 18pt[204] size: 5.5pt 6pt 8pt 9pt 10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)set: 7.5 7.25 8 8.5 9 10 11 11.75 13 line: M.1205 M.1205 M.1221 M.1210 M.1212 M.1237 M.1260 M.1278 M.1380
large-composition matrices: 18pt (18D) 16.5 set line T.1635 display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1380 T.1635 T.2204 T.2744 T.3344 T.3926 T.4508 T.5683 T.6823
316: Perpetua No. 3 (cancelled in 1967)registered design No. 751804, composition matrices: UA.96 = 9pt[205] size: 9pt (9D)set: 10.5 line: M.1305
386: Perpetua No. 2 (cancelled in 1967)composition matrices: UA.96 = 14pt[206] size: 14pt (14D)set: 13 line: M.1440
461: Perpetua Bold Roman /italic composition matrices UA.379 = 6pt - 14pt[207] size: 5.5pt 6pt 8pt 9pt 10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)set: 7.5 7.25 8 8.5 9 10 11 11.75 13 line: M.1205 M.1205 M.1221 M.1210 M.1212 M.1237 M.1260 M.1278 M.1380
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1380 T.1635 T.2204 T.2744 T.3344 T.3926 T.4508 T.5683 T.6823
200: Perpetua Bold Titling Roman composition matrices: UA. 145 : 12pt (12D) = 11.25 set line.1753[208] display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1753 T.1848 T.2371 T.3894 T.4754 T.5606 T.6418 T.8060 T.9680
480: Perpetua Light Titling Roman [209] display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1730 T.2224 T.2970 T.3644 T.4444 T.5236 T.5998 T.7540 T.9050
561: Perpetua Semi-Bold (cancelled in 1963) 258: Perpetua Titling Roman composition matrices: UA. 97 = 10pt - 12pt[22] size: 10pt (10D)11pt (11D)12pt (12D)set: 10.5 11.5 12.5 line: M.1546 M.1593 M.1652
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1730 T.2219 T.2950 T.3644 T.4444 T.5236 T.5998 T.7540 T.9050
543: Perpetua Titling (cancelled in 1967) 480: Perpetua Titling Light Face (see: 480 Perpetua Light Titling ) 411: Pierre Didot (cancelled in 1965)composition matrices: UA.375 = 9pt[210] size: 9D at 10pEset: 10 line: M.1234
453: Pitman's i.t.a. (see: Ehrhardt 453 ) 573: Pitman's i.t.a. (see: Ehrhardt Semi Bold 573 ) 506: Placard Bold Condensed No. 1 Roman composition matrices: UA.387 = 6D-12D[152] size: 6D at 7pE7D at 8pE8D at 9pE10D at 11pE12D at 13pEset: 6 7 7.75 9.5 11.5 line: M.1280 M.1330 M.1368 M.1450 M.1540
display matrices: size: 14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pEline: T.1728 T.1964 T.2478 T.2996 T.3442 T.4414 T.5179 T.5960
515: Placard Bold Condensed No. 2 Roman display matrices:[211] size: 30pt 36pt 42pt 48pt 60pt line: T.3524 T.4299 T.5066 T.5808 T.7300
568: Placard Condensed Roman (synonym: 568 Placard Medium Condensed )composition matrices: UA.387 = 6D-12D[152] size: 6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pEset: 5.5 6 6.5 7 7.5 8.75 line: M.1327 M.1380 M.1436 M.1487 M.1543 M.1650
display matrices: size: 14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt line: T.1806 T.2052 T.2544 T.3076 T.3592 T.4614 T.5409 T.6330 T.7800 T.8760
522: Placard Condensed Roman (see: 522 Placard Condensed Titling ) 522: Placard Condensed Titling Roman (synonym: 522 Placard Condensed )display matrices:[212] 505: Placard light Extra Condensed Roman composition matrices: UA.387 = 10D[152] size: 10D op 11pEset: 6 line: M.1540
display matrices: size: 14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pEline: T.1860 T.2037 T.2674 T.3236 T.3722 T.4774 T.5589 T.6440
568: Placard Medium Condensed (see: 568 Placard Condensed ) 110: Plantin Roman /italic composition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt[213] pica: 5.5pt 6pt 6.5pt 7pt 7.5pt 7.5D 8pt 8pt 9pt 10pt 10pt 10pt 10pt 11pt 11pt 11pt 12pt 12pt 13.5pt 14pt cast: 5.5pt 6pt 6.5pt 7pt 7.5pt 8pt 8pt 10pt 9pt 10pt 10pt 12pt 10pt 11pt 11pt 14pt 11pt 12pt 14pt 14pt didot: 6D 6D 6D 7D 7D 7.5D 8D 10D 8D 9D 9D 11D 10D 10D 10D 14D 11D 11D 14D 14D spec. short short short long short long long short long short Large set: 7 7 7.75 7.75 8.5 9.25 8.5 8.5 9.25 9.5 9.5 9.5 9.5 10.25 10.25 10.25 11.75 11.75 13.25 14 line: M.1237 M.1237 M.1257 M.1257 M.1285 M.1312 M.1285 M.1285 M.1312 M.1332 M.1332 M.1332 M.1332 M.1360 M.1360 M.1360 M.1415 M.1415 M.1465 M.1620
large composition matrices: size: 18pt (18D)18pt (18D)24pt (24D)24pt (24D)UA.106 UA.128 UA.107 UA.129 Roman italic Roman italic set: 18 18 24 24 line: T.1948 T.1948 T.2640 T.2640
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2351 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
194: Plantin Bold Roman /italic can be combined with: 110 Plantin and 113/773 Plantin light composition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt[214] pica: 6pt 6.5pt 7pt 7.5pt 8pt 9pt 10pt 11pt 12pt 13.5pt 14pt cast: 6pt 6.5pt 7pt 7.5pt 8pt 9pt 10pt 11pt 12pt 14pt 14pt didot: 6D 6D 7D 7D 8D 8D 9D 10D 11D 11D 14D spec. 7pt short set: 7 7.75 7.75 8.5 8.5 9.25 9.5 10.25 11.75 13.25 14 line: M.1237 M.1257 M.1257 M.1285 M.1285 M.1312 M.1332 M.1360 M.1415 M.1465 M.1620
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2351 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
287: Plantin Bold (synonym: 287 Plantin Heavy No. 2 ) (cancelled in 1968)composition matrices: UA.5 = 6.5pt-7.5pt[66] size: 6.5pt op 7pE7.5pt op 8pEset: 7 8 line: M.1265 M.1308
236: Plantin Bold Condensed Roman /italic composition matrices: UA.72 = 6pt-14pt[39] size: 6pt (6D)6.5 at 7pE (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)set: 7 7.5 8.5 9.25 9.5 10.25 11.75 12.5 14 line: M.1237 M.1252 M.1285 M.1312 M.1332 M.1360 M.1415 M.1442 M.1620
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2351 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
289: Plantin Condensed Roman /italic (cancelled in 1967)composition matrices: UA.4 = 7.5ptt[215] size: 7.5pt op 8pE (7D)set: 8 line: M.1318
194: Plantin Heavy (see: 194 Plantin Bold ) 236: Plantin Heavy Condensed (see: 236 Plantin Bold Condensed ) 287: Plantin Heavy No. 2 (see: 287 Plantin Bold ) 113: Plantin Light Roman /italic composition matrices: UA.4 = 6pt-12pt[216] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)12pt op 13pEdidot: 6D 7D 8D 8D 9D 10D 12D 12D long desc. set: 7 7.75 8.5 9.25 10 10.75 11.75 11.75 line: M.1237 M.1257 M.1285 .1312 M.1342 M.1370 M.1426 M.1426
large composition matrices: size: 18pt (18D)18pt (18D)24pt (24D)24pt (24D)UA.106 UA.128 UA.107 UA.129 Roman italic Roman italic set: 18 18 24 24 line: T.1948 T.1948 T.2640 T.2640
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
773: Plantin Light Roman /italic 113: Plantin Light Face (see: 113 Plantin Light )composition matrices: UA.4 = 10pt-11pt[214] The two sizes of Series 773 are alternatives for Series 113, with identical set and lining', for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this. size: 10pt (9D)11pt (10D)set: 9.5 10.25 line: M.1322 M.1360
281: Plantin Old Style No. 2 (cancelled in 1967)composition matrices: UA.305 = 9pt-11pt[102] size: 9pt (8D)11pt (10D)set: 9.5 11.25 line: M.1330 M.1400
663: Plantin Semi Bold Roman /italic composition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt[214] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 7 7.75 8.5 9.25 9.5 10.75 11.75 line: M.1237 M.1257 M.1285 M.1312 M.1332 M.1360 M.1414
438: Plantin Titling Roman display matrices:[217] 139: Plate Gothic (see: 139 Spartan Light ) 140: Plate Gothic (see: 140 Spartan ) 141: Plate Gothic (see: 141 Spartan Bold ) 142: Plate Gothic (see: 142 Spartan Light Condensed ) 143: Plate Gothic (see: 143 Spartan Condensed ) 145: Plate Gothic (see: 145 Spartan Wide ) 144: Plate Gothic Italic (see: 144 Spartan Italic ) 170: Poliphilus Roman composition matrices: UA.53: 10pt - 13pt, for the italic see: 119 Blado Italic [39] size: 10pt (9D)11pt (10D)12pt (12D)13pt (12D)set: 8.5 9.25 10.75 11.5 line: M.1299 M.1326 M.1374 M.1399
large-composition matrices: 16pt = UA.139 size: 16pt set: 13.5 line: T.1577
display matrices: 230: Poliphilus Titling Roman display matrices in 2 sizes[39] size: 18pt 24pt line: T.2359 T.3192
394, Poltawski Roman composition matrices: UA.156: 6D, 8D, 10D, 12D[218] size: 6D at 7pica8D at 9 pica10D at 11pica12D at 13picaset: 6.5 8.5 10.75 13 line: M.1206 M.1275 M.1337 M.1405
398: Poltawski Bold Roman composition matrices: UA.156: 6D, 8D, 10D, 12D[218] size: 6D at 7pica8D at 9 pica10D at 11pica12D at 13picaset: 6.5 8.5 10.75 13 line: M.1206 M.1275 M.1337 M.1405
532: Prayer Book Face (OUP) (cancelled)
R 371: Rockwell Roman /italic composition matrices: UA.338 = 6-14pt:[122] size: 6pt (6D)7D at 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)set: 6.75 8 9.5 10.75 12.5 15.75 line: M.1220 M.1256 M.1275 M.1307 M.1340 M.1400 M.1624
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2392 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
391: Rockwell Bold Roman /italic composition matrices: UA.338 = 6-14pt, combines with: 371 Rockwell [122] size: 6pt (6D)7D at 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)set: 6.75 8 8.5 9.5 10.75 12.5 15.75 line: M.1220 M.1256 M.1275 M.1307 M.1340 M.1400 M.1624
display matrices: size: 14pt 18pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2392 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
359: Rockwell Bold Condensed Roman composition matrices: UA.411 = 11pt[219] size: 11pt (10D)11pt (11D)except. short desc. set: 11.75 11.75 line: M.1376 M.1376
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
414: Rockwell Condensed Roman display matrices:[220] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
424: Rockwell Extra Bold Roman composition matrices: UA.162 = 6-12pt[221] size: 6pt (6D)8pt (8D)10pt (10D)12pt (12D)set: 6.75 8.5 10.75 12.5 line: M.1220 M.1275 M.1340 M.1400
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
424: Rockwell Extra Heavy (see: 424 Rockwell Extra Bold ) 391: Rockwell Heavy (see: 391 Rockwell Bold ) 359: Rockwell Heavy Condensed (see: 359 Rockwell Bold Condensed ) 390: Rockwell Light Roman /italic composition matrices: UA.338 = 6-14pt[122] size: 6pt (6D)7D op 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)set: 6.75 8 8.5 9.5 10.75 12.5 15.75 line: M.1220 M.1256 M.1275 M.1307 M.1340 M.1400 M.1624
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
582: Rockwell Light Condensed (Film Sub-titles) Roman /italic 175: Rockwell Shadow Roman display matrices:[140] size: 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.2363 T.3144 T.3864 T.4724 T.5566 T.6368 T.8000 T.9600
175: Rockwell Shadow Titling (see: Rockwell Shadow ) 458: Romulus Roman /italic Jan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman. composition matrices: UA.405 = 8D-14D[222] size: 8Dpt op 9pE9D op 10pE10D op 11pE12D op 13pE14D op 16pEset: 7.75 8.5 9 10.75 12.75 line: M.1225 M.1245 M.1264 M.1320 M.1478
large composition: UA.406 size: 16D op 18pE20D op 14pEset: 16.5 20.5 line: T.1602 T.1994
display matrices: size: 24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pEline: T.2404 T.2812 T.3584 T.4810 T.6030
520: Romulus Bold Roman /italic (synonym: 520 Van Krimpen Bold )composition matrices: UA.405 = 8D-14D[37] size: 8Dpt at 9pE9D at 10pE10D at 11pE12D at 13pE14D at 16pEset: 7.75 8.5 9 10.75 12.75 line: M.1225 M.1245 M.1264 M.1320 M.1478
_10: Ronaldson Roman /italic composition matrices: UA-1 (6-12pt) (synonym: Ronaldson Old style )[223] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 6.75 7.75 8.5 9.25 9.75 10.5 12 line: M.1200 M.1230 M.1230 M.1250 M.1295 M.1315 M.1360
_10: Ronaldson Old Style (see: Ronaldson ) 420 : Runic Condensed Roman
S This font was designed by Jan Tschichold. Characters for hand composing can (still) be ordered from the company D. Stempel AG (foundry) in formerly Frankfurt (now Darmstadt); Linotype matrices were available at Linotype GmbH (Berlin and Frankfurt); and Monotype matrices could be ordered from the Monotype Setzmachinen-Fabrik GMbH (Frankfurt and Berlin). This can still be done at the Type Museum in London, because the "patterns" and punches and production archives survived there. The shape of the letter was identical for all three systems. Hand-composing type could be mixed with Linotype and Monotype composition rules. The letter had a limited success. There was also criticism: the letter suffered from the combined disadvantages of the three systems. For example: the Roman and italic faces are as wide as those on a Linotype matrix when combined. And Jan van Krimpen had objections to what he considered the too rigid unit-system of Monotype. 669: Sabon Roman /italic composition matrices: UA.503 8D-12D[79] size: 6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pEset: 6.75 8.5 9.25 10.25 12.25 line: M.1237 M.1308 M.1383 M.1383 M.1459
693: Sabon Semi-Bold Roman composition matrices: UA.503 8D-12D[79] size: 6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pEset: 6.75 8.5 9.25 10.25 12.25 line: M.1237 M.1308 M.1383 M.1383 M.1459
499: Sachsenwald Mager (cancelled in 1965) _15: Sans-Serif (see: 15 Grotesque Bold Condensed No. 2 ) _81: Sans-Serif (see: 81 Grotesque Bold Condensed ) 267: Sans-Serif (cancelled in 1965) 318: Sans-Serif Condensed (see: 318 Grotesque Condensed ) Schmale Nürnburger Gotisch 186: Schmale Nürnburger Gotisch fraktuur (cancelled in 1965)display matrices in 6 sizes[224] size: 14D 18D 20D 24D 28D 36D line: T.1671 T.2054 T.2560 T.3052 T.3524 T.4574
_22: Schoeffer (cancelled in 1964)composition matrices UA.2, 8pt, 10pt, 12 pt[225] size: 8pt (8D)10pt (9D)12pt (12D)set: 8 9.25 11.25 line: M.1270 M.1310 M.1378
Schurmann Antiqua Halbfette _52: Schurmann Antiqua Halbfette Roman (synonym: 52 Modern Mediaeval (Half-Fat) (cancelled in 1967) _46: Scotch Roman Roman /italic composition matrices: UA.1 = 6-12pt[10] size: 6pt at 5.5pE6pt 7pt 7D at 8pE8pt 9pt at 8pE9pt 10pt 11pt 12pt didot: 6D 6D 7D 7D 8D 8D 8D 9D 10D 12D bijz. short desc. short desc. set: 7 7 8 8.5 8.5 9.25 9.25 10 10.75 12.25 line: M.1220 M.1220 M.1250 M.1235 M.1235 M.1257 M.1257 M.1290 M.1320 M.1360
137: Scotch Roman Roman /italic composition matrices: 8-12pt[141] size: 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)UA. 13 14 15 16 17 set: 8.25 8.5 9.25 10.25 12.25 line: M.1260 M.1262 M.12603 M.1285 M.1362
large composition: UA.144 = Roman , UA.151 = italic size: 14pt (14D)18pt (18D)24pt (24D)special feature no italic available set: 13.5 17 23 line: T.1395 T.1810 T.2364
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt line: T.1395 T.1810 T.2364 T.2918 T.3608 T.4300 T.4854
322: Script (see: 322 Script Bold ) 574: Script Ashley (see: 574 Ashley Script ) 322: Script Bold script display matrices:[78] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1452 T.1863 T.2488 T.3054 T.3724 T.4376 T.4968 T.6300 T.7560
436: Script Dorchester (see: 436 Dorchester Script ) 493: Script Grosvenor (see: 493 Grosvenor Script ) 475: Script Light display matrices:[226] 351: Script Monoline (see: 351 Monoline Script ) 429: Script Palace (see: 429 Palace Script ) 455: Script Temple (see: 455 Temple Script ) 385: Script Wenceslas (see: 385 Wenceslas Script ) (cancelled in 196?) 434: Shadow French (cancelled) 234: Shakespeare Titling (cancelled in 1967)display matrices:[227] 552: Sheldon 276: Solus Roman (cancelled in 1967)composition matrices: UA.320 = 12pt-14pt[228] size: 12pt (12D)14pt (14D)set: 11 13 line: M.1310 M.1437
display matrices: size: 18pt 48pt line: T.1841 T.4982
368: Solus Bold Roman (cancelled in 1967)composition matrices: UA.320 = 12pt-14pt[228] size: 11pt (10D)set: 11.5 line: M.1375
368: Solus Heavy (see: Solus Bold ) Imitation of stone inscriptions of chopped capitals: the font contains only capital letters, numbers, and punctuation. Each size has of the capitals four sizes, which can be combined, with the little ones functioning as lower case. 140: Spartan Roman composition matrices: UA.16 = 6-12pt[130] size: 6pt (6D)12pt (12D)set: 7 11 line: M.1282 M.1420
large composition: UA.157 = 24pt size: 24pt (24D)24pt (24D)sizes: 4 and 5 2 and 3 set: 19.5 26 line: T.3060 T.3060
display matrices: 141: Spartan Bold Roman composition matrices: UA.18 = 6-12pt[222] size: 6pt (6D)12pt (12D)set: 7 11 line: M.1282 M.1420
display matrices: 143: Spartan Condensed Roman composition matrices: UA.18 = 6-12pt[229] size: 6pt (6D)12pt (12D)set: 5 9 line: M.1282 M.1420
144: Spartan Italic italic composition matrices: UA.18 = 6-12pt[229] size: 6pt (6D)12pt (12D)set: 7 12 line: M.1240 M.1420
139: Spartan Light Roman composition matrices: UA.18 = 6-12pt[217] size: 6pt (6D)12pt (12D)set: 7 12 line: M.1282 M.1420
display matrices: 142: Spartan Light Condensed Roman composition matrices: UA.18 = 6-12pt[151] size: 6pt (6D)12pt (12D)set: 7 9 line: M.1282 M.1420
145: Spartan Wide Roman composition matrices: UA.18 = 6-12pt[226] size: 6pt (6D)12pt (12D)set: 8.5 12.75 line: M.1282 M.1420
556: Spectrum Roman /italic This font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition. composition matrices: UA. 428 = 6D-12D[71] size: 6D at 7pE8D at 9pE10D at 11pE12D at 13pEset: 6.25 7.5 8.75 10.25 line: M.1215 M.1250 M.1297 M.1350
display matrices: size: 14D at 16pE16D at 18pE20D at 24pE24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pEline: T.1454 T.1656 T.2060 T.2483 T.2912 T.3714 T.5000 T.6270
196: Surrey Old Style Roman (cancelled in 1967)display matrices:[230] size: 14pt 18pt 24pt 30pt 36pt line: T.1533 T.1948 T.2640 T.3194 T.3884
583: Swing Bold script display matrices:[230] size: 14pt 18pt 24pt 30pt 36pt line: T.1301 T.1668 T.2229 T.2724 T.3324
T 455: Temple Script composition matrices: UA.386 = 10D-12D[231] size: 10D at 11pE12D at 13pEset: 9.25 11.25 line: M.1453 M.1549
display matrices: size: 14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt line: T.1684 T.1916 T.2378 T.2874 T.3362 T.4304 T.5810 T.7280 T.8170
355: The Times Hever Titling Roman (synonym: 355 Times Hever Titling )composition matrices: UA.323 = 9pt-12pt[186] size: 9pt (9D)10pt (10D)11pt (11D)12pt (12D)set: 9 10 11 12 line: M.1320 M.1357 M.1391 M.1430
display matrices: size: 14pt 18pt 24pt 30pt line: T.1510 T.1887 T.2502 T.3056
334: Times Bold Roman /italic to be used in combination with Times New Roman Series 327 composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt[232] matrices for long-descenders are available in several sizes size: 5.5pt 6pt 6pt 6D 6.5pt 7pt 7pt 7.5pt 7.5pt 8pt 8pt 9pt 9pt 10pt 10pt 11pt 11pt 12pt 12pt 14pt op: 5.5pE 6pE 6.5pE 7pE 6.5pE 7pE 7.5pE 7.5pE 8pE 8pE 9pE 9pE 10pE 10pE 11pE 11pE 12pE 12pE 14pE 14pE didot: 5D 6D 6D 6D 6D 7D) 7D 7D 8D) 8D 9D) 8D 10D 10D 11D 10D 12D 12D 14D 14D special features long. desc. 7pt short desc. long desc. long desc. long desc. long desc. long desc. long desc. long desc. set: 6.5 6.75 6.75 7.75 7.25 7.75 7.75 8.25 8.25 8.25 8.25 9 9 9.75 9.75 10.25 10.25 12 12 12.75 line: M.1239 M.1239 M.1239 M.1268 M.1250 M.1268 M.1268 M.1286 M.1286 M.1298 M.1298 M.1325 M.1325 M.1338 M.1338 M.1368 M.1368 M.1420 M.1420 M.1470
display matrices: size: 14pt 16pt 18pt 20pt 22pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1458 T.1672 T.1873 T.2150 T.2363 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
345: Times Bold No. 2 Roman (see also: 360 Times Bold )composition matrices: UA.324 = 5pt-6pt[229] size: 7pt (7D)9pt (8D)11pt (10D)12pt (12D)set: 7.75 9 10.5 12 line: M.1268 M.1325 M.1368 M.1420
360: Times Bold Roman composition matrices: UA.324 = 5pt-6pt[229] size: 5pt (5D)6pt (6D)set: 6.25 6.75 line: M.1210 M.1239
328: Times Bold Titling No. 2 Roman composition matrices: UA.324 = 5pt-6pt[229] size: 8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)set: 9.25 10.25 10.25 11.5 13 line: M.1360 M.1382 M.1410 M.1440 M.1500
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1671 T.1948 T.2640 T.3194 T.3884 T.4576 T.5248 T.6651 T.7930
332: Times Bold Titling Roman display matrices:[233] size: 18pt 24pt 30pt 36pt 48pt 60pt 72pt line: T.1948 T.2640 T.3194 T.3884 T.5248 T.6651 T.7930
639: Times Cosmoli Titling (cancelled in 1966) 339: Times Extended Titling Roman composition matrices: UA.327 = 7pt-14pt[234] size: 7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)set: 8.5 9.5 10.25 11 11.75 13.25 17 line: M.1356 M.1360 M.1376 M.1410 M.1440 M.1500 M.1738
display matrices: size: 14pt 16pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1671 T.1921 T.2224 T.2534 T.2918 T.3714 T.4406 T.5008 T.6235 T.7515
569: Times Four-line Mathematics 355: Times Hever Titling (see:355 The Times Hever Titling ) 333: Times Newspaper Smalls 335: Times Newspaper Smalls 329: Times Titling Roman composition matrices: UA.328 = 14pt[93] size: 14pt (14D)set: 15.75 line: M.1500
display matrices: size: 14pt 16pt 18pt 24pt 30pt 36pt line: T.1533 T.1707 T.1948 T.2640 T.3194 T.3884
358: Times Titling (cancelled in 1967) 327: Times New Roman Roman /italic 421: Times New Roman Semi-bold Roman /italic composition matrices: UA.325 = 7pt-14pt[203] size: 6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)set: 7 7.5 8.25 9 9.75 10.75 11.75 12.75 14.5 line: M.1245 M.1265 M.1291 M.1310 M.1300 M.1329 M.1358 M.1395 M.1600
display matrices: size: 14pt 18pt 24pt 36pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3884 T.5268 T.6651 T.7930
427: Times New Roman Wide Roman /italic 627: Times New Roman Book Roman /italic Series 627 consist of the special "long-descender" characters and the normal "non-descender" characters of Series 427 composition matrices: UA.327 = 7pt-14pt[235] size: 7.5pt (7D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)14D op 16pEset: 7.75 9 10.25 11.25 12.25 13.25 line: M.1267 M.1328 M.1370 M.1405 M.1438 M.1450
large composition: UA.426, 14pt only Roman size: 24pt (24D)set: 21.5 line: T.2230
display matrices: size: 20pt 24pt line: T.1827 T.2230
474: Times New Roman Heavy Book (destroyed in a bombardment) 727: Times New Roman (Light Caps) Roman 827: Times New Roman (French) Roman /italic (see: Times New Roman 727 )alternative matrices for:small capitals and Roman capitals C G Q R Ç italic capitals C Q R and lower case g and k composition matrices: UA.325 = 6pt-12pt[45] size: 6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (10D)12pt (12D)set: 6.75 7.75 8.25 9 9.75 10.5 12 line: M.1230 M.1268 M.1298 M.1325 M.1338 M.1368 M.1420
179: Titling (see: 179 Modern Titling )synonyms: 179 Titling Modern No. 1 , 179 Titling Italic 180: Titling (see: 180 Victoria Bold Condensed Titling ) (synonym: 180 Victoria Bold Condensed ) 181: Titling (see: 181 Victoria Condensed Titling ) 182: Titling (see: 182 Victoria Titling ) 183: Titling (see: 183 Modern ) 209: Titling (see: 209 Caslon Titling ) 234: Titling (see: 234 Shakespeare Titling ) 440: Titling (cancelled in 1965) 522: Titling (see: 522 Placard Condensed Titling ) 332: Titling Bold (The Times) (see: 332 Times Bold Titling ) __H: Titling (Caps) Roman 180: Titling Condensed (see: 180 Victoria Bold Condensed Titling ) 339: Titling Extended (The Times) (see: 339 Times Extended Titling ) 328: Titling Heavy (The Times) (see: 328 Times Bold Titling ) 355: Titling Hever (The Times) (see: 355 Times Hever Titling ) 179: Titling Italic (cancelled before 1966) (see: 179 Modern Titling )synonyms: 179 Titling 179 Modern Titling No. 1 179: Titling Modern No. 1 (see: 179 Modern Titling )synonyms: 179 Titling , 179 Titling Italic 329: Titling (The Times) (see: 329 Times Titling ) 325; Tonic-Sol-Fa 629: Traveller Roman display matrices:[236] size: 30pt 36pt 42pt 48pt 60pt 72pt line: T.2918 T.3538 T.4161 T.4715 T.5960 T.7100
226: Treyford 114: Trojan Roman (cancelled in 1967)composition matrices: UA.81 = 9pt-11pt[237] size: 9pt (8D)11pt (10D)set: 9.5 11.25 line: M.1306 M.1370
display matrices: size: 14pt 18pt 24pt 36pt line: T.1502 T.1929 T.2576 T.3854
Typewriter is a general style of fonts. All characters are of the same width, or "monospaced"; they are cast with a "flat" wedge. Consequently, all the typewriter font characters are cast with the same die case layout, key banks and wedge. There was more than enough space for all the underlined characters in the die case as well. Printers used these fonts to print mailings for large companies. The print was made to look like a hand-typed personal letter. The press was covered with previously used, worn paper combined with a thin cloth silk tissue. In this way, the type did not receive equal pressure and ink on the paper. Thus it appeared that the letter was typed by a somewhat inexperienced secretary. _82: Typewriter No. 1 Roman composition matrices: UA.28 = 10pt-12pt[96] Series: 82 100 105 235 301 302 344 size: 10pt (9D)12pt (11D)12pt (12D)12pt (11D)10pt (10D)12pt (11D)12pt (12D)set: 12 14.5 14.5 13.25 12 14.5 14.5 line: M.1291 M.1364 M.1550 T.1302 M.1291 M.1364 M.1355
100: Typewriter No. 2 Roman (see: 100 Typewriter 82 ) 105: Typewriter No. 3 Roman (see: 105 Typewriter 82 ) 127: Typewriter No. 4 Roman composition matrices: UA.28 = 8pt-12pt[96] size: 8pt (8D)10pt (9D)12pt (12D)set: 10 12 14.5 line: M.1270 M.1296 M.1364
235: Typewriter No. 5 Elite Roman (see: 235 Typewriter 82 ) 301: Typewriter No. 6 Elite Roman (see: 301 Typewriter 82 ) 602: Typewriter IBM "Executive" Roman This font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase. Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt) composition matrices: UA.442 = 14pt[238] size: 14pt (13D)set: 13.5 line: M.1475
_82: Typewriter Underlined Roman 100: Typewriter Underlined Roman 105: Typewriter Underlined Roman
U 120: Ultra Bodoni (see: 120 Bodoni Ultra Bold ) Univers was developed in cooperation with the French type foundry Deberny & Peignot . It was possible to cast characters in lining with the character bought in France. 693: Univers Bold Roman /italic composition matrices: UA.486 = 5D-12D, extra &: S16511, S16512, superior: L225,[115] size: 5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pEset: 7 7.75 8.75 9.5 10.5 11.25 13 14 15 line: M.1220 M.1234 M.1265 M.1290 M.1320 M.1350 M.1408 M.1436 M.1468
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
694: Univers Bold Condensed Roman /italic 692: Univers Bold Expanded Roman composition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,[46] size: 6D at 7pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pEset: 9.5 11.75 13.75 16 line: M.1234 M.1290 M.1350 M.1408
display matrices: size: 12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1356 T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
696: Univers Extra Bold Roman composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L223, inferior: L255[239] size: 5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pEset: 7 7.75 8.75 9.5 10.5 11.25 13 14 15 line: M.1220 M.1234 M.1265 M.1290 M.1320 M.1350 M.1408 M.1436 M.1468
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
695: Univers Extra Bold Expanded Roman /italic composition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,[46] size: 6D at 7pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pEset: 9.5 11.75 13.75 16 line: M.1234 M.1290 M.1350 M.1408
display matrices: size: 12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1356 T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
684: Univers Extra Light Extra Condensed Roman /italic display matrices: extra &: S16511, superior: L292,[214] size: 18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.2048 T.2538 T.3252 T.4024 T.5420
685: Univers Light Roman /italic composition matrices: UA.483 = 6D-12D, extra &: S16511, S16512, superior: L295,[240] size: 6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pEset: 7.75 8.75 9.5 10.5 11.25 13 14 15 line: M.1234 M.1265 M.1290 M.1320 M.1350 M.1408 M.1436 M.1468
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
686: Univers Light Condensed Roman /italic composition matrices: UA.492 = 5D-12D, extra &: S16511, S16512, superiors: L250,[239] size: 5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pEset: 5.5 6 6.75 7.25 8 8.5 9.75 10.5 11.25 line: M.1220 M.1234 M.1265 M.1290 M.1320 M.1350 M.1408 M.1436 M.1468
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
687: Univers Light Extra Condensed Roman /italic composition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,[241] size: 10D at 11pE12D at 13pEset: 7 8 line: M.1408 M.1468
display matrices: size: 14D at 16pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.2048 T.2538 T.3252 T.4024 T.5420
689: Univers Medium Roman /italic composition matrices: UA.483 = 5D-12D, extra &: S16511, S16512, superiors: L222, inferiors: L254[239] size: 5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE10D at 11pE11D at 12pE12D at 13pEset: 7 7.75 8.75 9.5 10.5 13 14 15 line: M.1220 M.1234 M.1265 M.1290 M.1320 M.1408 M.1436 M.1468
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
690: Univers Medium Condensed Roman /italic composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L251[85] 5D was not supplied after 1969 size: 5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pEset: 5(?) 6 6.75 7.25 8 8.5 9.75 10.5 11.25 line: M.1220 M.1234 M.1265 M.1290 M.1320 M.1350 M.1408 M.1436 M.1468
display matrices: size: 14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
688: Univers Medium Expanded Roman composition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266[46] size: 6D at 7pE8D at 9pE9D at 10pE10D at 11pEset: 9.5 11.75 13.75 16 line: M.1234 M.1290 M.1350 M.1408
display matrices: size: 12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1365 T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
691: Univers Medium Extra Condensed Roman composition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263[46] size: 8D at 9pE9D at 10pE10D at 11pE12D at 13pEset: 5.5 6 7 8 line: M.1290 M.1350 M.1408 M.1460
display matrices: size: 14D at 16pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1587 T.2048 T.2538 T.3252 T.4024 T.5420
697: Univers Ultra Bold Expanded Roman composition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269[46] size: 6D at 7pE8D at 9pE9D at 10pE10D at 11pEset: 9.5 11.75 13.75 16 line: M.1234 M.1290 M.1350 M.1408
display matrices: size: 12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pEline: T.1365 T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420
V 203: Van Dijck Roman .italic composition matrices: UA.354 = 7pt-14pt[126] size: 7pt (6D)7pt (7D)8pt (7D)8pt (8D)10pt op 8D10pt (10D)11pt op 9D11pt (11D)12pt (12D)13pt (12D)14pt (14D)special features short desc. short desc. short desc. short desc. set: 7.5 7.5 8 8 8.75 8.75 9.75 9.75 10 11 12 line: M.1235 M.1235 M.1255 M.1255 M.1286 M.1286 M.1310 M.1310 M.1331 M.1462 M.1457
large composition: UA.423 size: 16pt (16D)18pt (18D)set: 13.25 14.75 line: T.1601 T.1797
display matrices: size: 16pt 18pt 24pt 30pt 36pt line: T.1601 T.1797 T.2398 T.2944 T.3584
520: Van Krimpen Bold (see: 520 Romulus Bold ) _59: Veronese composition matrices: UA.4 = 11pt-12pt[242] size: 11pt (10D)12pt (12D)set: 10.5 12 line: M.1364 M.1420
large-composition matrices: size: 14pt (14D)18pt (18D)24pt (24D)UA. Roman: 106 106 107 UA. italic: 128 128 129 set: 14 18 24 line: T.1533 T.1948 T.2640
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1533 T.1948 T.2640 T.3194 T.3884
180: Victoria Bold Condensed Roman (see: 180 Victoria Bold Condensed Titling ) 180: Victoria Bold Condensed Titling Roman (synonym: 180 Victoria Bold Condensed )composition matrices: UA.49 = 10pt-12pt[140] size: 10pt (10D)12pt (12D)set: 8.75 10.75 line: M.1420 M.1500
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1671 T.1948 T.2640 T.3194 T.3884
181: Victoria Condensed Titling Roman composition matrices: UA.50 = 12pt[243] size: 12pt (12D)set: 12.25 line: M.1715
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1809 T.2224 T.2960 T.3608 T.4436
182: Victoria Titling Roman (synonym: 182 Titling )display matrices:[244] size: 14pt 16pt 18pt 24pt 30pt 36pt line: T.1533 T.1809 T.1948 T.2640 T.3194 T.3884
W 374: Walbaum Roman /italic composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D[203] size: 6D at 7pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14pt (14D)14D at 16pE16D set: 7.75 9 9.75 10 10.75 11.75 13.75 14 15 line: M.1227 M.1225 M.1254 M.1277 M.1285 M.1290 M.1533 M.1533 M.1810
display matrices: size: 14pt 16D at 18pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt line: T.1308 T.1740 T.2110 T.2546 T.3355 T.4044 T.4739 T.5450 T.6830 T.7670
674: Walbaum Roman /italic (see: 374 Walbaum ) 375: Walbaum Medium Roman /italic composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D[203] size: 6D at 7pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14pt (14D)14D at 16pE16D set: 7.75 9 9.75 10 10.75 11.75 13.75 14 15 line: M.1227 M.1225 M.1254 M.1277 M.1285 M.1290 M.1533 M.1533 M.1810
display matrices: size: 14pt 16D at 18pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt line: T.1308 T.1740 T.2110 T.2546 T.3355 T.4044 T.4739 T.5450 T.6830 T.7670
385: Wenceslas Script (cancelled in 1967)display matrices:[78] Designed by Karel Svolinsky, (11 January 1896, Heiligenberg near Olmütz, Mähren - 16 September 1986, Prague) Czech painter, graphic designer and book illustrator. He studied at the school of arts and crafts in Prague. Later, he taught as a Professor at this University. Svolinsky Antiqua (1925), Wenceslas Script(1933) Grotesk(1943)[245] One incomplete set survives at the BookArtMuseum, Lodz, Poland[246] _97: Wide Gothic Roman (see: 97 Grotesque Bold ) 164: Wide Latin Roman (see: 164 Latin Wide ) 273: Wigan Condensed (cancelled in 1965)display matrices:[247] 123: Worcester Old Face (cancelled in 1965)
Fraktur _89: Fraktur Antiqua Roman (cancelled voor 1966) (see also Neudeutsche Fraktur) _98: Alte 'Monotype' Fraktur (cancelled in 1972) composition matrices: UA. 5F[248] size: 6D (6.5pt E)8D (9pt E)9D (10pt E)10D (11pt E)12D (13pt E)14 set: 6.75 8.25 9.25 10 13 13.5 line: .1276 .1349 .1396 .1431 .1530 .1533
display matrices: size: 18 20D 24 24D 30 36 48D 60D line: .2011 .2382 .2724 .2880 .3299 .4014 .5820 .7300
449: Alte 'Monotype' Fraktur Halbfette (see: Alte Fraktur Fette) 102: Alte Schwabacher (cancelled in 1972) _31: Armin Fraktur _32: Armin Fraktur Fette _34: Armin Fraktur Halbfette _37: Bamberger Fraktur (cancelled in 1967) _49: Bamberger Fraktur Fette (cancelled in 1967) _48: Bamberger Fraktur Halbfette (cancelled in 1964) 521: Berliner Fraktur (cancelled in 1965) 387: Blücher Fraktur Fette (cancelled in 1967) 116: Breitkopf Fraktur (cancelled in 1972) 367: Breitkopf Fraktur (cancelled in 1972) 256: Breitkopf Fraktur Fette (cancelled in 1972) 413: Breitkopf Fraktur Halbfette 256: Dürer Fraktur 513: Dürer Fraktur Fette (cancelled in 1965) 512: Dürer Fraktur Halbfette (cancelled in 1965) 363: Enge Fraktur Halbfette (cancelled in 1967) 498: Enschedé Fraktur (cancelled in 1967) 296: Erfurter Fraktur (cancelled in 1964) 379: Essener Fraktur Fette (cancelled in 1967) _38: Fraktur (cancelled in 1964) _94: Große Moderne Fraktur (cancelled in 1967) 308: Helen Fraktur (cancelled in 1964) 384: Hessen Fraktur (cancelled in 1964) 202: Hessen Fraktur Halbfette (cancelled in 1964) 417: Hessen Fraktur Halbfette (cancelled in 1964) 315: Hutten Fraktur (cancelled in 1964) 423: Jean Paul Fraktur (cancelled in 1967) _40: Kasseler Fraktur _41: Kasseler Fraktur Halbfette _56: Koelner Fraktur _58: Koelner Fraktur halbfette 118: Mainzer Fraktur 132: Mainzer Fraktur Halbfette _64: Moderne Fraktur _66: Moderne Fraktur Fette _86: Moderne Schwabacher _93: Moderne Schwabacher Halbfette _35: Neue Schwabacher _36: Neue Schwabacher 463: Rundgotisch 186: Schmale Nürnburger Gotisch (cancelled in 1965) display matrices in 6 sizes[224] size: 14D 18D 20D 24D 28D 36D line: T.1671 T.2054 T.2560 T.3052 T.3524 T.4574
187: Schmalfette Frankfurter Fraktur display matrices in 7 sizes[249] size: 14D 16D 20D 24D 28D 36D 48D line: T.1671 T.2086 T.2620 T.3102 T.3584 T.4654 T.6282
483: Uhlen Rundgotisch 205: Unger Fraktur 277: Unger Fraktus Halbfette _28: Wittenberg Fraktur _29: Wittenberg Fraktur _83: Wuerzburger Fraktur
Non-Latin-typefaces
Amharic 599: Amharic composition matrices: 9D-12D[108] display matrices: 14D 624: Amharic composition matrices: 10D[108]
Arabic 409: Arabic (cancelled in 1946. replaced by series 549) 542: Arabic Bold (destroyed in a bombardement) 415: Arabic Display (cancelled in 1950) 549: Arabic Naskh composition matrices: 8D-18D, for 8D a special mould was needed.[13] size: 8D 10D 12D 14D 16D 18D set: 9.25 11.5 11.5 11.5 13.25 16.5
display matrices: size 24D 36D 48D matrices-holder Xb6SL was needed for casting
589: Arabic Naskh Accented large composition matrices:[108] 649: Arabic Naskh Bold composition matrices: 8D-18D[250] size: 8D 10D 12D 14D 16D 18D set: 9.25 11.5 11.5 11.5 13.25 16.5
display matrices: 559: Arabic Solloss Display matrices:[251] size 54D with holder Xb7SL
507: (see: 507 Urdu ) 707: (see: 707 Urdu ) 721: Farsi composition matrices: 10D-12D[117] display matrices:
Armenian 638: Armanian composition matrices: 8D-12D[108] size: 8D 10D 12D set: 8.5 10.25 12.5
Bangali 470: Bengali composition matrices: 8D-12D[252] size: 10pt 12pt 14pt set: 7.5 9 10.25
700: Bengali composition matrices: 8D-12D[240] size: 10pt 12pt 14pt set: 7.5 9 10.5
701: Bengali Bold composition matrices: 8D-12D[240] size: 10pt 12pt 14pt set: 7.5 9 10.5
670: Bengali Bold (cancelled in 1967)
Burmese 558: Burmese Light composition matrices: 12pt-18pt[140] size: 12pt 14pt 16pt 18pt set: 9 10.5 12 12.75
578: Burmese Bold composition matrices: 12pt-18pt[140] size: 12pt 14pt 18pt set: 9 10.5 12 12.75
Chinese 633: Chinese (cancelled in 1974) 133: Chu Yin (cancelled in 1967)
Coptic 609: Louvain Coptic
Cyrillic (Russian, Serbian, Bulgarian and Macedonian) _42: Albion composition matrices: 6.5(6D)-13pt(12D)[152] size: 6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)cast at: 7pE 9pE 10pE 11pE 13pE set: 7.75 9 9.75 10.5 12.5 line: M.1235 M.1270 M.1300 M.1320 M.1390
_63: Albion composition matrices: 9(8D)-13pt(12D)[170] size: 9pt (8D)11pt (10D)13pt (12D)set: 8.25 9.5 11.5 line: M.1270 M.1320 M.1390
_70: Albion composition matrices: 6.5(6D)-13pt(12D)[170] size: 6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)cast at: 7pE 9pE 11pE 13pE set: 7.75 9.75 11 13 line: M.1225 M.1280 M.1327 M.1387
169: Baskerville (Russian) Roman / italic composition matrices: 9pt-11pt[170] size: 9pt (8D)11pt (10D)line: M.1266 M.1320
display matrices: Roman size: 18pt 24pt 36pt line: T.1672 T.2226 T.3332
370: Bembo Titling display matrices: 36pt-42pt[252] size: 36pt 42pt line: T.4436 T.5196
260: Bodoni Bold Roman / italic display matrices: 14pt-72pt[253] size: 14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt line: T.1356 T.1741 T.2324 T.2914 T.3474 T.4716 T.5823 T.7100
529: Bodoni Bold Condensed display matrices: 14pt-36pt[169] size: 14pt 18pt 24pt 30pt 36pt line: T.1356 T.1741 T.2324 T.2914 T.3444
120: Bodoni Ultra Bold (Cyrillic) Roman display matrices: 14pt-42pt[169] size: 14pt 18pt 24pt 30pt 36pt 42pt line: T.1472 T.1876 T.2502 T.3094 T.3746 T.4436
_17: Cushing (cancelled in 1967) _68: French Old Style composition matrices: 6.5(6D)-13pt(12D)[170] size: 6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)cast at: 7pE 9pE 11pE 13pE set: 7.5 8.75 10.25 12.25 line: M.1215 M.1260 M.1320 M.1388
_69: French Old Style Bold composition matrices: 6.5(6D)-13pt(12D)[170] size: 6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)cast at: 7pE 9pE 11pE 13pE set: 7.5 8.75 10.25 12.25 line: M.1215 M.1260 M.1320 M.1388
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
_44: French Round Face composition matrices: 6.5pt-13pt[254] size: 6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)set: 7.75 9.75 11 13 line: M.1237 M.1285 M.1332 M.1415
201: Garamond Bold (Cyrillic Roman display matrices:[138] size: 18pt 24pt 30pt line: T.1810 T.2364 T.2918
262: Gill Sans composition matrices: 6pt-12pt[255] size: 6pt (6D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)set: 6.5 8 9 9.5 10.25 11.25 line: M.1220 M.1255 M.1285 M.1302 M.1327 M.1360
display matrices: size: 14pt 16pt 20pt 24pt line: T.1395 T.1611 T.2002 T.2480
275: Gill Sans Bold composition matrices: 6pt-12pt[255] size: 6pt (6D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)set: 6.5 8 9 9.5 10.25 11.25 line: M.1220 M.1255 M.1285 M.1302 M.1327 M.1360
display matrices: size: 14pt 16pt 20pt 24pt line: T.1395 T.1611 T.2002 T.2480
373: Gill Sans Bold Condensed Titling display matrices:[126] size: 14pt 18pt 24pt 30pt 36pt 48pt line: T.1811 T.2363 T.3193 T.3886 T.4714 T.6418
233: Gill Sans Cameo Roman display matrices:[126] 485: Gill Sans Condensed display matrices: 14pt-36pt[252] size: 14pt 18pt 24pt 30pt 36pt line: T.1395 T.1841 T.2480 T.2918 T.3606
362: Gill Sans Light composition matrices: 6pt-12pt[255] size: 6pt (6D)8pt (8D)10pt (9D)12pt (12D)set: 6.5 8 9.5 11.25 line: M.1220 M.1255 M.1302 M.1360
display matrices: size: 14pt 16pt 20pt 24pt 30pt 36pt line: T.1395 T.1611 T.2002 T.2480 T.2918 T.3606
_96: Gothic (cancelled in 1965) _51: Grotesque composition matrices: 6pt-12pt[170] size: 6pt (6D)8pt (8D)10pt (9D)12pt (12D)set: 7.75 9.5 11.5 15.5 line: M.1220 M.1235 M.1291 M.1444
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268
_97: Grotesque Bold (cancelled in 1967) _11: Grotesque Bold Condensed (cancelled in 1967) 166: Grotesque Bold Condensed (Cyrillic) Roman (synonym: 166 Grotesque Bold Condensed Titling )display matrices:[252] size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1671 T.2085 T.2778 T.3470 T.4299 T.4991 T.5821 T.7204 T.8623
166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed (Cyrillic) ) _33: Grotesque Condensed Roman composition matrices: 6pt-13pt[170] size: 6pt (6D)9pt (8D)11pt (10D)13pt (12D)set: 6.75 8.5 9.75 11.5 line: M.1255 M.1315 M.1395 M.1440
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268
383: Grotesque Condensed Roman composition matrices: 6pt-13pt[170] size: 6D op 7pE8D op 9pE10D op 11pE12D op 13pEset: 5 6 7 8 line: M.1280 M.1358 M.1410 M.1500
display matrices: size: 14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60 at 72pE72pt line: T.1626 T.2074 T.2776 T.3565 T.4164 T.5620 T.7030 T.7890
383: Grotesque Condensed composition matrices: 6D-12D[170] size: 6D at 7pE8D at 9pE10D at 11pE12D at 13pEset: 5 6 7 8 line: M.1280 M.1358 M.1410 M.1500
display matrices: size: 14D 18D 24D 30D 36D 48D 60D op 72pE72pt line: T.1626 T.2074 T.2776 T.3565 T.4164 T.5620 T.7030 T.7890
_39: Modern Condensed composition matrices: 6.5pt-13pt[254] size: 6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)set: 6.5 8 9.5 11.5 line: M.1225 M.1260 M.1320 M.1390
_77: Modern Extended (cancelled in 1967) _75: Modern Wide (cancelled in 1967) _27: Neo Didot composition matrices: 6.5pt-13pt[170] size: 6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 7.75 9 9.75 10.5 12.5 line: M.1235 M.1270 M.1300 M.1320 T.1390
506: Placard Bold Condensed display matrices:[138] size: 14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48pt at 60pEline: T.1728 T.1964 T.2478 T.2996 T.3442 T.4414 T.5179 T.5960
515: Placard Bold Condensed display matrices:[90] size: 36pt 48pt 60pt 72pt line: T.4299 T.5808 T.7300 T.8760
568: Placard Condensed display matrices:[138] size: 14D op 16pE16D op 18pE20D op 22pE22D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pEline: T.1806 T.2052 T.2544 T.3076 T.3592 T.4614 T.6230 T.7800
522: Placard Condensed Titling display matrices:[126] 194: Plantin Bold (Russian) Roman composition matrices: 6pt-12pt[170] size: 6pt (6D)8pt (8D)10pt (9D)12pt (12D)set: 7 8.5 9.5 11.75 line: M.1237 M.1285 M.1332 M.1415
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651
113: Plantin Light (Russian) Roman / italic composition matrices: 6pt-12pt[170] size: 6pt (6D)8pt (8D)10pt (9D)12pt (12D)set: 7 8.5 10 11.75 line: M.1237 M.1285 M.1342 M.1426
display matrices: size: 14pt 16pt 24pt 30pt 36pt 42pt 48pt 60pt line: T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651
327: Times New Roman composition matrices: 6pt-12pt[256] size: 6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)12pt (12D)set: 6.75 7.75 8.25 9 9.76 12 line: M.1230 M.1268 M.1298 M.1325 M.1338 M.1420
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1438 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
334: Times Bold composition matrices: 6pt-12pt[256] size: 6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)12pt (12D)set: 6.75 7.75 8.25 9 9.76 12 line: M.1230 M.1268 M.1298 M.1325 M.1338 M.1420
display matrices: size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: T.1438 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930
Devenagari 155: Devenagari composition matrices: 12pt-16pt[257] size: 12pt 14pt 16pt set: 9 10.5 12
display matrices: 346: Devenagari Bold composition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig[258] size: 10pt 12pt 14pt 16pt set: 7.5 9 10.5 12
755: Devenagari Italic composition matrices: 10pt-16pt[23] size: 10pt 12pt 14pt 16pt set: 7.5 9 10.5 12
Display matrices 18pt , 24pt , 30pt , 36pt
Gaelic _24: Gaelic composition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt[259] size: 6pt (6D)8pt (8D)10pt (10D)12pt (12D)set: 6.25 8.25 9.25 11.25 line: .1200 .1248 .1330 .1387
large composition matrices: UA.108 = 14 pt, 18pt, UA.109 = 24 pt size: 14pt 18pt 24pt set: 14 18 24 line: .1533 .1948 2640
display matrices: 14pt - 72pt size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt line: .1533 .1948 .2640 .3194 .3884 .4576 .5268 .6651 .7930
117: Gaelic (see: 117 Gaelic Sans-Serif ) 121: Colum Cille (see: 121 Gaelic Colm Cille ) 121: Gaelic Colm Cille _85: Gaelic Display 117: Gaelic Display (see: 117 Gaelic Sans-Serif ) 117: Gaelic Sans Serif
Georgian 539: Georgian Light (cancelled in 1972)display matrices: 16D[105] 540: Georgian Bold (cancelled in 1972)display matrices: 24D 587: Georgian composition matrices: 8D-10D
Glagolitic 598: Glagolitic (see also: 597 Old Bulgarian )composition matrices: 12pt:[252] size: 12pt set: 11.75 line: M.1415
Greek 259: Antigone composition matrices: UA.432 = 13pt:[241] size: 13pt (12D)set: 9.25 line: M.1330
672: Gill Sans Bold Upright is used as "bold" in combination with series 571 & 572 585: Gill Sans Condensed display matrices:[253] size: 14pt 18pt 24pt 30pt 36pt line: T.1395 T.1841 T.2480 T.2918 T.3606
625: Gill Sans Bold Upright composition matrices: UA.452 = 8-12pt:[260] size: 8pt (8D)10pt (10D)11pt (11D)12pt (11D)set: 8 9.5 10.25 11.25 line: M.1255 M.1302 M.1327 M.1360
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1395 T.1841 T.2480 T.2918 T.3606
571: Gill Sans Inclined italic Is used as italic in combination with series 572 and 672, data similar with Series 572: 572: Gill Sans Upright Roman composition matrices: UA.451 = 8-12pt:[260] size: 8pt (8D)10pt (10D)11pt (11D)12pt (11D)set: 8 9.5 10.25 11.25 line: M.1255 M.1302 M.1327 M.1360
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1395 T.1841 T.2480 T.2918 T.3606
473: Greek (cancelled in 1967) _91: Greek: Inclined composition matrices: UA.26 = 6-13pt:[208] size: 6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 6.75 8.25 9 9.75 10.5 12.5 line: M.1198 M.1245 M.1270 M.1300 M.1320 M.1390
_92: Greek: Bold Upright (see also: 92 Greek Upright Display )composition matrices: UA.26 = 6-13pt:[254] size: 6pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 6.75 9 9.75 10.5 12.5 line: M.1198 M.1270 M.1300 M.1320 M.1390
472: Greek: Inclined composition matrices: UA.434 = 8-11pt:[208] size: 8pt (8D)9pt (9D)10pt (9D)11pt (10D)set: 8.5 9.25 9.75 10.5 line: M.1235 M.1260 M.1290 M.1310
_90: Greek: Upright composition matrices: UA.26 = 6-13pt:[23] size: 6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)set: 7.5 8 9 9.75 10.5 12.5 line: M.1235 M.1250 M.1270 M.1300 M.1320 M.1390
_92: Greek Upright Display (Synoniem: 92 Greek Bold Upright )composition matrices: UA.27 = 9-13pt:[260] size: 9pt (8D)11pt (10D)13pt (12D)set: 9 10.5 12.5 line: M.1270 M.1320 M.1390
683: Grotesque Condensed Upright display matrices: 14D-36D[169] size: 14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 26pEline: T.1616 T.2074 T.2776 T.3565 T.4164
718: Grotesque Condensed Upright display matrices: 14pt-36pt[169] size: 14pt 18pt 24pt 30pt 36pt line: T.1544 T.1948 T.2640 T.3332 T.4022
486: Heavy Greek (see: 486 Sans-Serif ) 192: New Hellenic Greek composition matrices: UA.73 = 7-12pt:[261] size: 7pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (11 of 12D)set: 7.25 8.75 9.75 10.5 12 line: M.1225 M.1273 M.1307 M.1332 M.1380
display matrices: 553: Old Style Bold Inclined composition matrices: UA.436 = 9-11pt:[262] size: 9pt (9D)11pt (10D)set: 9.25 10.5 line: M.1257 M.1315
283: Perpetua (cancelled in 1967) 605: Placard Extra Light Condensed display matrices: 14D-36D[253] size: 14D at 16pE16D at 18pE24D at 30pE28D at 30pE36D at 16pEline: T.1860 T.2114 T.3236 T.3722 T.4774
668: Placard Condensed Upright display matrices: 14D-36D[169] size: 14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 16pEline: T.1806 T.2052 T.2544 T.3076 T.3592 T.4614
106: Porson composition matrices: UA.26 = 5.5-12pt:[101] size: 5.5pt (5.5D)8pt (8D)10pt (9D)11pt (10D)12pt (12D)set: 6.5 8 9.75 10.5 12 line: M.1195 M.1250 M.1294 M.1315 M.1356
404: Porson Condensed (cancelled in 1967) 486: Greek: Sans Serif composition matrices: UA.415 = 8-10pt:[263] size: 8pt (8D)10pt (10D)set: 8 9.75 line: M.1250 M.1294
739: Spartan Light Upright Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes composition matrices: UA.454 = 6-12pt:[138] size: 6pt (6D)12pt (11D)set: 7 11 line: M.1282 M.1420
740: Spartan Upright Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes composition matrices: UA.454 = 6-12pt:[138] size: 6pt (6D)12pt (11D)set: 7 11 line: M.1282 M.1420
741: Spartan Bold Upright Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes composition matrices: UA.454 = 6-12pt:[138] size: 6pt (6D)12pt (11D)set: 7 12 line: M.1282 M.1420
565: Times Upright composition matrices: UA.437 = 6-12pt:[264] size: 6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)set: 6.75 7.75 8.25 9 9.75 10.5 12 line: M.1230 M.1268 M.1298 M.1325 M.1338 M.1368 M.1420
display matrices: size: 14pt 18pt line: T.1438 T.1948
566: Times Inclined was used as italic with Series 565 Times Upright composition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal) 567: Times Bold Upright composition matrices: UA.439 = 6-12pt:[264] size: 6pt (6D)8pt (8D)10pt (10D)12pt (12D)set: 6.75 8.25 9.75 12 line: M.1239 M.1298 M.1338 M.1420
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1458 T.1873 T.2640 T.3194 T.3884
667: Times Bold Inclined composition matrices: UA.439 = 6-12pt:[264] size: 6pt (6D)8pt (8D)10pt (10D)12pt (12D)set: 6.75 8.25 9.75 12 line: M.1239 M.1298 M.1338 M.1420
display matrices: size: 14pt 18pt 24pt 30pt 36pt line: T.1458 T.1873 T.2640 T.3194 T.3884
893: Univers Bold Upright composition matrices: UA.439 = 6-12pt:[112] size: 8D at 9pE9D at 10pE10D at 11pEset: 9.5 11.25 13 line: M.1290 M.1350 M.1408
989: Univers Medium Inclined composition matrices: UA.439 = 6-12pt:[112] size: 8D at 9pE9D at 10pE10D at 11pEset: 9.5 11.25 13 line: M.1290 M.1350 M.1408
889: Univers Medium Upright composition matrices: UA.439 = 6-12pt:[112] size: 8D at 9pE9D at 10pE10D at 11pEset: 9.5 11.25 13 line: M.1290 M.1350 M.1408
Gujerathi 460: Gujerathi composition matrices:[153] size: 10pt 12pt 14pt set: 7.5 9 10.5
518: Gujerathi Bold composition matrices:[153] size: 10pt 12pt 14pt set: 7.5 9 10.5
display matrices: 704: Gujerathi composition matrices:[153] size: 10pt 12pt 14pt set: 7.5 9 10.5
Gurmukhi 601: Gurmukhi Bold composition matrices: 12-16pt:[108] size: 12pt 14pt 16pt set: 9 10.5 12
604: Gurmukhi composition matrices: 12-16pt:[108] size: 12pt 14pt 16pt set: 9 10.5 12
604: Gurmukhi Light (see: 604 Gurmukhi )
Hebrew 219: Ashurith (unpointed)composition matrices: 7-8pt:[232] size: 7pt at 12pE (7D)8pt at 13pE (8D)set: 6.5 7
487: Gill (cancelled in 1967) 222: Hebrew composition matrices: 6-8pt:[265] size: 6pt at 9pE (6D)7pt at 10pE (7D)8pt at 13pE (8D)set: 7 7 7
219: Hebrew Ashurith (see: 219 Ashurith ) 221: Hebrew Levenim (see: 221 Levenim ) 220: Hebrew Peninim (see: 220 Peninim ) 228: Hebrew Rabbinic (see: 228 Rabinnic ) 547: Hebrew Schocken No. 1 (cancelled in 1974) 550: Hebrew Schocken No. 2 (cancelled in 1967) 551: Hebrew Schocken No. 3 (cancelled in 1967) 218: Hebrew Sonzino (pointed) (see: 218 Sonzino ) 221: Levênim (unpointed) composition matrices: 7pt:[232] size: 7pt op 9pE (7D)set: 7.25
492: Mayer 488: Mayer Pointed 220: Peninim (unpointed) composition matrices: 5-7pt:[265] size: 5pt at 8pE6pt at 9pE7pt at 11pEset: 5 5.5 7.25
display matrices: size: 14pt , 18pt , 24pt 489: Peninim 217: Peninim Pointed composition matrices: 6-8pt:[232] size: 6pt (6D)7pt 8pt set: 5 5.5 7
228: Rabbinic composition matrices: 11-12pt:[232] size: 11pt (10D)12pt (12D)set: 6.5 7
218: Sonzino composition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot[265] display matrices: 18pt point S5469 to S5476 cast at 6 point
Kannada 588: Kannada composition matrices: 10-16pt:[108] size: 10pt 12pt 14pt 16pt set: 9.75 11.5 13.75 15.75
590: Kannada (see: 590 Malayalam ) 788: Kannada 787: Kannada Semi-Bold
Malayalam 590: Malayalam (synonym: 590 Kannada )composition matrices: 10-12pt:[232] size: 8pt 10pt 12pt set: 9.75 12.5 14.75
660: Malayalam composition matrices: 8pt:
Old Bulgarian 597: Old Bulgarian (see also: 598 Glagolitic )composition matrices: 10-12pt:[252] size: 10pt (9D)12pt (11D)set: 9.5 11.75 line: M.1332 M.1415
Oriya 706: Oriya
Sangalese 557: Sangalese composition matrices: 8-14pt:[236] size: 8pt 10pt 12pt 14pt set: 7.75 9.25 11 13
657: Sangalese Bold composition matrices: 8-14pt:[236] size: 8pt 10pt 12pt 14pt set: 7.75 9.25 11 13
698: Sangalese Italic composition matrices: 8-14pt:[240] size: 8pt 10pt 12pt set: 7.75 9.25 11
699: Sangalese Bold Italic composition matrices: 8-14pt:[240] size: 8pt 10pt 12pt set: 7.75 9.25 11
Syriac 564: Syriac "Estrangelo" composition matrices: 8-10pt:[131]
Tamil 280: Tamil composition matrices:[266] 340: Tamil Bold composition matrices: 8pt-10pt[267] display matrices: 581: Tamil Bold (cancelled) 340: Tamil Heavy (see: 340 Tamil Bold ) 580: Tamil Medium \composition matrices:[266] size: 8pt 9pt 10pt 11pt 12pt set: 9.75 11 12.5 13.5 14.75
708: Tamil Medium composition matrices:[268] size: 8pt 9pt 10pt 11pt 12pt 14pt set: 9.75 11 12.5 13.5 14.75 17
Telugu 426: Telugu (cancelled in 1969) 626: Telugu Medium composition matrices:[151] 726: Telugu Bold
Thai 577: Thai composition matrices:[108] size: 12pt 16pt 18pt set: 9 12 13.5
608: Thai Light composition matrices: size: 12pt 16pt 18pt set: 8.5 11.5 12.75
611: Thai Bold composition matrices: size: 12pt 16pt 18pt set: 9 12 13.5
621: Thai Medium display matrices:[269] 628: Thai Light Italic composition matrices:[232] size: 16pt 18pt set: 11.5 12.75
Urdu 507: Urdu composition matrices: 9D-16D[270] size: 9D 12D 14D 16D cast at: 12pE at 12D 16pE at 16D duplex 18pE at 18D duplex 20pE at 20D duplex set: 10.5 13 14.75 17
707: Urdu Bold composition matrices: 9D-16D[270] size: 9D 12D 14D 16D cast at: 12pE at 12D 16pE at 16D duplex 18pE at 18D duplex 20pE at 20D duplex set: 10.5 13 14.75 17
display matrices: size: 18D 24D 30D 42D 54D cast at: 24pE at 24D 30pE at 30D 36pE at 36D 48pE at 48D 60pE at 60D holder: Xb7SL Xb7SL
External links the site of David Bolton, with much info on Monotype and letterpress. The website of the Type Museum in London, where matrices were still produced with the old machines. Monotype Inc at fonts.com Monotype Inc. for digital fonts. Monotype digital fonts
References ^ https://www.typeroom.eu/30-years-after-its-foundation-type-archive-is-no-more 30-years-after-its-foundation-type-archive-is-no-more ^ Hudy Slinn, Sebastian Carter, Richard Southill: The History of The Monotype Corporation , Printing Historical Society, London, Vanburg Press Woodstock, 2014, ISBN 978-0-900003-15-8 ^ Js. Hermans, ' that's printed... ' but how? , 1961 Intergrafia-series number 17, Edecea Publishing House, Horn ^ N.N., Specimen book of "Monotype" printing types , The Monotype Corporation LIMITED, 43 Fetter Lane, London EC4, 4 vols ^ The Monotype Corporation Ltd. specimen-blade 9-61, Albertus 324 ^ The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 481 ^ The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 534 ^ The Monotype Corporation Ltd. specimen-blade 7-56, Albertus 538 ^ The Monotype Corporation Ltd. 12-36 ^ a b c The Monotype Corporation Ltd. 2-61 ^ a b c d e The Monotype Corporation Ltd. 7-37 ^ The Monotype Corporation Ltd. 10-39 ^ a b c d The Monotype Corporation Ltd. 5-72 ^ a b c The Monotype Corporation Ltd. 5-38 ^ The Monotype Corporation Ltd. specimen blade 6-38 ^ The Monotype Corporation Ltd. specimen blade series No. 354 ^ The Monotype Corporation Ltd. specimen blade 2-70 ^ The Monotype Corporation Ltd. specimen blade 1-77 ^ The Monotype Corporation Ltd. specimen blade 3-40 ^ The Monotype Corporation Ltd. Series no. 238 ^ The Monotype Corporation Ltd. Series no. 279 ^ a b c d e f g The Monotype Corporation Ltd. 7-70 ^ a b c d e f g h The Monotype Corporation Ltd. 4-71 ^ a b The Monotype Corporation Ltd. 11-73 ^ The Monotype Corporation Ltd. 9-70 ^ The Monotype Corporation Ltd. 1-51 and 11-51 ^ The Monotype Corporation Ltd. series no.376 ^ The Monotype Corporation Ltd. series no.378 ^ a b The Monotype Corporation Ltd. 10-41 ^ The Monotype Corporation Ltd. series no.381 ^ a b c The Monotype Corporation Ltd. 2-70 ^ a b c The Monotype Corporation Ltd. 2-73 ^ The Monotype Corporation Ltd. 3-46 and 3-71 ^ The Monotype Corporation Ltd. 8-59 ^ The Monotype Corporation Ltd. 5-51 ^ a b The Monotype Corporation Ltd. 5-76 ^ a b c The Monotype Corporation Ltd. 2-65 ^ a b c d e f The Monotype Corporation Ltd. 10-76 ^ a b c d e f g The Monotype Corporation Ltd. 9-50 ^ The Monotype Corporation Ltd. 1-50 and 7-60 ^ The Monotype Corporation Ltd. 9-37 and 11-50 ^ The Monotype Corporation Ltd. 3-40 ^ The Monotype Corporation Ltd. 3-37 and 10-40 ^ The Monotype Corporation Ltd. 2-60, 4-71 and 10-38 ^ a b c The Monotype Corporation Ltd. 11-76 ^ a b c d e f g h The Monotype Corporation Ltd. 2-68 ^ The Monotype Corporation Ltd. Series No. 138 Bold Face no.3 ^ The Monotype Corporation Ltd. 11-55 ^ The Monotype Corporation Ltd. 5-41 ^ The Monotype Corporation Series no. 197 and 2-57 ^ a b The Monotype Corporation Ltd. 1-72 ^ Castellar at Fonts.com ^ Castellar font family at Microsoft Typography ^ a b c d e The Monotype Corporation Ltd. 5-71 ^ The Monotype Corporation Ltd. 5-67 ^ The Monotype Corporation 5-67 and 12-72 ^ The Monotype Corporation Ltd.5-76 ^ a b The Monotype Corporation Ltd. 8-71 ^ a b The Monotype Corporation Ltd. 2-72 ^ a b c The Monotype Corporation Ltd. 9-69 ^ a b The Monotype Corporation Ltd. 7-68 ^ a b c The Monotype Corporation Ltd. 4-39 ^ The Monotype Corporation specimen blade 3-58 ^ The Monotype Corporation Ltd. series no.412 ^ The Monotype Corporation Ltd. 12-71 ^ a b c d The Monotype Corporation Ltd. 9-37 ^ a b The Monotype Corporation Ltd. 8-55 ^ a b The Monotype Corporation Ltd. 6-72 ^ The Monotype Corporation Ltd. specimen blade series 17 ^ a b The Monotype Corporation Ltd. 5-70 ^ a b The Monotype Corporation Ltd. 3-61 ^ a b The Monotype Corporation Ltd. 9-40 ^ The Monotype Corporation Ltd. 8-39 ^ a b The Monotype Corporation Ltd. specimen blade 3-44 ^ The Monotype Corporation Ltd. Series No. 223 ^ The Monotype Corporation Ltd. 6-38 ^ The Monotype Corporation Ltd. specimen blade 8-68 ^ a b c The Monotype Corporation Ltd. 9-51 ^ a b c d e f The Monotype Corporation Ltd. 12-67 ^ The Monotype Corporation Ltd. series no.171 ^ The Monotype Corporation Ltd. series no.130 ^ The Monotype Corporation Ltd. series no.162 ^ The Monotype Corporation Ltd. Series no 330 ^ The Monotype Corporation Ltd. Series no.112 ^ a b c The Monotype Corporation Ltd. 10-68 ^ a b c d e The Monotype Corporation Ltd. 2-77 ^ The Monotype Corporation Ltd. specimen blade 10-37 ^ The Monotype Corporation Ltd. specimen blade 10-76 ^ The Monotype Corporation Ltd. 11-86 ^ a b The Monotype Corporation Ltd. 11-68 ^ The Monotype Corporation Ltd. 2-60 ^ The Monotype Corporation Ltd. 12-57 ^ a b The Monotype Corporation Ltd. 5-58 ^ a b c d The Monotype Corporation Ltd. 8-60 ^ The Monotype Corporation Ltd. 5-56 ^ a b c The Monotype Corporation Ltd. 8-61 ^ a b The Monotype Corporation Ltd. 4-62 ^ a b c The Monotype Corporation Ltd. 8-68 ^ a b c d e f The Monotype Corporation Ltd. 10-40 ^ The Monotype Corporation Ltd. series No. 68 and 4-56 and 5-40 ^ a b The Monotype Corporation Ltd. 2-40 ^ a b c The Monotype Corporation Ltd. 6-40 ^ The Monotype Corporation Ltd. Series No. 69 and 6-54 ^ The Monotype Corporation Ltd. 3-52 and 11-86 ^ a b c The Monotype Corporation Ltd. 4-73 ^ The Monotype Corporation Ltd. 12-73 ^ The Monotype Corporation Ltd. 11-70 ^ a b c d e f g h i j k The Monotype Corporation Ltd. 4-63 ^ a b The Monotype Corporation Ltd. 3-71 ^ The Monotype Corporation Ltd. 11-71 ^ The Monotype Corporation Ltd. 1-77 ^ a b c d The Monotype Corporation Ltd. 7-72 ^ The Monotype Corporation Ltd. 6-70 ^ a b The Monotype Corporation Ltd. 1-71 ^ a b The Monotype Corporation Ltd. 4-70 ^ The Monotype Corporation Ltd. 6-60 and 12-67 ^ a b The Monotype Corporation Ltd. 3-70 ^ The Monotype Corporation Ltd. specimen-blade Series No. 4 ^ The Monotype Corporation Ltd. 7-67 ^ a b The Monotype Corporation Ltd. 7-65 ^ The Monotype Corporation Ltd. 9-58 ^ a b c d e The Monotype Corporation Ltd. 9-63 ^ The Monotype Corporation Ltd. 8-60 and 10-63 ^ The Monotype Corporation Ltd. 9-41 ^ The Monotype Corporation Ltd. 10-62 ^ a b c d e The Monotype Corporation Ltd. 4-65 ^ The Monotype Corporation Ltd. 12-63 ^ The Monotype Corporation Ltd. 12-40 ^ The Monotype Corporation Ltd. 11-61 and 12.53 ^ a b c The Monotype Corporation Ltd. 11-61 ^ a b The Monotype Corporation Ltd. 12-65 ^ The Monotype Corporation Ltd. specimen-blade 2-72 ^ a b The Monotype Corporation Ltd. specimen-blade 10-40 ^ The Monotype Corporation Ltd. 12-50 and 12-64 ^ The Monotype Corporation Ltd. Series 365 ^ The Monotype Corporation Ltd. 3-69 ^ The Monotype Corporation Ltd. 5-61 and 5-67 ^ a b c d e f g The Monotype Corporation Ltd. 6-65 ^ The Monotype Corporation Ltd. 11-60 and 11-63 ^ a b c d e f g h The Monotype Corporation Ltd. 5-64 ^ a b c d The Monotype Corporation Ltd. 9-62 ^ The Monotype Corporation Ltd. 12-64 ^ The Monotype Corporation Ltd. Series No. 389 ^ The Monotype Corporation Ltd. 9-63 and 12-67 ^ The Monotype Corporation Ltd. 12-37 ^ The Monotype Corporation Ltd. 11-40 ^ The Monotype Corporation Ltd. 8-37 ^ The Monotype Corporation Ltd. 2-70, 7-65, 8-65 ^ Last edition of Matrix ^ a b The Monotype Corporation Ltd. 9-60 ^ a b c The Monotype Corporation Ltd. 8-63 ^ a b c d e The Monotype Corporation Ltd. 6-61 ^ a b c d The Monotype Corporation Ltd. 7-71 ^ The Monotype Corporation Ltd. Series No. 265 ^ The Monotype Corporation Ltd. Series No. 416 ^ The Monotype Corporation Ltd. 2-37 ^ Lanton Monotype specimen blade series 58 & 238 ^ The Monotype Corporation Ltd. 3-59 ^ The Monotype Corporation Ltd. Series No. 305 ^ The Monotype Corporation Ltd. specimen-blade 1-50/1-54 ^ a b c d e The Monotype Corporation Ltd. 4-40 ^ The Monotype Corporation Ltd. 5-40 ^ The Monotype Corporation Ltd. 4-44 ^ The Monotype Corporation Ltd. 4-41 ^ The Monotype Corporation Ltd. series No. 348 ^ The Monotype Corporation Ltd. 7-39 ^ The Monotype Corporation Ltd. 12-52, 3-75 ^ a b The Monotype Corporation Ltd. 2-62 ^ a b c d e f The Monotype Corporation Ltd. 7-64 ^ a b c d e f g h i j k l m The Monotype Corporation Ltd. 5-61 ^ The Monotype Corporation Ltd. specimen-blade 10-47 ^ The Monotype Corporation Ltd. specimen-blade 11-58 ^ The Monotype Corporation Ltd. specimen-blade 1-53 ^ The Monotype Corporation Ltd. 9-38 ^ The Monotype Corporation Ltd. specimen-blade 5-41 ^ The Monotype Corporation Ltd. specimen-blade 9-37 ^ a b The Monotype Corporation Ltd. 8-40 ^ The Monotype Corporation Ltd. specimen-blade 8-56 ^ The Monotype Corporation Ltd. specimen-blade 5-40 ^ The Monotype Corporation Ltd. specimen-blade 6-38/12-51 ^ The Monotype Corporation Ltd. specimen-blade Series No. 14 ^ The Monotype Corporation Ltd. specimen-blade 8-50 ^ The Monotype Corporation Ltd. specimen-blade 7-40 ^ The Monotype Corporation Ltd. Series No. 179 ^ The Monotype Corporation Ltd. 10-36 ^ a b The Monotype Corporation Ltd. 7-50 ^ The Monotype Corporation Ltd. 7-50 and 12-36 ^ The Monotype Corporation Ltd. 7-54 ^ The Monotype Corporation Ltd. Series No. 257 ^ a b The Monotype Corporation Ltd. 6-63 ^ The Monotype Corporation Ltd. 3-38 ^ The Monotype Corporation Ltd. specimen blade 9-37 ^ The Monotype Corporation Ltd. 3-50 ^ The Monotype Corporation Ltd. 12-59 ^ a b The Monotype Corporation Ltd. 6-39 ^ The Monotype Corporation Ltd. specimen blades 1-50, 12-37 ^ The Monotype Corporation Ltd. 9-46 ^ The Monotype Corporation Ltd. Series No. 50 ^ Onyx font family at Microsoft Typography^ The Monotype Corporation Ltd. 7-61 ^ The Monotype Corporation Ltd. 4-60 ^ The Monotype Corporation Ltd. 2-51 ^ a b c d The Monotype Corporation Ltd. 6-66 ^ The Monotype Corporation Ltd. 3-49 ^ The Monotype Corporation Ltd. 11-38 ^ The Monotype Corporation Ltd. Series No. 386 ^ The Monotype Corporation Ltd. 8-58 ^ a b c The Monotype Corporation Ltd. 2-66 ^ The Monotype Corporation Ltd. 4-66 ^ The Monotype Corporation Ltd. 3-52 ^ The Monotype Corporation Ltd. 2-57 ^ The Monotype Corporation Ltd. 4-64 and 12-52 ^ The Monotype Corporation Ltd. 1-70 ^ a b c d The Monotype Corporation Ltd. 12-69 ^ The Monotype Corporation Ltd. 1-38 ^ The Monotype Corporation Ltd. 10-49 and 12-69 ^ a b The Monotype Corporation Ltd. 10-61 ^ a b The Monotype Corporation Ltd. 5-62 ^ The Monotype Corporation Ltd. 5-60 ^ The Monotype Corporation Ltd. 9-61 ^ The Monotype Corporation Ltd. 1-68 ^ a b The Monotype Corporation Ltd. 12-61 ^ The Monotype Corporation Ltd. specimen-blade Series 10 ^ a b The Monotype Corporation Ltd. specimen blade Serie nr. 186 ^ The Monotype Corporation Ltd. specimen blade 7-37 ^ a b The Monotype Corporation Ltd. 2-58 ^ The Monotype Corporation Ltd. 7-46 ^ a b The Monotype Corporation Ltd. 9-39 ^ a b c d e The Monotype Corporation Ltd. 7-62 ^ a b The Monotype Corporation Ltd. 6-60 ^ The Monotype Corporation Ltd. 11-64 ^ a b c d e f g The Monotype Corporation Ltd. 2-63 ^ The Monotype Corporation Ltd. 3-57 ^ The Monotype Corporation Ltd. 3-58 and 5-61 ^ The Monotype Corporation Ltd. 3-58 ^ a b c The Monotype Corporation Ltd. 1-64 ^ The Monotype Corporation Ltd. Series No. 114 ^ The Monotype Corporation Ltd. 4-64 ^ a b c The Monotype Corporation Ltd. 10-67 ^ a b c d e The Monotype Corporation Ltd. 11-67 ^ a b The Monotype Corporation Ltd. 5-68 ^ The Monotype Corporation Ltd. 6-54 ^ The Monotype Corporation Ltd. 7-61 and 12-64 ^ The Monotype Corporation Ltd. Series No. 182 ^ KlingsporMuseum [www.klingspor-museum.de/KlingsporKuenstler/Schriftdesigner/Svolinsky/KSvolinsky.pdf Karel Svolinski] ^ "Home". book.art.pl . ^ The Monotype Corporation Ltd. Series No. 273 ^ The Monotype Corporation Ltd. serie nr. 98 ^ The Monotype Corporation Ltd. specimen blade Serie nr. 187 ^ The Monotype Corporation Ltd. 7-69 ^ The Monotype Corporation Ltd. 11-63 ^ a b c d e f The Monotype Corporation Ltd. 5-65 ^ a b c The Monotype Corporation Ltd. 9-64 ^ a b c The Monotype Corporation Ltd. 4-61 ^ a b c The Monotype Corporation Ltd. 1-61 ^ a b The Monotype Corporation Ltd. 10-60 ^ The Monotype Corporation Ltd. 1-65 ^ The Monotype Corporation Ltd. 10-75 ^ The Monotype Corporation Ltd. specimen blade 6-41 ^ a b c The Monotype Corporation Ltd. 1-60 ^ The Monotype Corporation Ltd. Series No. 192 and 11-60 ^ The Monotype Corporation Ltd. 2-69 ^ The Monotype Corporation Ltd. 11-50 and 2-16 ^ a b c The Monotype Corporation Ltd. 1-59 ^ a b c The Monotype Corporation Ltd. 3-63 ^ a b The Monotype Corporation Ltd. 9-54 ^ The Monotype Corporation Ltd. 1-66 ^ La Corporación Monotype Ltd. 4-74 ^ La Corporación Monotype Ltd. 1-63 ^ de The Monotype Corporation Ltd. 5-73 
